Jimmy

I saw this film primarily because I am a supporter of Sheffield United. To fully enjoy it however, you need to suspend belief and overlook some of the inaccuracies that it contains. The depiction of Sheffield for example, appears to be more appropriate to the seventies than the nineties and some of the dialogue & accents were "out of date".

However, these were small reservations and overall I enjoyed the film - mainly from the perspective Sheffield United fan. Come on you Blades!!!

Set in the grimy North of England we see Jimmy Muir, played by Sean Bean, being discovered by talent scout Pete Postlethwaite to play football for top tier club Sheffield United to escape the drudgery of his working class roots. This is your classic rags to riches story that had some possibility set in the world of football however the script is riddled with cliches, Maria Giese's direction is totally uninspired and the film takes itself way too seriously. On top of that Sean Bean is about 15 years too old to be playing such a character, being 36 at the time, an age when most footballers are thinking about hanging up their boots.

We even get a Rocky style training montage done Yorkshire style in the cold and dank streets of Sheffield that is quite embarrassing and instead of cheering him on we're only inspired to be quietly pleased for Jimmy as he makes his triumphant return to form after messing up his initial trial for the club after going on a drinking binge.

Sean Bean is more at home in meatier roles playing darker characters in blockbusters like Goldeneye, Lord of the Rings and Game of Thrones. This film needed a lighter touch from a younger actor who would have been more convincing playing Jimmy Muir, where the taste for glory would have come across as meaning so much more to a younger character.

When Saturday Comes has all the working class cliches of living up North such as rebelling against an abusive father, getting drunk down the local pub, leering at topless women in a strip club, working in a dead end factory job and having the younger brother being unable to escape his roots by working down t'pit.

Both Postlethwaite and Emily Lloyd do their best with the material they are given but it feels like it was made in the early 1970's rather than the mid-90's. No doubt die hard Sheffield United fans will get some pleasure from it but for the rest it's as flat as a warm pint of bitter.

Most of the other comments pretty much sum it up - a clichéd plot line, saddled with the problem of finding actors that look as if they are sportsmen. The action was a huge improvement on "Escape to Victory" for sure, but it was still stilted and pedestrian... This film does nothing new - its Billy Elliot with football boots - or should that be Billy Elliot is WSC with ballet shoes on... whatever... but BE was a far, far better film than this could ever hope to be - better sub plots, better acting, better dancing cf football. Sean Bean isn't a great actor - but he's better than this hackneyed excuse of a part.

That all said the cameos almost save this film. The character of Jimmy's dad works - it hurts to watch this sad, bitter, twisted man. Jimmy, brother, Russell, although the dialogue and screenplay is somewhat underwhelming steals the show however for the one really "real" moment in this film that is delivered to perfection - the disappointment, the incredulity, the hero-trashed-before-my-eyes-don't-want-to-believe-it-how-can-you-do-it moment when Jimmy succumbs to peer pressure and downs a large whiskey before ordering another round on the night before his second trial. THAT moment alone takes this film into a fairly abject 5/10.

didds

Sean Bean stars as equally Sheffield United-mad brewery worker Jimmy Muir, a talented footballer who was let down by authority figures as a young man. After ten years working a dead-end job the frustrated Muir meets Annie Doherty, a pretty Irish love interest played by English actress Emily Lloyd, and soon after gets the second chance at his dream that such people always seem to get in these modern fairy tales. Yes, the formulaic plot is predictable and clichéd, but it is still enjoyable to watch and there are quite a few touching moments.

Funnily enough, although this is a football film I felt one of the strongest aspects of the film was the way it dealt with the personal relationships between Jimmy and his family members and friends: Pete Postlethwaite, for example, playing Jimmy's mentor Ken Jackson, puts in a strong, convincing performance, as well as John McEnery as Jimmy's abusive father Joe. A subtle side-track detailing Joe's past and its relevance to Jimmy's present is cleverly done and is to me an important part of the film's overall message.

Unusually for a sports film, the actual football is very well done. Director Maria Giese manages to do what so few directors have before or since in getting both the match itself and the atmosphere right. Every game portrayed is totally believable, from the park football at the beginning to the climactic final match at the end. Giese should really be commended here; each match is very different and she gets the overall feel of each one at least very close to spot on.

One criticism I will give the film, however, is its ending, which seems incredibly rushed and not really believable -- I know I said before that this is a fairy tale but watch the film and I'm sure you will see what I mean. I think that if you cut out ten minutes from earlier in the film and add a few more minutes of action just before the film's climax, the movie would work a lot better. It just seems very sudden to me, that's all.

Nevertheless, "When Saturday Comes" is an enjoyable watch, especially if you're a football fan. By no means brilliant, but still well worth the night in. 7/10.

When Saturday Comes is directed by Maria Giese who also adapts the screenplay from a story by James Daly. It stars Sean Bean, Emily Lloyd, Craig Kelly, Pete Postlethwaite, John McEnery and Melanie Hill. Music is by Anne Dudley and Joe Elliott of Def Leopard fame, and cinematography is by Grant Cameron and Gerry Fisher.

Jimmy Muir (Bean) loves football, beer and women, his lads life is fun but certainly it could be better. Perhaps now that he is dating sexy wages clerk Annie Doherty (Lloyd) things are starting to settle in his life? More reason for optimism is that his football prowess has been noticed by Ken Jackson (Postlethwaite), the coach of Hallam FC, a man with friendly links to the manager of Jimmy's beloved Sheffield United. The world, it seems, is Jimmy's oyster, but problems at home, of the heart and socially, could scupper Jimmy's last chance for glory and life fulfilment.

Completely fantastical rags to riches sports movie with a keen eye for working class based social realism, When Saturday Comes is one of the better football based movies out there. But it is in a genre splinter that's hardly brimming with quality anyway. True enough to say it's treading familiar turf, and the ending holds absolutely no surprises at all. While the last quarter of film badly rushes to get to the "punch the air moment", to leave the picture with a whiff of emptiness. But it's the off field aspects of the tale that strike the better chords.

Jimmy Muir is basically a good guy, he's just caught in the vortex of a blokey lifestyle. Themes of a parental stymie and peer pressure add a bite to the screenplay, especially since the backdrop is one of a working class place that offers only the mine and the brewery for employment. Football is Jimmy's beacon of hope, it keeps him sane, but can he be all he can be? As a character study, with Bean adding grit and emotional guts, Giese's film is assuredly a winner, if only the football aspects weren't so choppy and amateurish, then the film would be better thought of in the sports movie sphere.

Led by Bean, the performances are up to a good standard, even Lloyd, who manages to get away with an iffy Irish accent because her portrayal of Annie is so spunky and grounded. The photography suitably paints it as "Grim Up North", and Dudley's score is melodic and sits nicely with the various emotive turns in the narrative. There's issues and goofs within, especially obvious to those who know about British football, like how old is Bean? Mel Sterland playing for Sheffield United? A home semi-final in the FA Cup? And there's that annoying rush in the last quarter, where everything is condensed without thought to building up expectation. But it shoots and scores most of the time, particularly when away from the football pitch. 6.5/10