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La septième demeure

Titre original : A hetedik szoba
  • 1995
  • 1h 48min
NOTE IMDb
6,9/10
250
MA NOTE
Maia Morgenstern in La septième demeure (1995)
BiographyDramaWar

Ajouter une intrigue dans votre langueThis movie is based on the life of Saint Edith Stein. She was a German nun of Jewish descent who had converted to Catholicism. Much of her early life was spent as an outspoken academic. Ther... Tout lireThis movie is based on the life of Saint Edith Stein. She was a German nun of Jewish descent who had converted to Catholicism. Much of her early life was spent as an outspoken academic. There, according to the movie, she feuded with Joseph Heller, a fellow professor with right wi... Tout lireThis movie is based on the life of Saint Edith Stein. She was a German nun of Jewish descent who had converted to Catholicism. Much of her early life was spent as an outspoken academic. There, according to the movie, she feuded with Joseph Heller, a fellow professor with right wing beliefs. In 1933, after Jews were no longer allowed to teach, she became a nun in the S... Tout lire

  • Réalisation
    • Márta Mészáros
  • Scénario
    • Roberta Mazzoni
    • Márta Mészáros
    • Éva Pataki
  • Casting principal
    • Maia Morgenstern
    • Elide Melli
    • Jan Nowicki
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    250
    MA NOTE
    • Réalisation
      • Márta Mészáros
    • Scénario
      • Roberta Mazzoni
      • Márta Mészáros
      • Éva Pataki
    • Casting principal
      • Maia Morgenstern
      • Elide Melli
      • Jan Nowicki
    • 1avis d’utilisateur
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires au total

    Photos1

    Voir l'affiche

    Rôles principaux26

    Modifier
    Maia Morgenstern
    Maia Morgenstern
    • Edith Stein
    Elide Melli
    • Rosa
    Jan Nowicki
    Jan Nowicki
    • Franz Heller
    Anna Polony
    Anna Polony
    • Sister Giuseppa
    • (as Hanna Polony)
    Giovanni Capalbo
    • Paul
    Ileana Carini
    Adriana Asti
    Adriana Asti
    • Augusta
    Jerzy Radziwilowicz
    Jerzy Radziwilowicz
    • Hans
    Cintia Lodetti
    Cintia Lodetti
      Nella Ammendola
      Zsuzsa Czinkóczi
      • Dora
      Ryszard Lukowski
      • Jakob
      Jerzy Binczycki
      Jerzy Binczycki
      • University rector
      Teresa Budzisz-Krzyzanowska
      Teresa Budzisz-Krzyzanowska
      • Mother Superior in Nertherland
      Marta Jankowska
      • Nun
      • (as Marta Kalmus)
      Ewa Telega
      Ewa Telega
      • Nun
      Stanislaw Brudny
      Stanislaw Brudny
      • Rabbi
      • (polish version)
      • (voix)
      Jerzy Dominik
        • Réalisation
          • Márta Mészáros
        • Scénario
          • Roberta Mazzoni
          • Márta Mészáros
          • Éva Pataki
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs1

        6,9250
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        Avis à la une

        9EJverh

        An Unforgettable, powerful and a unique story

        "The Seventh Chamber" is one of those rare, tiny, indie films that you run into by accident and because its modest budget or unique subject matter never really gets the recognition it deserves. I came to know it because I've been an avid admirer of Edith Stein or (as she was known in religious life and the Catholic Church) St. Benedicta of the Cross. It was made via Italy and Hungary and is dubbed in Italian (a minor flaw). It tells the later part of this famous German Jewish philosopher's life. It concentrates particularly on her conversion to Catholicism and her consequent entrance into the Carmel (a strict, cloistered convent of the Carmelite nuns). These incredibly important decisions made some monumental changes in her life, such as her life-long rift from her beloved mother and the rest of her, very traditional Jewish family. Where she shined as a philosopher, teacher and lecturer, she was failing in her humble duties as a new nun. She was already in her forties when she entered the convent and had to carry on various domestic, physically demanding duties, normally intended for young girls usually entering the order. Feeling isolated, tired, old, lonely and heartbroken over losing her mother, she persevered in her calling. What initially started as a background story, in the second part of the film is masterfully pushed into the foreground: the Hitler party taking over the Germany and the eventual persecution of the Jews. Edith, now in the convent, is still very much aware (and terrified) of this growing hatred and the rising atrocities that will forever change her life. Maia Morgenstern (Mary from Gibson's "Passion of the Christ") plays Edith in a bravura, tour De force performance that you'll never forget. But, the real strength of this film is its vision. It was filmed in a slightly abstract way, not necessary following linear story-telling. Also, while historically accurate, it chose to develop its own style by a 'free interpretation' of Edith's experience. Sometimes this can hurt the film on account of 'artistic license'. Not here. It respects the facts but by zeroing in on Stein's possible interpretations, some of them coming from her own writings, and some not. This gives the story a considerable edge and is, simply, staggering in emotions. It is not an easy experience to watch and it is not entertaining in a traditional sense. It was not meant to be, however. The story of this individual, similar in fate to all Jews in WWII Europe, is a heavy, heartbreaking account, no matter what the circumstances. That, in fact, is the story of the film, more than being a narrative biography of a person. Once you see it that way, it will take a life of its own and you will be completely immersed in it and not likely to forget it soon. The films this bold and unique are not being often made. It was never picked up by the Hollywood for its difficult subject matter (the protagonist is a nun) and that's good because it retained its originality and vision. "The Seventh Chamber/ Room" will touch the deep corners of your heart and psyche, making it a truly powerful, important and simply unforgettable viewing experience.

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          Last role for Cintia Lodetti.

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        FAQ15

        • How long is The Seventh Room?Alimenté par Alexa

        Détails

        Modifier
        • Date de sortie
          • 6 juin 1996 (Pologne)
        • Pays d’origine
          • Italie
          • Hongrie
        • Langue
          • Hongrois
        • Aussi connu sous le nom de
          • The Seventh Room
        • Lieux de tournage
          • Hongrie
        • Sociétés de production
          • Budapest Filmstúdió
          • Eurofilms
          • Morgan Film
        • Voir plus de crédits d'entreprise sur IMDbPro

        Spécifications techniques

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        • Durée
          1 heure 48 minutes
        • Couleur
          • Color

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        Maia Morgenstern in La septième demeure (1995)
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