Pendant la Seconde Guerre civile américaine en 2017, Barb Wire possède une discothèque appelée le Hammerhead. Les choses se compliquent lorsque son ex-amant Axel Hood, qui est marié à la fug... Tout lirePendant la Seconde Guerre civile américaine en 2017, Barb Wire possède une discothèque appelée le Hammerhead. Les choses se compliquent lorsque son ex-amant Axel Hood, qui est marié à la fugitive Corrina Devonshire, réintègre sa vie.Pendant la Seconde Guerre civile américaine en 2017, Barb Wire possède une discothèque appelée le Hammerhead. Les choses se compliquent lorsque son ex-amant Axel Hood, qui est marié à la fugitive Corrina Devonshire, réintègre sa vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 7 nominations au total
Pamela Anderson
- Barb Wire
- (as Pamela Anderson Lee)
Amir AboulEla
- Patron
- (as Amir Aboulela)
Candace Kita
- Dancer
- (as Candace Camille Bender)
Mark Collver
- Manny
- (as Marc Collver)
Tina Cote
- Woman in Bar #1
- (as Tina Coté)
Avis à la une
Barb runs a bar and is also a mercenary out for herself in the civil war. However when her ex-boyfriend Axel comes to se her she takes a job helping a scientist get across the country to expose a government cover up. However will she remain a mercenary or will she pick sides?
When people are famous for being naked that's pretty much what they should stay doing. Do we want porn actresses doing serious Hollywood roles? No let them stick to what they know. I'm not calling Anderson a porno star but lets be honest, she famous for having great breasts right? So how can we harness this star power? Lets put her in tight clothes in a futuristic remake of Casablanca!
The plot is a sheer rip off and still manages to be poor. It is only an excuse for tight clothes and silly big explosions. As a dumb Saturday night special it still barely cuts it for me, although it is noisy, if that's all you want.....
Anderson isn't an actress if it wasn't for a good publicity agent and a boob-job, she wouldn't even be offered the roles that Shannon Tweed gets! She doesn't convince as an actress as she can't get above the range required by Baywatch look scared, look happy, look sad, look determined, oh and poke out your boobs! The rest of the cast have nothing to do and it's a shame to see reliable bit part players like Howard and Xander Berkley appearing in this.
Overall it has some pretty explosions but really this is like a Playboy video it's all designed for the purpose of capitalising on Anderson's body.......why should we be surprised that it does nothing else.
When people are famous for being naked that's pretty much what they should stay doing. Do we want porn actresses doing serious Hollywood roles? No let them stick to what they know. I'm not calling Anderson a porno star but lets be honest, she famous for having great breasts right? So how can we harness this star power? Lets put her in tight clothes in a futuristic remake of Casablanca!
The plot is a sheer rip off and still manages to be poor. It is only an excuse for tight clothes and silly big explosions. As a dumb Saturday night special it still barely cuts it for me, although it is noisy, if that's all you want.....
Anderson isn't an actress if it wasn't for a good publicity agent and a boob-job, she wouldn't even be offered the roles that Shannon Tweed gets! She doesn't convince as an actress as she can't get above the range required by Baywatch look scared, look happy, look sad, look determined, oh and poke out your boobs! The rest of the cast have nothing to do and it's a shame to see reliable bit part players like Howard and Xander Berkley appearing in this.
Overall it has some pretty explosions but really this is like a Playboy video it's all designed for the purpose of capitalising on Anderson's body.......why should we be surprised that it does nothing else.
While Barb Wire isn't an Academy style good movie, it succeeds wonderfully at what it is: a comic book translated to film. It's over-acted and over-the-top, but it's supposed to be. It's great eye candy and lots of fun to watch. I think Pamela Anderson did a great job being a two-dimensional comic book hero - think Clint Eastwood spaghetti western with tight leather. Keep in mind what the film is trying to be and you'll have a great time.
I'm a fan of the comic book series, Barb Wire (or was, until its cancellation). And I'm afraid I have mixed feelings about the movie. It certainly isn't true to the comic. Barb isn't a tough as nails, but guided by her morals woman. She's a cold blooded killer for hire, in this one. Still, it's difficult not to like Pam Anderson's role, if only because of her being sexy. There is a touch of humor in her campy portrayal. It's not spectacular acting, but it's fun. Pamela also resembles the comic book Barb to an uncanny degree, and the supporting cast is wonderfully cartoony. The story isn't well written, but it gives the cute one liners ("Don't... call me babe"), and action sequences, which are all fun to watch. I realize that it isn't high art, but this movie just has a level of silliness and seriousness that's hard not to like. The music, story, and dialogue all give the movie its cheesiness, and in some way, it's made to be entertaining.
