Barb Wire

I'm a fan of the comic book series, Barb Wire (or was, until its cancellation). And I'm afraid I have mixed feelings about the movie. It certainly isn't true to the comic. Barb isn't a tough as nails, but guided by her morals woman. She's a cold blooded killer for hire, in this one. Still, it's difficult not to like Pam Anderson's role, if only because of her being sexy. There is a touch of humor in her campy portrayal. It's not spectacular acting, but it's fun. Pamela also resembles the comic book Barb to an uncanny degree, and the supporting cast is wonderfully cartoony. The story isn't well written, but it gives the cute one liners ("Don't... call me babe"), and action sequences, which are all fun to watch. I realize that it isn't high art, but this movie just has a level of silliness and seriousness that's hard not to like. The music, story, and dialogue all give the movie its cheesiness, and in some way, it's made to be entertaining.

Pam is extremely sexy in this movie, and great to watch. She has a scowl all the time, and is dressed to kill in low cut, tight outfits. Sadly, we don't get that much nudity (which alone could have carried the movie). The scenes where there is some, it's pretty clear, and we get a good look at Pamela's incredible body, and the atmosphere and her poses are always very sexy. But there isn't enough of this. It's a fun blend of action, silly dialogue, nudity, and... well Pamela Anderson. Go rent it. It's not a great movie, but it's not a terrible one, and one that's a heck of a good time. NOTE: I suggest the unrated version. It contains more nudity (there isn't that much to begin with) and a ten minutes of footage at the end with Pamela nude in a bathtub, which is really great.

While Barb Wire isn't an Academy style good movie, it succeeds wonderfully at what it is: a comic book translated to film. It's over-acted and over-the-top, but it's supposed to be. It's great eye candy and lots of fun to watch. I think Pamela Anderson did a great job being a two-dimensional comic book hero - think Clint Eastwood spaghetti western with tight leather. Keep in mind what the film is trying to be and you'll have a great time.

"Barb Wire" was pretty transparently designed as a showcase for both Pamela Anderson's body (too "artificial" for my taste) and her newly-acquired martial arts skills (which, I must say, are quite remarkable). Other than that, it has nothing new to offer to the sci-fi/comic-book adventure genre, although it has a few (too few!) well-executed action sequences and a more professional look than thematically similar crap like "The Demolitionist". (**)

Pamela Anderson Lee will certainly never be mistaken for a talking pig, especially in the outfits she gets to wear in Barb Wire. Pamela has cascading blonde hair down to there, acres of cleavage and plenty of clingy leather getups cut up to here. If you get distracted and call Ms. Wire the dreaded "B" word, you may find yourself dealing with her nasty-tempered Rottweiler, Camille, a sidekick with bite. This highly anticipated comic-book action/adventure, starring the pinup star of Baywatch, lasted only a short time in theaters before going bust, so to speak. I'm sure the backers couldn't care less, as their investment was made back in advance by tremendous worldwide sales. Barb Wire was sold on the star's face and form long before there was a story concept or anything resembling a script. Good thing, too. Yes, the futuristic plot does bear some parallels to Casablanca, but the family resemblance is strictly skin-deep. Barb is a nightclub owner who helps an old flame, now a freedom fighter, and his wife escape from a corrupt police official and some neo-Nazi types. Of all the gin joints in the world, Axel had to walk into Barb's. Barb has just been hosed down while performing a torrid dance onstage and is feeling, well, charitable. The movie gets off to a pretty good start, with tongue well in cheek, but grows wearisome when it forgets to laugh at itself. The explosions, shoot-outs and chases are eventually numbing. Must say, however, I did love the death-by-spike-heel scene which comes early on. Steve Railsback, as the head meanie, Colonel Pryzer, comes across as Tommy Lee Jones-lite. Ms. Anderson Lee, as Barb the Buxom, is game, however, firing oversized weapons and kicking fanny without mussing her makeup. Too bad they couldn't afford some better wigs for her stunt doubles.

Barb runs a bar and is also a mercenary out for herself in the civil war. However when her ex-boyfriend Axel comes to se her she takes a job helping a scientist get across the country to expose a government cover up. However will she remain a mercenary or will she pick sides?

When people are famous for being naked – that's pretty much what they should stay doing. Do we want porn actresses doing serious Hollywood roles? No – let them stick to what they know. I'm not calling Anderson a porno star but lets be honest, she famous for having great breasts right? So how can we harness this star power? Lets put her in tight clothes in a futuristic remake of Casablanca!

The plot is a sheer rip off and still manages to be poor. It is only an excuse for tight clothes and silly big explosions. As a dumb Saturday night special it still barely cuts it for me, although it is noisy, if that's all you want.....

Anderson isn't an actress – if it wasn't for a good publicity agent and a boob-job, she wouldn't even be offered the roles that Shannon Tweed gets! She doesn't convince as an actress as she can't get above the range required by Baywatch – look scared, look happy, look sad, look determined, oh and poke out your boobs! The rest of the cast have nothing to do and it's a shame to see reliable bit part players like Howard and Xander Berkley appearing in this.

Overall it has some pretty explosions but really this is like a Playboy video – it's all designed for the purpose of capitalising on Anderson's body.......why should we be surprised that it does nothing else.