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IMDbPro

À chacun son heure

Titre original : Columbo: No Time to Die
  • Téléfilm
  • 1992
  • TV-PG
  • 1h 33min
NOTE IMDb
6,3/10
2,4 k
MA NOTE
Peter Falk in À chacun son heure (1992)
Drame policierProcédure policièreCriminalitéDrameMystère

Ajouter une intrigue dans votre langueLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what ... Tout lireLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.Lt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.

  • Réalisation
    • Alan J. Levi
  • Scénario
    • Richard Levinson
    • William Link
    • Robert Van Scoyk
  • Casting principal
    • Peter Falk
    • Joanna Going
    • Thomas Calabro
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    2,4 k
    MA NOTE
    • Réalisation
      • Alan J. Levi
    • Scénario
      • Richard Levinson
      • William Link
      • Robert Van Scoyk
    • Casting principal
      • Peter Falk
      • Joanna Going
      • Thomas Calabro
    • 82avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos12

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    Rôles principaux28

    Modifier
    Peter Falk
    Peter Falk
    • Columbo
    Joanna Going
    Joanna Going
    • Melissa Alexandra Hayes
    Thomas Calabro
    Thomas Calabro
    • Detective Andy Parma
    Dan Butler
    Dan Butler
    • Sergeant Goodman
    Doug Savant
    Doug Savant
    • Detective Dennis Mulrooney
    Daniel McDonald
    Daniel McDonald
    • Strassa
    Daniel Davis
    Daniel Davis
    • Alex Varrick
    Lance LeGault
    Lance LeGault
    • Police Captain
    Juliet Mills
    Juliet Mills
    • Eileen Hacker
    David Byrd
    David Byrd
    • Bailey
    Don Swayze
    Don Swayze
    • Albert Wagner
    Donald Moffat
    Donald Moffat
    • Sheldon Hays
    Patricia Huston
    Patricia Huston
    • Louise Hays
    Cliff Emmich
    Cliff Emmich
    • Tubby Comfort
    Beth Chamberlin
    Beth Chamberlin
    • Cindy
    Siobhan McCafferty
    • Samantha
    Stack Pierce
    Stack Pierce
    • President Loren Jefferson
    Yvonne Farrow
    Yvonne Farrow
    • Janet
    • Réalisation
      • Alan J. Levi
    • Scénario
      • Richard Levinson
      • William Link
      • Robert Van Scoyk
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs82

    6,32.3K
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    Avis à la une

    16mm-2

    Just Awful

    Loyalty to Peter Falk is all that kept me from giving this awful picture the (1) it deserved. (For that matter, loyalty to Mr. Falk was what kept me watching this film all the way from heads to tails.) Even if you forgive all the glaring errors, this was just plain the poorest excuse for a made-for-TV "Columbo" film ever. I'm glad I watched it on TV for free; would have hated to have coughed up the bucks for a print.
    6stubbers

    The Columbo That's Not A Columbo

    Hmmmm...this is a real curate's egg. If only this wasn't marketed as an episode of Columbo, then it would actually be a perfectly acceptable standalone kidnapping movie. The thing is, although "No Time To Die" features Lieutenant Columbo, it's not stylistically or structurally a "Columbo" show as such, and doesn't really deserve to be viewed as part of the series.

    What it does do is reveal just how important the normal formula is to the success of the show. Although I have no issues with experimental variations on the basic formula, a Columbo without a murder is just not a Columbo. When you sit down to watch an episode of Columbo, you want the familiarity of the basic plot structure so that you can really get into the characters and how their lives have become enmeshed in the horrific aftermath of a sudden homicide.

    "No Time To Die" just doesn't work in the same way. The whole format is so different from normal that if you're in the mood for a traditional Columbo, this is bound to leave you feeling short-changed and a bit cheated.

    On the other hand though, if you're fully aware before viewing that "No Time To Die" is a kidnap movie rather than a murder mystery, then you'll probably find it quite a gripping story. And at the end of the day, Lt Columbo's presence will only add to your enjoyment.

    I compare this to a musician's guest appearance on another artist's album, as opposed to their own release. It's like Lieutenant Columbo is making a guest appearance on a totally separate movie, rather than being the star of his own.
    bob the moo

    One of the dullest Columbo's I've seen – it dumps the formula but offers nothing at all in its place

    Columbo is attending the wedding of his nephew to a budding young model. After the celebrations Columbo is about to head home until he gets paged by nephew Andy who tells him that he came out of the shower to find Melissa missing. Columbo looks around and finds evidence of a kidnapping. He starts investigating further while Andy calls in other officers to help out. Meanwhile, as tensions built between the men, Melissa wakes up bound and gagged in a strange room with her captor planning to make himself her second husband.

