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Once Upon a Time... When We Were Colored

  • 1995
  • PG
  • 1h 55min
NOTE IMDb
7,4/10
585
MA NOTE
Once Upon a Time... When We Were Colored (1995)
DramaRomance

Ajouter une intrigue dans votre langueA narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.

  • Réalisation
    • Tim Reid
  • Scénario
    • Clifton L. Taulbert
    • Paul W. Cooper
  • Casting principal
    • Al Freeman Jr.
    • Phylicia Rashad
    • Leon
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    585
    MA NOTE
    • Réalisation
      • Tim Reid
    • Scénario
      • Clifton L. Taulbert
      • Paul W. Cooper
    • Casting principal
      • Al Freeman Jr.
      • Phylicia Rashad
      • Leon
    • 9avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Photos14

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    + 6
    Voir l'affiche

    Rôles principaux56

    Modifier
    Al Freeman Jr.
    Al Freeman Jr.
    • Poppa
    Phylicia Rashad
    Phylicia Rashad
    • Ma Ponk
    Leon
    Leon
    • Uncle Melvin
    Paula Kelly
    Paula Kelly
    • Ma Pearl
    Salli Richardson-Whitfield
    Salli Richardson-Whitfield
    • Miss Alice
    • (as Salli Richardson)
    Anna Maria Horsford
    Anna Maria Horsford
    • Miss Annie
    Bernie Casey
    Bernie Casey
    • Mr. Walter
    Isaac Hayes
    Isaac Hayes
    • Preacher Hurn
    Ray J
    Ray J
    • Cliff (12 Yrs.)
    • (as Willis Norwood Jr.)
    Karen Malina White
    Karen Malina White
    • Mary
    Damon Hines
    • Cliff at 16
    Iona Morris
    Iona Morris
    • Nila Fontaine
    Phill Lewis
    Phill Lewis
    • Sammy (19 Yrs.)…
    Taj Mahal
    Taj Mahal
    • Mr. Will
    Polly Bergen
    Polly Bergen
    • Miss Maybry
    Richard Roundtree
    Richard Roundtree
    • Cleve
    Braxton Brown III
    • Sammy (7 Yrs.)
    Frank Hoyt Taylor
    • Straw Boss
    • (as Frank Taylor)
    • Réalisation
      • Tim Reid
    • Scénario
      • Clifton L. Taulbert
      • Paul W. Cooper
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs9

    7,4585
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    Avis à la une

    3cjjaytha

    This movie was pretty bad

    It just touchdown little things that happened in the era didn't really stick to any things. And when it came to the very ending they could have delved into that a little more but they didn't. One thing that irritates me the most is that the lead character has a pretty terrible mother and it wasn't acknowledged in any way if this is a true story I wonder how he feels about the end result which sadly he probably like because it was an All-Star cast
    9graveleh

    The film is fine the way it is.

    The author's stated intention was to show the family that nourished him and protected him from the world of hatred and segregation. The film showed just enough of the segregated life to let the viewer know that Cliff needed to be protected from that world and nurtured to overcome the scars that outside world could inflict. I think Taulbert and the movie did a good job of showing how the love of his immediate and extended family could compensate in some way for the hatred and oppression of the outside world. I hate to see the movie berated for not being a documentary of all the hateful excesses of the segregated South when that was not the movie's intent. We have films that are considered classics that are about different parts of World War II, and they don't document all the atrocities of the Holocaust. Not focusing on parts of an era that are not the main point of the film is not "sugarcoating." It's an excellent film about growing up in a loving family and overcoming challenges through the love and support of others. It's fine the way it is.
    7calm

    Too Nice!

    This was a very nice, scaled down version of how it really was in the Deep South. The movie did not even begin to depict the real horror Blacks faced each day. There was just a hint of the KKK, Jim Crow and the plantation mentality Blacks had to endure. I kept waiting for those historical, explosive events, we all knew to be the law of the land, to explode onto the screen, but it never happened.

    Life was unbearable; Blacks were looked upon as animals and treated as such. I walked away from this movie feeling like life was almost a bowl of cherries.

    I find it so odd that people are tired of hearing about the Black experience but never get tired of all the holocaust movies. 6 million Jews were slaughtered over a 6 year period (approx) -- hundreds of thousand Blacks were hung, beaten, raped, shot, humiliated and abused to death over a period of 150+ years, not to mention the suicides that took place on the slave ships in route to America. Admittedly, the holocaust was an atrocity, hopefully never to be repeated, while discrimination of Blacks is still a reality. Too bad there are no great movies that tell the Black Plight the way it should be told.
    futures-1

    Neither the KKK or Hallmark Card Company

    "Once Upon a Time When We Were Colored" (1996): Set in the deep American South, over the years 1946-1962, and told as biography, this is the story of one boy's memories of being raised in the Cotton & Bible Belt. He's poor, his family is in pieces, he's Black, he's surrounded by the KKK…and yet, this is a soft, even soft-focus look back at the people who DID provide community family, did not dwell on their poverty nor make their race the focal point of a normal day. We are so accustomed to angry, relentlessly violent films about the racial divides, this film could easily be taken as a Hallmark Card presentation…but SOMETHING about it tells me otherwise. Yes, problems are depicted, and yes, the times they were a-changin', but not as fast or dramatically as we've come to accept from the quick flip of a few pages in history class. I LIKE the pace of this film. It's slow, warm, often funny, occasionally sugary, sometimes sad or maddening, but for the most part it's a nostalgic look back at the GOOD parts of black author's childhood.
    glaber

    The Value of Balance

    I am very fond of this film, and I have had the opportunity to hear Clifton Taulbert speak in person. I think the point of the film is that while black people who had to endure much during the 100 years that followed the civil war they still managed to create many supportive communities. In addition there were good role models for young people like Clifton Taulbert. As a response to the undeniable oppression, the black community of Glen Allen, Mississippi, bonded and supported one another. It did, in fact, mean that their lives were made less miserable. They experienced joy and fellowship as well as oppression. They refused to take on victim-hood as an identity. At the same time, there was a vigorous challenge to the status quo. I don't think the movie is too sentimental, or inaccurate.

    I have shown this movie to students many times and it has never failed to move them to a real concern for the condition of minorities. It reaches these students on an emotional level, and it gets them interested in learning more about the issue of human rights. That is no small feat.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Melvin tells the group of elders all the benefits of living up North, he says that Colored men even drive buses. Preacher Hurn replies "Shut yo' mouth!" Isaac Hayes wrote the theme to Shaft, les nuits rouges de Harlem (1971), and Richard Roundtree played the titular character.
    • Citations

      narrator: Everyone clung to the idea that if you worked hard, you get a piece of the American dream.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Screamers/Richard III/Bed of Roses/Once Upon a Time When We Were Colored/Angels and Insects (1996)
    • Bandes originales
      Maybe Tomorrow
      Written and Performed by Lionel Cole

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    FAQ18

    • How long is Once Upon a Time... When We Were Colored?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 janvier 1996 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Wilmington, Caroline du Nord, États-Unis
    • Sociétés de production
      • BET Pictures
      • United Image Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 291 255 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 75 675 $US
      • 28 janv. 1996
    • Montant brut mondial
      • 2 291 255 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.85 : 1

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    Once Upon a Time... When We Were Colored (1995)
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    By what name was Once Upon a Time... When We Were Colored (1995) officially released in Canada in English?
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