Bullet

since i watched the wrestler i've been on a kick of renting mickey rourke movies and aside from the wrestler i'd say this is his best performance i've seen so far. he was just so good in this movie. he shows so much emotion and still pulls off the whole tuff guy bad ass thing. mickey rourke is effing cool man.

the guy who plays bullet's older brother also really stands out to me. he definitely had crazy, paranoid war vet down.

and bullet's best friend was funny as hell. what a joke.

i heard mixed reviews about this movie so i decided to go in without expecting much and i was pleasantly surprised. i really enjoyed it.

it's not a feel good movie. it has lots of funny bits (for those of us with a sick sense of humor) but at the same time it is quite serious and i think people can learn from it. it may sound cool to be hard and tuff but watch this movie. i think the main intention of the movie was to show kids what street life can do to people (which of course had been done before in other films but its still good).

anyway... they say that this one of mickey rourke's few good moments in that point of his acting career and i would definitely encourage people to check it out.

This is not Mickey Rourke's best work (that title goes to "Barfly"), but it's close. It's a pity that the grittiness of this film made it unacceptable to so many, but for those of us who have known people stuck in the quicksand of inner-city life despite their best instincts (and loved them in spite of their mistakes), "Bullet" rings so sadly true. Rourke, Adrien Brody, and particularly Ted Levine elevate a depressing little gangland story to the level of an epic commentary on the degredation of life at the end of the 20th century. This one is not for the weak stomach, but it IS for the social crusader.

A lot of people bitch that "Bullet" is far from standard Hollywood fare, but what that means to you depends heavily on your personal opinion of Hollywood fare. If you, like myself, don't think too highly of it, then consider this your first boarding call.

The "Bullet" spoken of in the title is the film's central character, a 35-year-old Brooklyn heroin junkie (Mickey Rourke). The film begins with his release from the pen after serving an eight-year sentence, and then proceeds to closely follow the lives of him and those around him -- the parents, an eccentric little brother, a completely shell-shocked headcase of a big brother (Ted Levine, creating yet another standout psychotic), as well as various players in the substance supply industry (Tupac Shakur makes his last screen appearance as the druglord Tank, and does a decent job in a rather thankless role). I'd summarize the plot more clearly if I could, but the fact is, these people's lives just aren't that simple.

"Bullet" is one of those rare movies which somehow leak through the cracks and make it into production with their soul (or lack thereof) intact. One of the few who dare pay attention to the dregs of society. Worse still, actual dregs of actual modern day society. The REAL dregs. The "uncool" dregs which are far less likely to break out the one-liners after offing someone then they are to strip the corpse of all valuables and sell them for drug money.

"Bullet" wastes no time whatsoever on making it's characters presentable. I admit it, there's no way this film could ever have raked in the cash. On the surface, the majority of scenes depicted in "Bullet" are the furthest thing any decent human being would classify as entertainment. But below this poverty and violence is a complex and intriguing world filled with complex and intriguing characters.

The film's craft cannot be faulted. The direction is superb, the soundtrack appropriate -- at times eerily so -- but even despite all this, most viewers will recoil in disgust at the request to tune into the lives and minds of characters as genuinely vile, violent and emotionally unstable as these. Characters that would instruct packs of ten-year olds in mortal combat. Characters that can no longer see the future beyond their next hit. Characters that assault their own image in the mirror. This is ground most viewers aren't willing to tread, and why this film was doomed to fail commercially. But that by no means makes it bad. Those who can stomach the imagery and see beyond it will not be disappointed... with the *movie*. How you'll feel once it sinks in that these kinds of things happen on a daily basis in what is supposedly the most civilized country on the planet is anyone's guess.

This film has a feel of a home movie mixed with real actors. It's hard to explain. Nothing is hollywoodized as far as being over the top, yet the characters are "professional" as in comfortable in front of the camera. They are almost stylized.

Back to the realism. The family here is so real they feel like they could be neighbors. However there is an added component of the family being Jewish, and honestly, this is the first time I remember seeing a Jewish family being portrayed in middle-class, "street" style (if anyone has suggestions for other examples, email me).

By the time it's over you feel like you know the characters, or that you've met people exactly like them if you've ever lived in a moderate to large sized city. Mickey Rourke as Bullet is great, as usual. It's almost as if this role were made for him. I see him as a tragic, heroic figure, fighting against the demon heroin. His kid brother is Adrien Brody, a talented artist and headed down the same path as his brother if he's not careful. There's the 3rd brother, played by Ted Levine, who isn't quite right after coming back from the war. You will feel affection for this man before the end credits. There's the mom and dad, who could be anyone's mom and dad (watch it and you'll see what I mean). A real standout in the film is Bullet's sidekick, John Enos III. In 1996 when this movie was made let's just say Enos was a perfect specimen of the male form. YUM. (Mickey was, likewise, in *excellent* shape!) Not only is Enos gorgeous, but he plays the faithful buddy who is also very wrapped up in his looks role well. Tupac, as Tank, the villain, isn't the greatest actor but he does OK. His clothes and his style are noteworthy. A couple of the gang members have screen presence, including Pudgy and Bullet's old pal who is now one of the white guy gang leaders.

There's a day-to-day sort of realness in the plot. It shows probably a week in the life of the characters. Some disturbing images of abandoned buildings-turned-heroin houses (not sure if they are called that, but if you know what a crackhouse is like, it's the same thing but with heroin. who knows maybe heroin houses are the forerunners to crackhouses and I just don't know it.) Lots of sad junkies doing their various things (shooting up, giving blowjobs for drugs, buying, selling, ODing.) Weaknesses in the film have less to do with the plot and the actors as it does with what seems to be sh*tty editing. That's a shame too, as Bullet (1996) has many elements that could have turned it into a classic.

I decided to watch Bullet for 2 reasons: 1) Mickey Rourke; and 2) it was going to be on HBO at a time when I was looking for a movie to watch. I was glad I watched it. I'll watch it again too. Give it a chance and see what you think of it.

This is the absolute best movie ever. I have never been able to find a movie with more priceless quotes in it that this--unfortunately I can't mention most of them--but here's a few--"Ma where's my teef" "Alright Stanley up against the car" "Shut the **** up Oprah" "Git yer mama's titty out your mouf." "It's dead it just don't work" Ted Levine should have been given 100 Academy Awards for his brilliant portrayal of Louis Stein. My friend Billy hasn't even seen it and he thinks its great and uses these quotes all the time. No other movie in my life has given me such amusement and I haven't even seen it in like 3 years--but there is no need I think we have memorized the entire script. If you have an extremely sick sense of humor then this is the movie for you.