    If you loved spaghetti bolognese and someone told you that that they were going to make it with potatoes instead of spaghetti then you may rightly say "whoa, slow down chef boy – don't mess with a winning formula". So as a Columbo fan, when one of the films goes way off the usual formula, it gives me pause to worry that perhaps it is not the wisest thing. However, despite knowing this was not a normal episode, I decided to give it a go because just because something is different doesn't mean it isn't any good. The fact that it is different is a problem though – too many characters, no cat and mouse stuff and none of the opportunities for Columbo to be, well, Columbo. It doesn't help either that the story is poor – it is not clever but rather solved by simple, plodding police work; nothing wrong with that but it doesn't make for an interesting film. The cuts to the kidnapped Melissa are no help at all as they rarely have anything approaching tension. I hate to say it but I was genuinely bored by the end of it – it rarely had anything typically Columbo about it and it failed to be what it apparently was aiming to be.

    Falk does his best to lift this thing but without any frame of reference his character is a bit lost and his performance isn't up to much. The vast array of supporting characters undermine him and reduce his screen time significantly. Calabro is OK but nothing special while Going is a strange mix – she does "frightened and a bit spooked" quite well but other than that is as expressive as a blank piece of paper. The support features a surprising amount of familiar, if not famous, faces. Don Swayze is a strange find but his one-note psycho with a singsong voice gets old very quickly. The rest are bland but does include Frasier's Bulldog (Butler), Clear Present Danger's President (Moffat), Red For Red October's Davis, baseball player Pierce and the A-Team's LeGault – shame none of them add anything other than a distraction to the dull story.

    Overall one of the weakest Columbo films I've seen. It goes miles from formula but offers nothing else of interest in its place. I understand the difficulty for writers to reproduce the same formula every time while also making it fresh and entertaining so I can understand why they tried to do something else. However I cannot fathom why they wanted to jump so far away from it and try to be something completely different. Only one moment really worked for me and that was at the very end when Columbo asked "what time is it", only for the time to be typed on screen as it had been all film – at least it showed that someone was keen to have a laugh and poke some fun at the rather turgid, humourless affair that had gone before.
    7bradnfrank

    A different kind of Columbo

    Regular Columbo viewers will be surprised by this movie, which is totally different from the standard Columbo formula. Several years after the revival series began, Peter Falk wanted to experiment with the format, and this is the result. Though it may rub Columbo fans the wrong way, it is actually not a bad film. In fact, this is based on Ed McBain's 87th Precinct novel "So Long As You Both Shall Live". The movie "Columbo Undercover" which came two years later is based on another Ed McBain novel: "Jigsaw". Both movies are very faithful to the novels, the only real difference being that Columbo is substituted for the novels' original detectives.

    (Note: when I originally posted this review, I mistakenly said that it was based on Ed McBain's " 'Til Death" -- both novels are set during weddings.)
    anthonycwhittle

    Worst columbo ever......

    What a calamity. What happened to our surreptitious detective. This is not a Columbo film, this is a kidnapping drama. Even in the closing scenes Peter Falk looked fed up with what's going on. Even the beautiful Joanna Going can't help this ignominous mess......

    Centres d’intérêt connexes

    Ethan Hawke and Denzel Washington in Training Day (2001)
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    Ice-T, Mariska Hargitay, Danny Pino, and Kelli Giddish in New York - Unité spéciale (1999)
    Procédure policière
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is the only episode of the series not to feature a murder and in which Lt. Columbo never meets or speaks to the criminal.
    • Gaffes
      A full-length picture of a person cannot be blown up enough to see the writing on a class ring; there is insufficient resolution.
    • Citations

      Columbo: You're not losing a daughter, you're gaining a police force.

    • Connexions
      Featured in Columbo: No Time to Die
    • Bandes originales
      Can't Help Falling In Love
      (uncredited)

      Written by George David Weiss, Hugo Peretti and Luigi Creatore

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    Détails

    Modifier
    • Date de sortie
      • 25 février 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • No hay tiempo para morir
    • Lieux de tournage
      • Barclay Hotel - 103 W. 4th Street, Downtown, Los Angeles, Californie, États-Unis(Albert Wagner's hotel)
    • Société de production
      • Universal Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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