Pie in the Sky

I liked this film- I saw it to catch a bit player Larry Holden - but Charles and Heche make this a passable romantic movie. It was just offbeat enough- romance between a sky jockey and a modern dancer to be appealing... and the side bar- the lusty landlady added to the humor... a nice variant to boy loves girl, boy loses girl and then gets her back....

Having worked for Metro Traffic (the organization whose LA office is featured in the film) for 20 years, I got I big chuckle out of Josh Charles' line, "After all, who wouldn't want to work for Metro Traffic."

If I remember correctly, producers of this film contacted our then-CEO David Saperstein about using the company in the film and he was glad to oblige. David and his wife, Suzanne, had recently been featured on "Lifestyles of the Rich and Famous." The scenes at the Metro Traffic Control office in LA were actually filmed on location there and not a movie set. I've had fun over the past few years loaning my copy of this flick to fellow employees and noting their varied reactions.

I actually have encountered employees in this company who have the same obsession with traffic as Charles' character. And, thank goodness I'm not one of them. I have a real life.

Some have described this as a sort of "When Harry Met Sally" for the West Coast, mainly because the two lovers meet repeatedly over the course of years. In this respect the two are similar but not in any other way.

The director's first feature is a reasonable romantic comedy about two "kooks" that fall in love whilst trying to find their respective dreams in live. Josh Charles dreams of being a traffic reporter like his idol John Goodman. Anne Heche dreams of a career in dance. The film follows their love affair from childhood to adulthood in LA.

The film tries to make the characters interesting by giving them quirks. Charles' interest in traffic is quite well explained but still seems strangely unlikely. The other characters don't fit their actions at all and aren't developed well - from Heche to Goodman they all seem to be written as "quirky" to be interesting, while their actions are written to move the story along.

The story tries to draw the traffic element into some sort of metaphor for life & love but again it doesn't really fit. Even the soundtrack, despite containing good songs, is the usual fare for this type of romantic film.

Overall a poorly developed film that never really convinces - from the quirks, the performances and the ending. Only the scenery and the idea of traffic as a metaphor for love is there to hold the interest.

This is an imaginative movie, with elements of the slightly farcical movies of the '80's (Secret of my Success, you know the sort of thing). It's saved from mediocrity and anachronism by a sort of twisted realism caused by disjointed, surprising plot changes/devices. This is also evident in the sex scenes (with a sort of "left a bit"/"can we... move down the bed" approach) which makes the romance element all the more touching.

Josh Charles (Threesome, Dead Poets Society) delivers a traffic metaphor heavy Kevin Bacon (in She's Having a Baby)-esque narration competently, while Anne Heche manages to pull off being equally expressive, beautiful and serene. It's very hard not to love her in this movie, should you let yourself fall into the sap trap.

It's a striking film, touching and witty. Feelgood? Yeah, I guess I feel alright.

I saw this movie probably 3 years ago and thought it was pretty good. Josh Charles does a nice job as a traffic controller in a small town who dreams of landing a big job in a big city. The movie details his life, more or less if I remember correctly. Great song by Rusted Root is featured in the movie (send me on my way).