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Nothing Personal

  • 1995
  • R
  • 1h 25min
NOTE IMDb
6,8/10
545
MA NOTE
Nothing Personal (1995)
Drame

Ajouter une intrigue dans votre langueA raw depiction of the Belfast, Northern Ireland "troubles" as savage tribal warfare. Set shortly after the 1975 cease fire, this movie focuses on the tribulations of Kenny (James Frain), Pr... Tout lireA raw depiction of the Belfast, Northern Ireland "troubles" as savage tribal warfare. Set shortly after the 1975 cease fire, this movie focuses on the tribulations of Kenny (James Frain), Protestant leader of a group of Shankill Road Loyalists, and his one-time friend Liam (John ... Tout lireA raw depiction of the Belfast, Northern Ireland "troubles" as savage tribal warfare. Set shortly after the 1975 cease fire, this movie focuses on the tribulations of Kenny (James Frain), Protestant leader of a group of Shankill Road Loyalists, and his one-time friend Liam (John Lynch), a Catholic.

  • Réalisation
    • Thaddeus O'Sullivan
  • Scénario
    • Daniel Mornin
  • Casting principal
    • Ian Hart
    • John Lynch
    • James Frain
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    545
    MA NOTE
    • Réalisation
      • Thaddeus O'Sullivan
    • Scénario
      • Daniel Mornin
    • Casting principal
      • Ian Hart
      • John Lynch
      • James Frain
    • 10avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 2 nominations au total

    Photos22

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    Rôles principaux34

    Modifier
    Ian Hart
    Ian Hart
    • Ginger
    John Lynch
    John Lynch
    • Liam
    James Frain
    James Frain
    • Kenny
    Michael Gambon
    Michael Gambon
    • Leonard
    Gary Lydon
    • Eddie
    Rúaidhrí Conroy
    Rúaidhrí Conroy
    • Tommy
    Maria Doyle Kennedy
    Maria Doyle Kennedy
    • Ann
    Jeni Courtney
    • Kethleen
    Gerard McSorley
    Gerard McSorley
    • Cecil
    Gareth O'Hare
    • Michael
    Ciarán Fitzgerald
    Ciarán Fitzgerald
    • Young Liam
    Anthony Brophy
    Anthony Brophy
    • Malachy
    B.J. Hogg
    • Jake
    James Doran
    • Billy
    • (as James Duran)
    Cathy White
    Cathy White
    • Lizzie
    Lynne James
    • Gloria
    Joe Rea
    • Joe
    Amanda Maguire
    • Susan
    • Réalisation
      • Thaddeus O'Sullivan
    • Scénario
      • Daniel Mornin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    6,8545
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    10

    Avis à la une

    7frankjames

    Very well done.

    This movie shows how savage the troubles really are. People who do not want to be involved have no say in the way their lives are altered. This movie shows how the people of Northern Ireland, both Catholic and Protestant are held captive. At any moment their lives may be changed forever whether they want to be involved or not.
    7Theo Robertson

    Intelligent Drama That Becomes Melodrama In The Last Ten Minutes

    Belfast 1975 and the Republican and Loyalist terrorists call a ceasefire . UVF leader Leonard Wilson realises one of the men under his command is a liability to the ceasefire and orders him " to be taken care off " . Meanwhile catholic single father Liam finds himself lost in a Loyalist enclave

    A couple of days ago I saw CAL after a gap of many years which instantly struck me as being the best film about The Troubles . I had very vague memories of NOTHING PERSONAL seeing it round about 1998 when it was broadcast on channel 4 late one night and not remembering much about it all . Within a short space of time the film totally gripped me due to its intelligence and had me thinking I was going to have to reevaluate my opinion of CAL which was in serious danger of being relegated to being the second best film featuring The Troubles but this didn't happen

    Why not I hear you ask ? One very easy reply and that is the last ten minutes of NOTHING PERSONAL stops becoming intelligent drama and becomes teeth gnashing melodrama which relies on people doing unlikely things in order have an emotional impact on the audience as to the tragedy of life in Belfast circa 1975 . This is totally unnecessary because this audience member at least was totally caught up in the story without the need for some over the top histrionics being brought in to play in the final scenes

    Unlike RESURRECTION MAN or THE GRASSCUTTER the screenplay here resists the temptation to paint loyalist terrorists are out and out villains . Of course there's no defence of the indiscriminate violence loyalist terrorists wreaked upon the catholic community and their own during the Troubles but the opening sequence features a bomb attack on a protestant bar which mirrors real life events of the time and gives an excuse for young men to flock to Loyalist terror gangs . It also makes the scathing point that despite Loyalist and Republican terrorists bombing and shooting innocent civilians the terrorist leaders all know their opposite numbers but never think of striking against their opponents

    The cast are without exception excellent and the bulk of the film is carried by Ian Harte and James Frain who are English and to my untrained Scottish ears never once failed to convince me they were Belfast boys . Frain especially gives an understated performance but manages to portray an inner conflict that he may have to execute Ginger he's been ordered to . It's actually that is very good at portraying a sense of time and place which RESURRECTION MAN failed to do . Like I said this is a very good film that felt the need to over do the dramatics in the last ten minutes which while not totally ruining the film stops it from being a classic one
    4Andy-140

    Utterly dire!

