Kamarades de bese-ball

This was an average film, nothing special. As a baseball fan, I was hoping for something a little better. The main problem, to me, was the lead character being unlikable. Joe Mantegna played manager "Sparky Smith," and I was surprised on the mouth on him for a made-for-TV movie, so it must have been for HBO or similar.

"Sparky" is a fish-out-of-water culturally, trying to make it with baseball in Russia after losing his managerial job with the Seattle Mariners. With the story about making a bunch of players out of a diverse group of athletes and then coming back to the States to play, you know it's going to have a predictable ending. The question is, how much fun can the viewer have along the way watching how the team develops. Frankly, I didn't have that much fun because of Mantegna's character.

It reminded me too much of Tom Selleck's role as the obnoxious American ballplayer trying to cope in Japan. I didn't him, either. I guess I am sentimental guy, preferring the nice guys like "Roy Hobbs" of "The Natural."

Saw this in the mid-90s and only rediscovered it 3 years ago. 30 years ago it was a strange, exotic beast. An adventure like Tom Selleck's Mr Baseball. But this, shows the good of sport. How it unites, improves and excites people.

It's an underrated little piece of moviemaking that has improved with time. This isn't a baseball movie, it was an attempt to show that the US is superior, but that the greatest patriot is more concerned with spreading the word of baseball than getting involved with politics. It's pure sport, with some funny gags.

Especially when Huck Finn jokes - "perhaps if it was a real world series". Anyone who loves sport, will enjoy this.

One small quote made me laugh until I cried! it brought tears to my eyes and I think it will be the most memorable part in the entire show... That Mitchell Davies is one HECK of an actor!

"It's in Sparkey's Manual"

Enough Said!

It's funny: most users take this movie for baseball. Me, i take it for glasnot & perestroika. This kind of movie is actually dead because it was then unbelievable coproductions between US-USSR. After decades of cold war, Old west was discovering soviets and soviets were discovering the west. In that special period, Natalya Negoda was the most charming ambassador import export ever and the main reason i spent months tracking this movie. So instead of baseball, it could have been soccer or waterpolo, i don't care. It's true that the movie is not really good. The story and characters are not well stuffed and watching it is a bit painful. I found the bed scene between Natalya & Mantegna totally useless and totally misplaced. But americans are not more founding father and their mores have degraded. But Natalya has done so few movies that even a bad one with her is still a good one for me.

After a career ending accident, baseball player/manager Sparky Smith (Joe Mantegna) ends up in Moscow coaching the nascent Soviet Olympic baseball team, only to find out that his players are an ill-equipped, underfunded, and unenthusiastic grab-bag of rejects from other sports. The film follows a typical 'sports movie' trajectory: Act 1 is the 'fish out of water' shtick, as Sparky struggles with Russian culture and athletic priorities, Act 2 finds the team coalescing, learning mutual respect, and facing their first challenge as the threat of disbandment hangs over them, and Act 3 is the 'big game' (or series in this case) where everything has to come together despite insurmountable odds. Superimposed on this is an obligatory awkward romance as Sparky pursues Tanya (Natalya Negoda), a beautiful Soviet sports functionary who, needless-to-say, initially wants nothing romantic to do with the pushy American capitalist and, not unexpectedly, there's a montage midway to show how rapidly the team is coming together. None of this predictability takes away from the fun. The cast is fine, especially John Fleck as Milov, the Russian hustler who masterfully plays the black-market to obtain the sports-kit that the government fails to provide (how Sparky's Walkman was eventually traded for an entire baseball backstop, including installation (plus two Walkmen) is quite funny). The film is full of good-natured digs at sports management, professional athletes and their hangers-on, cultural and linguistic misunderstandings (Tanya has a book of inaccurate American idioms written in Moscow) and the post-glasnost Russian 'line-up' economy, and ends on the expected 'feel-good' note (or notes, the writer seemed to want to tack on a number of cliched final scenes). The film was a low-budget affair made for HBO and the 'late Soviet' era it depicts is long gone, but I found it to be a surprisingly entertaining entry into the 'sports comedy' canon. *Aka 'The Balls of Summer' but 'The Comrades of Summer' is the title under which I found the film on You-Tube.