L'associé

I always enjoy Whoopi Goldberg in films, and the 1996 film "The Associate" is no exception. Based on a French film, it's the story of a Laurel Ayres (Goldberg) who is having trouble "making it" in a man's world, though she's smarter than all of them. After being manipulated and beaten out of a promotion at her old job by slick Frank (Tim Daly), Laurel starts her own company and quickly goes nowhere. She gets some help from an assistant at the old firm, Sally (Diane Wiest) and ultimately decides to make up a male associate, Robert Cutty. It works like a charm, and business is flying in the door. However, everyone is most anxious to meet Cutty, and there comes a point when she has to produce him. And when she does, he's obviously been based on Marlon Brando - the older Marlon Brando.

This is an amusing film that could have been hilarious. It does have some great moments, though, and likable characters in Goldberg and Wiest. Other fine performances include those of Daly, Lainie Kazan as a cutting columnist and Eli Wallach as a client.

The other problem I have with the film is that it is sorely dated. It's hard to believe that, while sexism still exists, Laurel would have so much trouble from the old boys' network in 1996. Sure enough, as I suspected, the film on which it is based was done in 1979. Remington Steele, a TV series based on the same premise, was produced in the '80s.

Surely in 1996, a woman of Laurel's obvious talent would have been more appreciated where she worked and could have launched a successful business without a fake male associate. Anne Mulcahy of Xerox and Ho Ching of Temasek Holdings are only two examples of such powerful executives from the 1990s.

Still, it's entertaining and fun, and a reminder that they don't make this kind of comedy anymore.

Too many people/reviews comment negatively on this movie and so, even though I would normally not post my comments on this site, I felt the need to create some *balance* here. This movie is well done, honest, and we ALL need more American movies that sway away from the usual "man-saves-world" trend. Credit to Whoopi and the other actors for choosing these roles. Acted well. It just plain _worked_. It's obvious that I am not too spiffy at this movie-critic role (duh), but as a 16 year old teenager who is unfamiliar with all the movie-jargan yet knows very well when she sees an underrated movie, I tell anyone reading this to watch this movie. And to those who don't think very highly of it, slap yourselves across the face and directly compare the quality of THIS to some of the more popular titles out there... I personally think that 'The Associate' would be better and deserves a much higher rating.

For me, 'The Associate' makes a decent one-time watch. It starts on a promising note with a female black lawyer trying to make it in the man's world. However, at some point as the plot moves, it fails to engage and it's quite clear what will happen in the end. The point 'The Associate' tries to make is that woman can make it on top but it (perhaps unintentionally) presents the men under a negative light. Some of the male characters are presented as stereotypical chauvinists. There are some funny moments that bring a few chuckles but not much that would make one laugh out loud. The best scenes are the ones with Wiest and Goldberg together. Wiest is adorable as the sweet and smart Dugan and Goldberg is adequate as Ayres. However, Goldberg has played several such roles and done numerous similar movies before and even though she's very versatile, she hardly presents anything new in 'The Associate'. I would like to see more of her and Wiest in better movies.

The low rating this movie got here is very strange since statistically , I think, the user rating should reflect the movie resonance/quality quite well - however not in this case.

This evening I watched The Associate for the 4th time and I loved it even more then ever.

Its funny and very cleverly crafted.

I will dare and say - a must see.

9/10

Watchable if nothing else, this Whoopi Goldberg vehicle doesn't reach for the stars, but instead weaves social commentary on the glass ceiling and racial prejudice into the comedy of a business whiz (Goldberg) who invents a fictitious business partner when she finds she can't advance on her own merits, apparently due to her gender and race. But the ruse becomes difficult to manage as various investors demand to meet the elusive "Mr Cutty", and Goldberg resorts to costumes and well-staged theatrics to hide the fact that Cutty doesn't exist.

Reasonable supporting cast features Tim Daly as a sleazy corporate type, ubiquitous to just about every film that depicts 'corporate America', Dianne Wiest as Goldberg's chronically under-appreciated right-hand woman, Eli Wallach as an old-school investor keen to meet the elusive Mr Cutty, and Austin Pendleton as a bookish inventor and CEO on the brink of bankruptcy until Goldberg can restore his standing. Blink and you'll miss Colleen Camp in a very minor role as a detective.

Occasional slapstick and farce, fused with the usual dry-wit for which Goldberg is accustomed, it's a studio picture with all the typical hooks and clichés, nevertheless, very mild and satisfying. And as a footnote, good to see Bebe Neuwirth in a particularly sultry role as an all-too-eager business associate to Wallach; she has a couple of scenes sans most of her wardrobe that are quite revealing.