    I disliked this film intensely and left during the scene where the loyalist gang are shot up by the British. The film effectively blames the people of NI as being the cause of their own troubles. It suggests that the 25 year war was a question of intransigence and nothing to do with Britain's partition of Ireland and domination of its history i.e. NI was created by Britain in 1921 irrespective of the wishes of the rest of Ireland.

    The characters are portrayed as hapless fools, even though I despise loyalist paramilitaries they were fighting for a cause - maintaining their artificial privileges over the Catholic community. It is a known fact that British Intelligence collaborated with loyalists during the war, no doubt to keep the Catholics at bay and demoralise republicanism.

    Nineties' values about 'machismo', masculinity etc are transposed on to 1970s Belfast and are portrayed as part of the supposedly unique Irish 'psyche' which leads to violence. The stupid song from the woman in the club - old Ireland of green fields ..blah..blah.. - is given a symbolic stature, i.e. poor young fools fighting for an impossible cause. Tedious, ahistorical, cheap and nasty trash. O'Sullivan has made a personal statement on a conflict which requires serious political analysis.
    9teri_2

    Gritty realism, and heartbreaking

    I sought this film out because I'm a new Frain fan and wanted to see more of his work. First of all, his Irish accent is great. He's got a keen ear for dialects, it seems. His acting was marvelous, as usual. James Frain aside, I thought the film was very well done. It showed the conflict in Northern Ireland as the *mess* it really is. Both sides are guilty of grave injustices, and the men drawn into the conflict usually have very little to say about their circumstances.

    Also, it is interesting to realise that not every man (or woman) that is supposedly fighting for his country, is really doing *just* that. For example, when Kenny (James Frain) asks Ginger (Ian Hart) why he does "it", Ginger can't come up with a morally acceptable answer. Why? Because Ginger isn't in it for the noble cause of protecting his country or the rights of his fellow Protestants...Ginger is in it for the fun of killing. He's full of blood-lust and it's the perfect job for a guy like him. In a struggle like this there are guys like Liam (John Lynch) who just want to live their daily lives and enjoy their families...guys that see all of the fighting just begats more fighting. There are guys like Kenny that are born leaders full of charisma, and they add fuel to the flames, rather they mean to or not. Also, Kenny genuinely believes in the "cause". He believes what he is doing will make a difference in the future...which is a bit odd 'cause his character seems too intelligent for it all. But, like a lot of other seemingly intelligent men, he is sucked into a gang lifestyle not even realizing it...'til it's too late. Then there is Ginger, a pure psycho who isn't in the fighting for any other reason but for the sheer thrill of it, which in a gangland type war makes him a valued asset, some might argue. However, now, in this film, Ginger has out lasted his worth, and has become a very dangerous loose cannon.

    Everything comes to a boiling point, and predictably, the ending is a tragic one. What makes this film worthy is that is shows both sides of this ages old conflict. Being American, I can't begin to fully understand what all struggle is about. But, I do know there has to be a better way.

    All in all, a well acted, touching...but troubling film.
    4vlad1917

    awkward

    being a NI supporter, it's hard to objectively review a movie glorifying ulster nationalists. characters who are hard to root for, typical heavy-handed anti-violence messages, and a predictable 'poetic justice' ending makes this an awkward watch...

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    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir Michael Gambon and Ian Hart appeared in the Harry Potter film franchise.
    • Bandes originales
      Hitchin' A Ride
      Written by Mitch Murray and Peter Callander

      Performed by Vanity Fair

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    FAQ17

    • How long is Nothing Personal?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 octobre 1996 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • Irlande
    • Site officiel
      • Trimark
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Hiçbir Şey Kişisel Değil
    • Lieux de tournage
      • Dublin, Irlande
    • Sociétés de production
      • Bord Scannán na hÉireann / The Irish Film Board
      • British Screen Productions
      • Channel Four Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 40 374 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 563 $US
      • 27 avr. 1997
    • Montant brut mondial
      • 40 374 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 25min(85 min)
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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