Le regard d'Ulysse

Keitel turns in a wonderful performance in this overlong film about a man's search for missing film reels. He plays A, a man who encounters different people on his quest for the reels. There is a lot of symbolism, and the film is very depressing. However it is masterfully constructed, and well acted by most of the cast. It is very hard to find, however.

Theo Angelopoulos can take his place in the line with other great artists, as Bergman, Tarkovskii, etc. The piece is long, but not boring at all, though it's not an easy viewing. Viewer has to posess at least rudimentary knowledge about European, and, in particular, Balkan history. TA transform a personal story into a parable of Odissei's journey, a neverending search for one's soul. The shots are beautiful, even with somehow faded film.

Somebody once said that DW Griffith is to blame for having a wide open horizon, full of possibilities, and settling for melodrama as the blueprint of the movie-going experience.

However, once in a long while, a film comes along that breaks the mold and shows us once again what can be done. Glimpses only, hints at untapped potential. "2001: A Space Odyssey" is one such example. Fellini's "Satyricon" is another. "Solaris" by Tarkovsky. And so is "Ulysses' Gaze". There are more.

I like to be challenged, even as I enjoy some standard Hollywood fare. I like to be shaken up with the promise of a nudge towards enlightenment. I love to feel awakened from my everyday, sleepwalking mode.

Granted, "Ulysses' Gaze" is NOT for everyone. But to dismiss this film as "another one of those art films", to call it bloated, is an exercise in laziness. And to condemn Angelopoulos of arrogance, well, how about considering the terms confidence and conviction instead? I do not pretend to understand "Ulysses' Gaze", the film is so riddled with ambiguities and leaps back and forth into the realm of the subconscious and the surreal. I just allow myself to go with the flow, and regard a world that is so outside of the grid that it is like watching a transmission from another planet, with real people I identify, sharing genuine affection in small gestures. And even though the English dialogue is lacking at times, there is not a single one of those "Hallmark moments" that seems to pervade in contemporary Hollywood fare.

As for the prolonged landscape scenes, they show parts of the world (Albania, Bulgaria) that are as unknown to me as the bottom of the ocean. If just for this alone, I am hypnotized.

To make the effort, to absorb "Ulysses' Gaze", is a small step towards understanding the ruthless, constant plight of the people of that small corner of the world that is the Balkans. Just one small corner. Imagine.

I have to say that "Ulysses' Gaze" is an incredible film, one of a few by which XX century's great cinema should (and will) eventually be regarded.

I have remarked that most American film critics are voting a lot of European films too low. I think the reason why is that they have difficulties to understand them because they know too little of the European history. I think that this film is an example of it. You have to have a very deep insight in the history of Greece and the Balkan to understand this film. Beside the beautiful cinematography, there is more to look for an understanding. It's a pity that a lot of Americans are knowing so little of history, because so there critics are missing a lot!

Major films and movies that I have seen have been primarily service pictures. I say service pictures because any idea being developed is immediately delivered in a reduced state right into the movie-goer's lap. It's a fast philosophy. This is unlike Ulysses' Gaze. I am still impressed by the movie because of its confidence in the viewer. I have read comments complaining about the film's overly long scenes. The scenes are an interaction between your mind and the screen. An image is produced and the director leaves the image for you to contemplate. Images shouldn't be beamed into minds as 10 second clips like Moulin Rouge. So many people explain to me their love of movies as a form of entertainment and escapism. Movies are an art form but like everything in this post-modern age, they cannot exist without the deep intellectual objective view point dividing the subjective experiences. Ulysses' Gaze does not REQUIRE patience it rewards contemplation and understanding.

Story-wise the plot is just as basic as The Wizard of Oz. An individual must journey to find home and a complete soul. I found it as a superb movie with its various allusions to mythology and actual history.