Pam is extremely sexy in this movie, and great to watch. She has a scowl all the time, and is dressed to kill in low cut, tight outfits. Sadly, we don't get that much nudity (which alone could have carried the movie). The scenes where there is some, it's pretty clear, and we get a good look at Pamela's incredible body, and the atmosphere and her poses are always very sexy. But there isn't enough of this. It's a fun blend of action, silly dialogue, nudity, and... well Pamela Anderson. Go rent it. It's not a great movie, but it's not a terrible one, and one that's a heck of a good time. NOTE: I suggest the unrated version. It contains more nudity (there isn't that much to begin with) and a ten minutes of footage at the end with Pamela nude in a bathtub, which is really great.
Pam is extremely sexy in this movie, and great to watch. She has a scowl all the time, and is dressed to kill in low cut, tight outfits. Sadly, we don't get that much nudity (which alone could have carried the movie). The scenes where there is some, it's pretty clear, and we get a good look at Pamela's incredible body, and the atmosphere and her poses are always very sexy. But there isn't enough of this. It's a fun blend of action, silly dialogue, nudity, and... well Pamela Anderson. Go rent it. It's not a great movie, but it's not a terrible one, and one that's a heck of a good time. NOTE: I suggest the unrated version. It contains more nudity (there isn't that much to begin with) and a ten minutes of footage at the end with Pamela nude in a bathtub, which is really great.
Picture this: a Pamela Anderson science fiction double bill on television. I mean, you'd just HAVE to watch it, wouldn't you? Just to see how bad it was.
1995's Naked Souls kept making me look for the "TV Movie" credit that wasn't there. A cheap and exploitative "erotic thriller" where Pammie exposes her left breast within the first three minutes of the movie. Anderson is an artist, specialising in plaster-casting nude women, rubbing mixture over their breasts while they proclaim "it feels kinda sexy". Her boyfriend, decently played by Brian Krause, is studying brain wave patterns and accidentally crosses his own with that of a serial killer. It's all very silly and derivative, also involving a Faustian pact with a mysterious benefactor. What disturbs is that all the victims of the killer are nude women I mean, who gets into a swimming pool naked? meaning the film uses sexual violence as titillation. Dean Stockwell, in a minor role, is wasted in stuff like this.
If Anderson's role in the predictable Naked Souls was peripheral (and also completely irrelevant to the plot), then Barb Wire sees her take over the screen. Released the following year, this saw the now Pamela Anderson Lee as the titular character, a Barbarella of the 90s. Of course she can't act she only manages one expression throughout the whole two hours but her assured performance is wonderful here. While it's easy to lump both these films together as trash entertainment, Barb Wire is so much more than that. A vibrant, witty and well-directed cartoon for the screen, its constant energy is a delight. What really appeals is in seeing the sheer amount of cinema pastiches the film rigs up. Batman, Never Say Never Again and even The A-Team are all parodied. But most significantly, it shares multiple plot similarities with Casablanca, and I honestly suspect that this was intentional. Or would its 2017 planes really be so old-fashioned? Barb is a neutral bar owner during a war by day (ring a bell?) a vixen for hire by night. The landscape she occupies is an excitingly neon world of legalised prostitution, engineered diseases and sophisticated contact lenses.
Maybe the opening moments Anderson Lee exposing her bare nipples while water washes over them to a baying crowd are tacky and unnecessary. The scenes that follow also contain a torture sequence that is not only misguided in its attempt to arouse but also transparent in its purpose for expository dialogue. Yet beyond those first few scenes we have an action movie that contains above-average scripting for the genre, and some fun moments. It's amusing to try and guess whether Pam knew she was being kitsch or whether she genuinely believed she was giving a good performance. But whatever the answer, it still gets a laugh when a rowdy customer finds his genitals in the mouth of her rabid Rottweiler. "Sit", she tells the dog, much to the drunk's displeasure. "Now, you don't want to see her roll over, do you?"
All the criticisms that can be made against this film that it's badly acted, appallingly scripted, dumb and sexist (even though none of them are 100% true anyway) can be disputed by the fact that it's SUPPOSED to be badly acted, appallingly scripted, dumb and sexist. This is a film that never pretends to be anything other than a pumped-up, camp and downright silly movie. What's more, it succeeds in being more entertaining and convincing than many of the "straight" versions of the same format, with particular note drawn to it's fight scenes. They may be excessive and lack maturity, but they're shot beautifully and are fun to watch. I'm not a huge fan of action pictures, but I thoroughly enjoyed this one. If you want a film that possesses depth and integrity, then see something else. If you want a lovably stupid movie, with Pamela Anderson sticking out her little finger as she burns rubber on a motorbike, then watch this. Tremendous fun.
