Spin City

Michael J. Fox is a terrific actor. The supporting cast for this show

were a witty team. However, for some reason the secretary Stacy

was replaced by Heather Locklear. Heather really killed this show,

it was almost dead even by the time MJF left. When she was

added, all the other charactars were pushed to the background

and we hardly ever saw them anymore. Instead, we saw a lot of

Heather interacting with Michael in a strange, contrived way. Then

when Michael J. Fox left, they brought Charlie Sheen in. Charlie

Sheen was all right, but at this point the show was unbearable to

watch because of Locklear's wooden acting abilities and the way

the other cast members (which had dwindled to just four, counting

the Mayor) were shown only once or twice per show. If Locklear had not been brought in and the other cast members

had remained with the show, this show could have survived even

without Fox. This show went off the air in 2002. If you happen to

catch it in reruns, only watch the MJF episodes and the first few

Charlie Sheen episodes, but no more than that.

Another one of the few sitcoms on TV I find very funny and quite witty. The cast is packed with talented performers. Now, don't get me wrong, Michael J. Fox was great in the role of Deputy Mayor Mike Flaherty, but Charlie Sheen does just as good a job at replacing the lead role as Deputy Mayor Charlie Crawford. Rarely, do I watch a show where a lead character is replaced by another actor, and that actor is just as good as his/her predecessor. I have nothing against Charlie Sheen, I really appreciate him as an actor. But I was very pessimistic about him filling Fox's shoes. Well, he succeeded with flying colors!

Anyone who has seen "Ferris Bueller's Day Off" (one of my all-time favorites) should be familiar with Alan Ruck--who played Cameron Frye, Ferris's anal retentive best friend. He pretty steals the show as the witty, perverted Stuart Bondek. I guess I would say he's my favorite on the show. He definitely brings in the biggest laughs! That episode was classic where he was hired as a screenwriter for porno films. Every time someone would utter any sort of sexual innuendo, he would jot it down on his typewriter. Ruck is a superbly talented comic actor. His facial expressions alone, which reveal exactly what he's thinking, just make you want to crack up.

Michael Boatman is funny in sort of straight role--which is a very ironic statement, being that he's playing a gay character. He never tries too hard for a laugh, yet knows exactly the right timing and delivery. But I did notice a plot hole, concerning his character. In one episode, he's trying desperately to quit smoking. Yet they never showed him smoking in previous episodes. That should be listed in the "goofs" section.

Richard Kind has the goofiest role as Paul, the bumbling speechwriter. I can't imagine anyone playing the part better than him.

Barry Bostwick is also quite funny as the Mayor. His deadpan delivery makes his dialogue all the more funnier.

I have to admit, sometimes the show gets too farcical and out of control. Virtually all sitcoms suffer from this--the characters end up saying or doing something ironic for a cheap laugh, even if it doesn't make sense.

But even though the show has its share of lame gags, I'm often dying with laughter every episode. As goofy as it gets, as senseless as it gets, "Spin City" never fails to make me laugh. The cast is excellent and the writing is often sharp. There's not much more I can ask for. I hope the show continues to be a success and lasts about five more seasons!

My score: 8 (out of 10)

"Spin City": Network: ABC; Genre: Sitcom; Content Rating: TV-14 (for language and strong sexual content); Available: syndication; Classification: Contemporary (Star range: 1 - 4);

Season Reviewed: Seasons 5 & 6

To keep this little project manageable I have roped off the new millennium as a starting point to look at television. The trap door in this rule is that if a show was on the air at all after that time I can review the whole thing - except in the instances where that show underwent a change, for better or worse. Unfortunately, as with 'The Drew Carey Show' and 'The Daily Show', 'Spin City' is one such series whose glory days lie before the year 2000 and out of my jurisdiction. Thus, this review is really of a version of 'Spin City' that isn't the heart of this show. It is of a show that had lost it's lead, reshuffled the cast and was on it's dying legs. The change in the show is undeniable, and it would be irresponsible to simply ignore it, but this is not what 'Spin City' really was about.

Created by Bill Lawrence and Gary David Goldberg, 'Spin City' is a traditional sitcom about the womanizing deputy mayor and his staff of spin-masters struggling to save and protect the image of flaky New York City mayor Randall Winston (Barry Bostwick). The real 'Spin City' was driven about Michael J. Fox's terrific lead performance and absolutely impeccable comic delivery (for which he garnered a well-deserved Emmy award and 2 Golden Globes). It crackled with sharp, adult and always laugh-out-loud writing and an awesome ensemble cast to contend with any other on TV. Michael Boatman, Alexander Chapman as James, and Jennifer Esposito's hot Stacey are just 3 of my favorites. And the reunion episode with Christopher Lloyd was superb. Truly one of the funniest shows on the air, It probably gets my vote for the most underrated sitcom of the 90s. During the first 4 years, 'Spin City' was a 4 ½ star show by my scale. It was that good.

