The Shooter

****SPOILERS**** After the Cuban Ambassador to the UN is assassinated in New York City the CIA, with the help of Cuban government officials, trace the killer to be the daughter of an exiled anti-Castro Cuban living in the Czech Republic who's a professional assassin named Simone Rosset and using the name of Yanna Natova, Maruschka Detmers.

With a major meeting by the Cuban and US government set in Prague to re-establish diplomatic relations between those two countries it's expected that Simone will disrupt the meeting by trying to kill both the Cuban and US officials expected to sign that agreement.

Sending US Marshall Michael Dane, Dolph Lundgren, to arrest Simone and bring her back to the US to stand trial for the Cuban Ambassador's murder Michael is met by his long time friend and US government agent Alex Reed, John Aston, to help him in finding and arresting Simone.

After tracking her down during a number of car and train chases as well as a dangerous jump, from a high bridge into the Danube River, that almost killed both Michael and Simone, Michael finally captures her. Later as Michael is about to take Simone to the Prague airport to fly with her back to the US, to be tried for murder, Simone tells him that she never was in New York the day of the Ambassador's killing and never left the Czech Republic in five years; Simone also tells Michael that she'll never live to stand trial. Simone's prediction comes sadly true when she's assassinated in a Prague hotel room after Michael saved her life from a number of assassin attempts that he foiled.

One of Dolph's better efforts showing that he could act as well as haul and kick butt that he's so well known for. Realizing, too late to save Simone's life, that it's evident that there are those in higher ups in both the US and Cuban governments who don't want that signing to take place Michael goes to the signing ceremony in Prague to prevent it from being disrupted by the real assassins of the Cuban UN Ambassador.

Great action scenes that leave you black and blue just from watching them with Dolph Lundgren at his best as the reluctant hero who breaks with his superiors, to stop the very assassination that he was assigned by them to prevent, who think that the real killer is already dead.

Maruschka Detmers is the biggest surprise in the movie by being every bit as good as Dolph in the action scenes but also touches the heart-strings with her both sensitive as well as tragic performance as the doomed Simone. Tremendous final under the streets and on top of the buildings of picturesque Prague with Dolph Lundgren, bloody T-shirt and all, saving the day by putting the bad guys on ice as well as single-handedly restoring US-Cuban relations for the first time in some forty years.

'The Shooter' (aka 'Hidden Assassin' which I find much cooler title) is quite trivial on the plot wise - special agent goes to Prague to catch supposed assassin, but things aren't like they seem. But the movie is well shot - bleak and cold cinematography creates nice '90s Eastern-European vibe, and somehow manages to feel artistic. By the time of filming this movie Dolph Lundgren's acting range had improved a lot and he is not as wooden as in some of his earlier movies. Heavely flawed, but still enjoyable time passer.

It's really hard to believe that this movie was directed by the same person who directed FIRST BLOOD. I was expecting top-grade action, especially since Lundgren was the star, but the movie is a real bore. Oh, there are shootings, hand-to-hand combat, and chases, but all of this is presented to come across as just as unexciting as the rest of the movie. The script is (mostly) unsurprising, containing a major plot twist that you'll see coming from the first few minutes of the movie. (Though I admit the eventual plot turn concerning the female lead did give me a surprise.) Movie is also badly photographed, with muddy colors throughout. Lundgren tries, but is pretty overwhelmed, and the best performance turns out to be by John Ashton, playing Lundgren's buddy. Recommended only to die-hard (and very forgiving) Lundgren fans.

I feel bad writing this review, since my far-from-perfect rating mostly reflects my disappointment in having expected a different kind of movie. Honestly, HIDDEN AGENDA is a pretty good film from Dolph Lundgren's early DTV career...if you're looking for a spy thriller. The film is directed by the maker of FIRST BLOOD and co-written by one of the scribes behind STATE OF PLAY. Contained within a low-budget sphere, the quality is there, but it just doesn't deliver the kind of thrills I want to see from the Swedish Superman. This is definitely a movie you'll have to check out for yourself to get the full gist of it, unless you're looking for a genuine action film like me - then you can save your money.

The story: CIA agent Michael Dane (Lundgren) is assigned to apprehend the prime suspect in an ambassador's murder (Maruschka Detmers) in Prague and bring her to America, not knowing that he's about to be thrown into a web political intrigue and treachery.

