High Incident

My husband and I waited eagerly each week to watch "High Incident." We figured if Steven Spielberg was associated with it, then it had to be good. We were right. This was absolutely the best cop show we had seen up to that time. I can't believe the network canceled it without giving it a chance. We were bitterly disappointed. This show was way better than Hill Street Blues and NYPD Blue and look how long they lasted. The characters were all believable and the story lines were well written. Many of the actors in this show were relatively unknown when it started and they have gone on to bigger and better things. If there were any way to get this show back on the air, we would be thrilled. I hope they will release all the episodes on DVD so we can watch them again. The network executives don't know jack when it comes to what's great and what is just mediocre and boring. They keep all those horrible shows on for years but cancel an excellent show like "High Incident." What a shame.

This show was a show of realism, it captured something about the san fernando valley and at least what i perceived as realistic about the police there (having lived in that area). It showed the sharp contrast from life in the densely populated, gritty, harsh personality northeast (where i grew up), from the life in the suburban, wealthy, always sunny, windswept style, wide open, cheery yet serious, san fernando valley.

This is one of my favorite shows of all time and it always upsets me not only that the series ended, but that towards the end of the series it appeared the show veered from its manner and did stunts and the usual hollywood tricks to get ratings and save a show that seems headed to the chopping block.

One thing that bothered me about the series was that the character of marsh took the fall for the sexual harassment complaint (which i believe may have been part of the reason the show failed), when it seemed almost certain that he was the victim of an officer who knew she was about to get a justified bad review, seduced him and knew just when to kick him out of the house so that the regular police patrol would find him there - it may have made a nice episode for him to figure out that she set him up.

It seems a pity that such talented actors, especially David Keith in his element, Matt Craven and the rest, and writing and cinematography did not pan out into a long running fruitful series.

This show was great! To date, it is the only police/real-life drama show I watched religiously. This show was beautiful in everyway. It was powerful, emotional, touching, and just great writing and filled with great actors. David Keith's role was awesome. I still remember the episode where he busts through a door of this house were a husband is beating his wife, and Kieth pounds the guy into the ground. One of my favorite scenes of all time in any movie or TV show. I hated that they left me hanging with one officer paralyzed, and another in a coma after the shootout. Hopefully, some day this show will be available on DVD or something.

"High Incident" is one of the best police dramas i have seen and believe me I have seen a lot. The emphasis of this show was not the action, but the drama. This doesn't mean there isn't enough action. There is a lot of action to be enjoyed. But when you see the cops at work, you get involved with the characters and sometimes you will hate them, just as real life. The acting is excellent. I cannot understand that a show this great can be cancelled after two seasons, while a c****y show like "Walker, Texas Ranger" can go on and on and on. "High Incident" must come back.

I have it from an inside source the reason the series was canceled was because Eisner and Katzenberg were having a pissing contest. Katzenberg at the time was suing Eisner (Disney) for money he felt he was owed while working at Disney. The series was being reported as picked up in all the tabloids. On the weekend that the season line-up was to be announced, in NYC, Eisner dropped 'High Incident' from the list at the very last minute, without any warning, so nobody could do anything about it.

I was told that Spielberg had said that if he'd known that this could possibly have happened he would have been in New York that weekend. A couple of years later when 'Schindler's List' was to premiere on network TV Spielberg pulled it from ABC and gave it to a different network.

Spielberg got some measure of revenge. Katzenberg got his money. Eisner got to throw his power around. The people who really paid were the cast, the crew and the fans who loved the show.