Un pianiste à la croisée des chemins de sa vie retourne chez lui, vers ses amis et leurs problèmes de vie et d'amour.Un pianiste à la croisée des chemins de sa vie retourne chez lui, vers ses amis et leurs problèmes de vie et d'amour.Un pianiste à la croisée des chemins de sa vie retourne chez lui, vers ses amis et leurs problèmes de vie et d'amour.
- Récompenses
- 1 victoire et 4 nominations au total
- Victor
- (as Adam Le Fevre)
Avis à la une
I keep telling my friends to rent it, but I think they are put off by the title they expect some movie with Mira Sorvino, Uma Thurman, Natalie Portman, Lauren Holly, and Annabeth Gish to be something this movie isn't an exploitative movie about 'beautiful girls' when it is in fact a charming movie about how people move through life yet retain a sense of who they are if they can remember where they came from.
Being the typical unmarried man, I rented "Beautiful Girls" because of its attractive title. I had no idea it could be so moving or endearing. I may be just getting soft, but it was one of the few films I have thought about for more than 72 hours after I saw it.
Aside from all the sexual content, swearing, etc., the dialogue between Marty (the now beautiful Natalie Portman) and Willie (my favorite actor, Timothy Hutton) is nothing short of astounding. Willie is enchanted and attracted to this little 13-year old girl next door. As they exchange more and more conversation, he realizes her great potential and even dreams about how he might just be able to wait ten years and maybe marry her.
The scene in which Willie discusses his feelings with Mo, his married friend was the turning point of the story. Willie realizes that, even if she had a love-at-first-sight crush on him, she would drift away as she matures; she would find someone closer to her own age, and Willie would become just some silly old man she met when she was young and had a ridiculous, immature attraction to. He realizes that by just being her friend, he will be able to keep her in a much more real way than if he tries to wait for her to be his lover.
But the one scene I will remember forever, the most perfect scene in the entire movie, in which the dialogue seemed neither forced nor over-elongated, was the scene in the ice-skating rink with Marty and Willie. Marty tells Willie all the things he would have liked to hear before his talk with Mo. She would marry him after they waited five years, etc. The association Willie makes with Winnie the Pooh and Christopher Robins is so beautiful it almost made me cry. (Not really, but you get the point). He gives her a good taste of reality, and she seems mature enough to understand.
In a later scene, Willie tells Marty that he would like to continue being a friend, even a mentor to her, and he has total confidence that whatever she does will be amazing.
There are about three other stories intertwined into the movie, but the Portman-Hutton line stands out as the superior.
Overall, a wonderful movie to which they should have given a title that would attract people with the ability to be moved.
P.S. The funniest part of the entire movie is the confused look Willie and Paul exchange after Mo gives unusually-phrased threats to Steven, who beat up their friend. You have to have seen the movie to understand
The key word in ensemble cast is obviously "cast". And this movie has a stellar cast. Timothy Hutton, as Willy, is perfectly cast. Yes, this is an ensemble movie, but it sort of hovers around his character and he carries the movie so well. And to play off him, Natalie Portman is tremendous in this movie. Despite being the youngest cast member, she outacts most of the adults in this movie. Her chemistry with Timothy Hutton is amazing.
The other cast members, including Rosie O'Donnell, Michael Rappaport, Uma Thurman, and Matt Dillon are also really good in their respective roles. Rosie O'Donnell delivers a hilarious monologue about the differences between men and women and it should not be missed.
The story is relatively simple... a man going back home to attend his 10 year reunion. But because of the complex characters and their various storys, it becomes much more than just a high school reunion. Its a story about a man finding himself. Its a story about a young girl getting a taste of what love might be, despite it being in an unlikely person. Its a story of a man who has to grow up and let go of the long gone high school glory years. Its a story about relationships, between friends, family and couples. All these tales are interwoven into a heartwarming story.
This movie ranks as one of my all time favorite movies.
So after a marathon evening of Gladiator followed by Being John Malkovich, I popped this in the Video and was enthralled! The acting was great and the story relevant to real-life. Everybody goes through these problems, after all. The chemistry between Willie (Timothy Hutton) and Marty (the wonderful Natalie Portman) was brilliant - even though the subject is considered taboo.
Matt Dillion's little triangle with Mira Sorvino and Lauren Holly is an entertaining sideline and Michael Rapaport provides the comic relief as we watch his crumbling relationship with Martha Plimpton. Rosie O'Donnell is also hilarious as the down-to-earth ready-to-break-your-balls-if-you-step-out-of-line type who is happy to rip the rose coloured glasses from your face whenever she feels its necessary.
There is a real sense of friendship between this all-star cast and that really the defining factor in this film. However, the real stars are Hutton and Portman who are simply brilliant. She has perfected the little vixen role in Leon (aka The Professional) and although the characters of Mathilda and Marty are completely different, there is that little inkling of a girl wanting to be loved by a man in her performance. Hutton handles his role with care - and his Winnie-The-Pooh speech is simply heartbreaking!
Le saviez-vous
- AnecdotesThe movie was inspired by the experiences of screenwriter Scott Rosenberg when returning home to Needham, Massachusetts. During what he claimed was the worst winter for his hometown, he was waiting to see if his script Les Ailes de l'enfer (1997) was going to be produced and was getting fed up with writing action movies. Rosenberg cited that there was more action happening with his friends not wanting to accept that they were turning 30 or had commitment issues, which became the basis for Beautiful Girls (1996).
- GaffesGina mentions to Sarah that she looks like Ally Sheedy from Breakfast Club (1985) with the Estevez Brothers. Ally Sheedy and Emilio Estevez were in Breakfast Club but his brother Charlie Sheen (Carlos Irwin Estevez) was not.
- Citations
Paul: Supermodels are beautiful girls, Will. A beautiful girl can make you dizzy, like you've been drinking Jack and Coke all morning. She can make you feel high full of the single greatest commodity known to man - promise. Promise of a better day. Promise of a greater hope. Promise of a new tomorrow. This particular aura can be found in the gait of a beautiful girl. In her smile, in her soul, the way she makes every rotten little thing about life seem like it's going to be okay. The supermodels, Willy? That's all they are. Bottled promise. Scenes from a brand new day. Hope dancing in stiletto heels.
- ConnexionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- Bandes originalesBeautiful Girl
Written by David A. Stewart & Pete Droge
Performed by Pete Droge & The Sinners
Courtesy of American Recordings
Meilleurs choix
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 10 597 759 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 761 790 $US
- 11 févr. 1996
- Montant brut mondial
- 10 597 759 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1