Peur panique

It's a trifle, of course, and it IS hard to know what attracted Wes Craven to such a degree that he lent it an "Executive Producer" credit, but it does have some interesting touches. The first is the compassion it shows for the "monster". In fact, although many have made the "Alien" connection (mainly because of the underground tunnels and shafts), it really plays more like a variation on the "Frankenstein" myth; there is a scientist who wants to "play God" and a sad creature that is forced to become murderous (and his killing method owes more than a little to Cronenberg's "Rabid", too). Another interesting idea is the way all the characters are initially presented as either bland or obnoxious (and boy are the two male teenagers obnoxious!), only for most of them to reveal some redeeming side later on. And the gore fans will get some moments they can appreciate in this one, particularly an eyeball-piercing in close-up! Lance Henriksen reportedly said that this is one of those films that "pay your alimony", but at least he handles it like a pro and doesn't show any contempt for his audience. The film's worst part is the ending, which gets so far-fetched it's almost funny. But all-in-all "Mind Ripper" is worth one viewing. (**)

This movie seems to be the equivalent of watching all of the outtakes from the original Aliens film. It's fun to see Natalie Wood's daughter and Giovanni Ribisi in a film, but other than that, there's nothing at all entertaining about this.

A 'Wes Craven presents' movie from 1995, directed by Joe Clayton and starring Lance Henriksen. A group of scientists save a dying man they find by their desert stranded government outpost by injecting him with their experimental virus, of course, one of their colleagues goes overboard and the virus transforms the man into a near unstoppable monster with them trapped inside. Lance Henriksen plays the morally offended researcher who leaves the project before all this, but returns after receiving a call for help to save the man (pre-unstoppable death machine mutation).

Deciding to combine two trips in one he brings his family along with him (they're going on vacation afterwards) and proceeds to give them entry to the top secret government facility, thus putting them right in the middle of the chaos within. In case you can't tell, this one relies on the viewer to work with it a little and put aside some petty (see: major and blatant) details.

Overall though: Watch-able with mild bits of enjoyment. Note: The Outpost is commonly known under the title 'Mind Ripper'

This film is a bit of a tough watch. It has a decent cast, alright cinematography and some worthy practical effects, but the screenplay just doesn't work, and the director probably had a hard time since the writer is the producer. I know this was initially written as The Hills Have Eyes Part III, I think that script would have been better. There's a lot of references from great films, for instance the antagonist feels like a human version of a xenomorph, which in a way works. There's a line I find funny - the brother says to his sister's boyfriend "You couldn't get a piece of ass if you were a toilet seat". Bro, he's bangin' your sister lol.

Lance Henriksen is the name actor in this Wes Craven produced horror film. Set in an underground desert facility, it follows the events that happen after some government scientists inadvertently create a humanoid monster when they inject a virus into a dying man in order to save his life.

I have a bit of an immediate dislike of any sci-fi or horror films that fall under the category I can best describe as 'corridors underground (or in outer space)'. These low budget genre films feature characters running away from a deadly enemy in confined locations with lots of corridors. The reason so many of these types of movies are made is that the sets required can be cheaply knocked together. The issue, however, is that the vast majority of them turn out to be very tedious and highly unoriginal. Mind Ripper is another in this line of not very good movies. This one throws some highly uninteresting family melodrama into the mix and needless to say it doesn't add much value. The best moment for me was probably the part where the monster suddenly killed all the sympathetic characters in a frenzied attack; I was thinking at the time that this was quite interesting and a nicely unexpected turn of events. Turned out it was a dream sequence from the monster's perspective. Sigh.