At the close of the 2000 season, Fox made a classy exit to fight a private battle with Parkinson's disease. At that signal, the rest of the cast (save for Boatman, Bostwick, Richard Kind and Alan Ruck) jumped overboard like rats form a sinking ship. But all was not quite lost as replacement Charlie Sheen - reportedly hand picked by producer Fox himself - stepped in and stepped up, filling the new role with surprising success and agility. Sheen has picked up Fox's mannerisms for the arrogant Mike Flaherty and incorporated it into his own completely new character, Charlie Crawford (like Fox, taking his own first name). In fact, with this his first project after coming out of rehab, Sheen is something of a revelation here. As hard to believe as it may be for the purists, but he almost comes up to par with Fox.

The fast and steep decline of the series really has nothing to do with Charlie Sheen. I believe it had more to do with the rest of the ensemble leaving and the show making the suicidal decision to shoulder the series on Heather Locklear. 'Spin' then quickly became a 2-person series in which we are supposed to agonize over the sexual tension between the leads and wonder if Sheen and Locklear's characters will get together. It should have occurred to Lawrence that it's fans where smarter than that. Locklear is a black hole that sucks every remaining ounce of life out of 'Spin City'. Sheen's efforts to save the show and the legacy of it's name deserve far better than this. Forget about this. Stick with seasons 1 through 3, and 4 as a bonus, and you will be in good hands.

* ½

Spin City works primarily because of great characters and their interactions and chemistry. I haven't seen any of the new Charlie Sheen episodes, but I saw the Michael J. Fox episodes, and they were quite good. I love Barry Bostwick as the mayor, and how he basically acts like a child.

In Michael J. Fox's last episode, everyone started crying, and you could tell they weren't fake tears. They were real. It wasn't because he was leaving because he was tired of the show. It was because he had Parkinsons disease.

I've always liked Michael J. Fox, because I always thought he had a strong screen presence, especially in Back To the Future. He wasn't one of those stuck up guys. He knew he was short and funny. Now he has moved on to animation films like Stuart Little, but I will always remember his goodbyes from Family Ties, up to the emotional goodbye on Spin City, as he ran out on stage, and the camera picked up one last image of him waving to the audience.

Spin City was a great show for the first three years, okay for a year, and bad for the last two. From what I've read on IMDb, I'm the one who didn't like Michael J. Fox from Family Ties and Back to the Future. I also don't like some of the things I've heard him say in interviews, but that all goes away when he is playing Mike Flaherty. That, I believe, is a sign of a good actor.

This show is by Mike, for Mike, and about Mike, and for the first 3 years of the show, it worked, and worked well. Bringing in Heather Locklear served its intended purpose, which was to create competition for Mike, but it did not work. This show was at its best when Mike was in command of his team of dunces, including the mayor.

In the beginning, Carla Gugino played Mike's love interest, and that created some great moments just in the first 12 episodes. Mike is the Deputy mayor of New York City, and Gugino, as Ashley, was a City Hall reporter. Not a totally original concept, but it worked really well. After the original 12 episode run, they decided that they had enough show without the Ashley character. Apparently it came as a surprise to the producers of the show that New York City politics was enough to stand on its own. So much so that no character other than Mike was ever really explored on this show.

All the other characters are very simple, but very funny. Stuart is the sex obsessed wacko. Carter is the homosexual, token black wacko. Nikki is the unlucky in love, neurotic wacko. James is the naive wacko. Stacy is the foul-mouthed Brooklynite wacko. Paul is just plain wacko.

What made the first 3 seasons great were the story lines and the performances of Michael J. Fox and Barry Bostwick. The fact that they used politics without politicizing the show just makes it a stroke of genius. Think about this: the show is about politics, and it never once got preachy. In fact, I don't believe they ever come out and say what political party the staff is representing. Reading between the lines, you can figure out that they are Democrats, but that is not the point of the show in any way. Others may find this a detriment to the show, meaning it was not socially relevant. This is true, it was not. But it was funny. That was really the bottom line of this show. It was just funny. Nothing more, nothing less. The jokes made you laugh. Whether its a joke about the Pope, or the state of Wisconsin, or homosexuality, or an overflowing toilet (perhaps the single best moment ever on the show).

This show lost me in the fourth season when Heather Locklear came on board. Her character took charge of the office, and the energy that came with Mike in control was gone. In addition, with two well known stars on the show, the other characters were literally filtered out. I would have loved to see Caitlin take on Stacey, but Jennifer Esposito left as Heather Locklear came on. Of course, Mike and Caitlin eventually fell for each other, but it never really worked, and shortly thereafter, Mike was gone.

I personally consider the Charlie Sheen years to be a completely different show, not worthy of comment.