Considering that the film was made for a slim $7 million and as a cooperative effort among five countries, it looks admirably good. There's one embarrassing instance early in the picture where the filmmakers had to fudge a laser pointer, but otherwise, director Ted Kotcheff's capabilities shine through - not only by successfully filming scenes you wouldn't expect to find in a cheap film, but also by making the East European filming location fun to look at. Authentic Czech is spoken throughout, which is pretty nice, and the film maintains a sense of gravity and importance that'd be exceedingly rare in Lundgren's subsequent career.

The movie isn't completely without good action. There's even a segment I particularly like, wherein Lundgren has a shootout with a sniper while clinging to the ledge of a tall building. However, the problem is that very little of the action is the kind that I like. It's almost all shootouts and car chases, which leaves exceedingly little room for martial arts. Lundgren once claimed to have injured himself before he could complete all of the scenes, which might explain the lack of more hand-to-hand action, but it's still disappointing. Additionally, however good the writing might detail the progression of the whodunit-style mystery, I have to take it to point for its truly forced romance between our two leads. Apparently Dolph's charms are so great in this picture that not even a lesbian character can withstand him.

For most fans, I'd imagine the movie is at least worth a look, unless you're on the same page as me and would miss the almost-nonexistent fisticuffs.

I quite like watching Dolph Lundgren movies that are high on atmosphere. One of my favourite movies is Silent Trigger, which is just gorgeously shot. So I read reviews of this one as being also beautiful, and there's sniping in the movie too, so I went with it.

I'm not going to make a huge fuss and tell you that the movie is Barry Lyndon, but it really is purty. I'll get to that after a brief round up of the plot.

So the Dolphage here is US Marshal Michael Dane, who has been sent abroad to kidnap Simone Rosset (Maruschka Detmers), a sniper who is accused of assassinating a Cuban official in New York, and bring her to trial. I don't quite know how controversial such an extra-jurisdictional kidnapping is, there are documented cases of the US doing it, but I wouldn't have thought the US Marshal service would have been employed. It's morally wrong, as Rosset says in the movie, if the Czechs abducted a US citizen from Pittsburgh for trial in the Czech Republic, that would be a huge international incident.

Thing is she may not even have done it, and Dane (like Waxman in Silent Trigger) has a troubled conscience. Rosset has been in retirement for at least a decade and is now running a restaurant in Prague with her lover Marta (Assumpta Serna), their world is not just a little intoxicating to Dane. You get a sense, when he sees Simone's expressive dancing in a lesbian night club, that it's an image that will be engraved into his mind for the rest of his days. Assumpta Serna's presence is welcome, she's an unbelievable sauce who actually appears to have more sexual power 10 years later in the Quay Brothers' superb movie PianoTuner of Earthquakes at the age of nearly 50.

Purty places include the fabulous Czech restaurant, which I suspect is probably a little more touristy than the movie suggests (you can see Alphonse Mucha designs on the backs of the menus - famous artist of Prague). There's also a lovely wine cellar, and Marta's flat is quite beautiful. Something I harp on about a lot is the transformative quality of interior design in movies, it really does help if you have good diegetic lighting and plush dream apartments in movies. Marta has candles a plenty, cushions on the floor to lounge on, and lovely greenery everywhere, cheese plants, mimosa, and the like. Marta and Simone, one gets the impression, are experts at living.

Although others have said that the special effects are not all that, I think there's a couple of pretty cool ones, take the leap to the metro car for example. It's true that the movie is a cheapie compared with modern stuff, but I don't think a few cases of movie explosives were going to make this one better.

The plot is fairly much all over the place, and the Cuban officials in the movie a big annoyance, the fact that Dolph is basically the adopted son of one of the spooks comes off as pretty silly, as does the major plot twist. Despite what is also a fairly ludicrous ending, there are very cool parts to the script, such as the observation by Alex (the adoptive father), that the only time self-doubt is useful is when you're playing Hamlet on stage. There's also a kind of strange beauty to the fights between Dolph and Simone, in that he's more than twice her size, and yet she has enough nouse to make them last out.

The lasting value is in the film's aesthetics, and the haunting of Dane, as well as the occasional fairly cool special effect. It joins my list of flawed but very purty and lovable movies that were made during my childhood, alongside the likes of Albert Pyun's Cyborg, and Wes Craven's Shocker.