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À chacun son heure

Titre original : Columbo: No Time to Die
  • Téléfilm
  • 1992
  • TV-PG
  • 1h 33min
NOTE IMDb
6,3/10
2,4 k
MA NOTE
Peter Falk in À chacun son heure (1992)
CriminalitéDrameMystèreDrame policierProcédure policière

Ajouter une intrigue dans votre langueLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what ... Tout lireLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.Lt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.

  • Réalisation
    • Alan J. Levi
  • Scénario
    • Richard Levinson
    • William Link
    • Robert Van Scoyk
  • Casting principal
    • Peter Falk
    • Joanna Going
    • Thomas Calabro
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    2,4 k
    MA NOTE
    • Réalisation
      • Alan J. Levi
    • Scénario
      • Richard Levinson
      • William Link
      • Robert Van Scoyk
    • Casting principal
      • Peter Falk
      • Joanna Going
      • Thomas Calabro
    • 82avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos12

    Voir l'affiche
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    Rôles principaux28

    Modifier
    Peter Falk
    Peter Falk
    • Columbo
    Joanna Going
    Joanna Going
    • Melissa Alexandra Hayes
    Thomas Calabro
    Thomas Calabro
    • Detective Andy Parma
    Dan Butler
    Dan Butler
    • Sergeant Goodman
    Doug Savant
    Doug Savant
    • Detective Dennis Mulrooney
    Daniel McDonald
    Daniel McDonald
    • Strassa
    Daniel Davis
    Daniel Davis
    • Alex Varrick
    Lance LeGault
    Lance LeGault
    • Police Captain
    Juliet Mills
    Juliet Mills
    • Eileen Hacker
    David Byrd
    David Byrd
    • Bailey
    Don Swayze
    Don Swayze
    • Albert Wagner
    Donald Moffat
    Donald Moffat
    • Sheldon Hays
    Patricia Huston
    Patricia Huston
    • Louise Hays
    Cliff Emmich
    Cliff Emmich
    • Tubby Comfort
    Beth Chamberlin
    Beth Chamberlin
    • Cindy
    Siobhan McCafferty
    • Samantha
    Stack Pierce
    Stack Pierce
    • President Loren Jefferson
    Yvonne Farrow
    Yvonne Farrow
    • Janet
    • Réalisation
      • Alan J. Levi
    • Scénario
      • Richard Levinson
      • William Link
      • Robert Van Scoyk
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs82

    6,32.3K
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    Avis à la une

    7bradnfrank

    A different kind of Columbo

    Regular Columbo viewers will be surprised by this movie, which is totally different from the standard Columbo formula. Several years after the revival series began, Peter Falk wanted to experiment with the format, and this is the result. Though it may rub Columbo fans the wrong way, it is actually not a bad film. In fact, this is based on Ed McBain's 87th Precinct novel "So Long As You Both Shall Live". The movie "Columbo Undercover" which came two years later is based on another Ed McBain novel: "Jigsaw". Both movies are very faithful to the novels, the only real difference being that Columbo is substituted for the novels' original detectives.

    (Note: when I originally posted this review, I mistakenly said that it was based on Ed McBain's " 'Til Death" -- both novels are set during weddings.)
    5Leofwine_draca

    It's not great, but it's not the worst Columbo

    I notice a number of fans have slated this episode of COLUMBO, describing as the worst of all time. I can't help but disagree with them. I've seen plenty of other episodes that were less entertaining on account of them being duller than this one. Cheesy and dated I can cope with; dull is the biggest no-no in my book.

    NO TIME TO DIE is one of those 1990s TV movies that attempts to shake up the familiar order by offering twists and a new template for the dogged detective. I wish they hadn't experimented like this - there's no point trying to improve on what was pretty much a perfect formula - but at least it helps NO TIME TO DIE stand out from the crowd. There's no actual murder here but rather a kidnapping for the star to solve.