1995's Naked Souls kept making me look for the "TV Movie" credit that wasn't there. A cheap and exploitative "erotic thriller" where Pammie exposes her left breast within the first three minutes of the movie. Anderson is an artist, specialising in plaster-casting nude women, rubbing mixture over their breasts while they proclaim "it feels kinda sexy". Her boyfriend, decently played by Brian Krause, is studying brain wave patterns and accidentally crosses his own with that of a serial killer. It's all very silly and derivative, also involving a Faustian pact with a mysterious benefactor. What disturbs is that all the victims of the killer are nude women I mean, who gets into a swimming pool naked? meaning the film uses sexual violence as titillation. Dean Stockwell, in a minor role, is wasted in stuff like this.
If Anderson's role in the predictable Naked Souls was peripheral (and also completely irrelevant to the plot), then Barb Wire sees her take over the screen. Released the following year, this saw the now Pamela Anderson Lee as the titular character, a Barbarella of the 90s. Of course she can't act she only manages one expression throughout the whole two hours but her assured performance is wonderful here. While it's easy to lump both these films together as trash entertainment, Barb Wire is so much more than that. A vibrant, witty and well-directed cartoon for the screen, its constant energy is a delight. What really appeals is in seeing the sheer amount of cinema pastiches the film rigs up. Batman, Never Say Never Again and even The A-Team are all parodied. But most significantly, it shares multiple plot similarities with Casablanca, and I honestly suspect that this was intentional. Or would its 2017 planes really be so old-fashioned? Barb is a neutral bar owner during a war by day (ring a bell?) a vixen for hire by night. The landscape she occupies is an excitingly neon world of legalised prostitution, engineered diseases and sophisticated contact lenses.
Maybe the opening moments Anderson Lee exposing her bare nipples while water washes over them to a baying crowd are tacky and unnecessary. The scenes that follow also contain a torture sequence that is not only misguided in its attempt to arouse but also transparent in its purpose for expository dialogue. Yet beyond those first few scenes we have an action movie that contains above-average scripting for the genre, and some fun moments. It's amusing to try and guess whether Pam knew she was being kitsch or whether she genuinely believed she was giving a good performance. But whatever the answer, it still gets a laugh when a rowdy customer finds his genitals in the mouth of her rabid Rottweiler. "Sit", she tells the dog, much to the drunk's displeasure. "Now, you don't want to see her roll over, do you?"
All the criticisms that can be made against this film that it's badly acted, appallingly scripted, dumb and sexist (even though none of them are 100% true anyway) can be disputed by the fact that it's SUPPOSED to be badly acted, appallingly scripted, dumb and sexist. This is a film that never pretends to be anything other than a pumped-up, camp and downright silly movie. What's more, it succeeds in being more entertaining and convincing than many of the "straight" versions of the same format, with particular note drawn to it's fight scenes. They may be excessive and lack maturity, but they're shot beautifully and are fun to watch. I'm not a huge fan of action pictures, but I thoroughly enjoyed this one. If you want a film that possesses depth and integrity, then see something else. If you want a lovably stupid movie, with Pamela Anderson sticking out her little finger as she burns rubber on a motorbike, then watch this. Tremendous fun.
What do you really expect from a chick like Pamela Anderson..? That she´s performing character roles Meryl Streep is normally meant to play?!? In this film you get her usual qualities in a sufficient amount: Pam is pretty, Pam is sexy and she´s joking in a self-ironic humor for the whole film. So what do you want more?!? The opening sequence is great and Udo Kier, one of the most culty German actors next to the deceased Klaus Kinski is also in! Of course, if you expect a great film you certainly will be disappointed: the set decoration is pretty cheap and the plot is stolen from "Casablanca". Nevertheless "Barb Wire" is very entertaining and should be regarded as funny action trash with an attractive main actress - nothing more, nothing less! Just be glad that David Hasselhoff is not in!!! (6/10)
Le saviez-vous
- AnecdotesThe opening "wet strip," in which Barb dances in a strip club with her breasts hanging out of her rubber dress, while being sprayed with water, was suggested by Pamela Anderson after she was inspired by a nightmare she had, in which she was being sprayed with champagne while performing a "nasty dance." David Hogan, who was under pressure to include more nudity, liked the idea, and threw out the movie's original opening to include it.
- GaffesAs the girl is being electrocuted on the table, her hair, which is spread out on the table, keeps changing position.
- Crédits fousA scene of an additional longer opening title sequence, which is just a longer video of Barb Wire dancing topless, following in the credits.
- Versions alternativesUnrated version is slightly longer, where Pamela Anderson Lee is partially topless during the opening credits. Several of the partially topless scenes are taken from the "sexy outtakes" extra scene and re-edited into the opening credits.
- ConnexionsEdited into Time Under Fire (1997)
- Bandes originalesWord Up
Written by Larry Blackmon and Tomi Jenkins
Performed by Gun
Courtesy of A&M Records Ltd., London
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Barb·Wire
- Lieux de tournage
- Long Beach, Californie, États-Unis(Dockyards scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 793 614 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 844 426 $US
- 5 mai 1996
- Montant brut mondial
- 3 793 614 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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