    The episode has a number of problems, a completely ineffectual villain being the biggest of them. However, watching Columbo lead a task force is quite a novel experience, and Falk does well in the part, playing up the humour with physicality in a script that gives him virtually no funny lines. The strong supporting cast includes Doug Savant (TRICK OR TREAT), Donald Moffat (THE THING), and cameos for Juliet Mills and Don Swayze.
    bob the moo

    One of the dullest Columbo's I've seen – it dumps the formula but offers nothing at all in its place

    Columbo is attending the wedding of his nephew to a budding young model. After the celebrations Columbo is about to head home until he gets paged by nephew Andy who tells him that he came out of the shower to find Melissa missing. Columbo looks around and finds evidence of a kidnapping. He starts investigating further while Andy calls in other officers to help out. Meanwhile, as tensions built between the men, Melissa wakes up bound and gagged in a strange room with her captor planning to make himself her second husband.

    If you loved spaghetti bolognese and someone told you that that they were going to make it with potatoes instead of spaghetti then you may rightly say "whoa, slow down chef boy – don't mess with a winning formula". So as a Columbo fan, when one of the films goes way off the usual formula, it gives me pause to worry that perhaps it is not the wisest thing. However, despite knowing this was not a normal episode, I decided to give it a go because just because something is different doesn't mean it isn't any good. The fact that it is different is a problem though – too many characters, no cat and mouse stuff and none of the opportunities for Columbo to be, well, Columbo. It doesn't help either that the story is poor – it is not clever but rather solved by simple, plodding police work; nothing wrong with that but it doesn't make for an interesting film. The cuts to the kidnapped Melissa are no help at all as they rarely have anything approaching tension. I hate to say it but I was genuinely bored by the end of it – it rarely had anything typically Columbo about it and it failed to be what it apparently was aiming to be.

    Falk does his best to lift this thing but without any frame of reference his character is a bit lost and his performance isn't up to much. The vast array of supporting characters undermine him and reduce his screen time significantly. Calabro is OK but nothing special while Going is a strange mix – she does "frightened and a bit spooked" quite well but other than that is as expressive as a blank piece of paper. The support features a surprising amount of familiar, if not famous, faces. Don Swayze is a strange find but his one-note psycho with a singsong voice gets old very quickly. The rest are bland but does include Frasier's Bulldog (Butler), Clear Present Danger's President (Moffat), Red For Red October's Davis, baseball player Pierce and the A-Team's LeGault – shame none of them add anything other than a distraction to the dull story.

    Overall one of the weakest Columbo films I've seen. It goes miles from formula but offers nothing else of interest in its place. I understand the difficulty for writers to reproduce the same formula every time while also making it fresh and entertaining so I can understand why they tried to do something else. However I cannot fathom why they wanted to jump so far away from it and try to be something completely different. Only one moment really worked for me and that was at the very end when Columbo asked "what time is it", only for the time to be typed on screen as it had been all film – at least it showed that someone was keen to have a laugh and poke some fun at the rather turgid, humourless affair that had gone before.
    smitheeallen

    Suspenseful

    Granted this was not your normal "Columbo" episode and grant that some of it was far fetched. This made for a very suspenseful kidnapping drama. In that respect it succeeded. Not the greatest Columbo episode made but definitely not the worst.
    16mm-2

    Just Awful

    Loyalty to Peter Falk is all that kept me from giving this awful picture the (1) it deserved. (For that matter, loyalty to Mr. Falk was what kept me watching this film all the way from heads to tails.) Even if you forgive all the glaring errors, this was just plain the poorest excuse for a made-for-TV "Columbo" film ever. I'm glad I watched it on TV for free; would have hated to have coughed up the bucks for a print.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      This is the only episode of the series not to feature a murder and in which Lt. Columbo never meets or speaks to the criminal.
    • Gaffes
      A full-length picture of a person cannot be blown up enough to see the writing on a class ring; there is insufficient resolution.
    • Citations

      Columbo: You're not losing a daughter, you're gaining a police force.

    • Connexions
      Featured in Columbo: No Time to Die
    • Bandes originales
      Can't Help Falling In Love
      (uncredited)

      Written by George David Weiss, Hugo Peretti and Luigi Creatore

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    Détails

    Modifier
    • Date de sortie
      • 25 février 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • No hay tiempo para morir
    • Lieux de tournage
      • Barclay Hotel - 103 W. 4th Street, Downtown, Los Angeles, Californie, États-Unis(Albert Wagner's hotel)
    • Société de production
      • Universal Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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