Beethoven
- 1992
- Tous publics
- 1h 27min
Un saint-bernard baveur devient le centre d'attention d'une famille qui l'adore, mais il doit se méfier d'un vétérinaire kidnappeur et de ses acolytes.Un saint-bernard baveur devient le centre d'attention d'une famille qui l'adore, mais il doit se méfier d'un vétérinaire kidnappeur et de ses acolytes.Un saint-bernard baveur devient le centre d'attention d'une famille qui l'adore, mais il doit se méfier d'un vétérinaire kidnappeur et de ses acolytes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Avis à la une
Released in 1992 to rather mediocre reviews but very healthy box office, Beethoven certainly fits well within the oeuvre of 1990s post Home Alone/Uncle Buck family comedies that ended up defining John Hughes career in the decade. While Beethoven is still a very early revisit of Hughes to the successful formula, it is quite noticeable that Hughes is setting the foundation for common place tropes that would reappear in further films. With that said, the movie is actually quite charming thanks to a well trained dog serving as the titular character, and Amy Holden Jones balances out the Hughes' tropes with some charm and edge that help the film to keep from going overboard with formula.
The best scenes in Beethoven are just watching the dog interact with people. The filmmakers do a pretty decent job of given Beethoven a personality as the gentle giant who's full of energy and intelligence but lacking in self awareness or grace in his movements. The scenes where Beethoven casually escapes his backyard enclosure are quite fun and there's a nice small town/Disney type vibe as he meets the Newton children around town and helps them deal with bullies, getting the attention of crushes, or in one instance engaging in a Lassie type rescue during a close call. The scenes with Beethoven frolicking around with the family or various people in town (firefighters, small business owners, etc.) are charming and make the film a pleasant enough sit.
The actors are perfectly servicable. Charles Grodin is perfectly fine playing an overworked, overstressed, father (even if at points it feels like he's doing a Steve Martin impression), and the rest of the family is perfectly fine as well. Some performances unfortunately go a bit too broad for my taste, such as Stanley Tucci and Oliver Platt playing a rehash of the comedic crook duo a la Horace and Jasper or Harry and Marv, or David Duchovny and Patricia Heaton playing a pair of snobbish DINK(Dual Income No Kids) who are basically insidious versions of Todd and Margo from Christmas Vacation. The real standout in the human performances is Dean Jones who washes away any history of light hearted Disney comedies and away and gives a fittingly sinister and slimey performance that honestly wouldn't be out of place in a straight thriller. It's a terrific villain performance and allows Jones to lift a bit more weight than he usually is allowed and he does so quite well.
The movie in terms of the movie itself it's perfectly fine. It doesn't reach the gold standards of Disney animal movies like '67's That Darn Cat or either of The Incredible Journey movies, but it also doesn't embarrass itself as seen in cases like C. H. O. M. P. S. or Bingo. Beethoven rests comfortably around the level of a Benji movie but with a bigger budget and more polish. The direction by Brian Levant is very exaggerated and lacking in subtlety or restraint, but unlike his other movies he tries to resist the temptation to go full cartoon logic (save for one scene with Duchonvy and Heaton). The movie is very much a collection of character based plots in the first half loosely connected with the second half being more based around the animal abduction ring. There's not much in the way of surprises, but it's all done well enough.
Beethoven is an above average family film anchored by a good performance from its central dog. The movie does a good job of making Beethoven feel like a character, and while the script is certainly formula its at least well done formula that moves at a good pace and doesn't linger on any point long enough to drag. Beethoven is the kind of movie you can watch with your kids and they'll enjoy it while you'll smile once every so often. It won't stick with you, but as family films of this type go it's one of the better ones.
I think a lot has been built up on this film just because there were some sequel spin-offs that were more than horrible. (The 3rd and 4th sequels with Judge Reinhold were some of the worst attempts at comedy. Ever.) But the original was a nice, family-friendly film that accomplishes what it promised.
Charles Grodin plays George Newton: Family man, businessman, NOT a doggy-man. But things change rapidly when a runaway Saint Bernard named Beethoven comes to the Newton residence. Newton's children immediately get attached to the animal, but Grodin's character doesn't exactly like the fact of a big ol' slobbering dog being around his house. So there are some gags as Grodin gets mad at Beethoven for certain things he does throughout the film.
But then, evil animal vet Dean Jones tries to take Beethoven, and Newton decides to fight back for his family and bring the doggy back home.
"Beethoven" isn't anything very original, and it isn't anything very memorable, nor is it excellent quality gags. But it's a surprisingly pleasant and good-natured family film that doesn't resort to crude humor or language like other so-called "family films" out there.
Ivan Reitman, who has brought us "Ghostbusters," "Kindergarten Cop," and "Stripes" co-produced this film. He's a talented director, even if he sometimes makes average films. The thing about his films are, that even when they're average they are still pretty funny and strangely watchable. And though I'm not sure what all a producer does on a film, I think he probably did a good job with something on this film. :)
Charles Grodin is one of those actors that I've always liked because he seems very down-to-earth and regular. He is a subtle comedian that never goes OTT and doesn't come off like ANOTHER Jerry Lewis-Jim Carrey hybrid.
"Beethoven" isn't anything great, but it's strangely likable and enjoyable. When compared to other so-called family films, it's pretty nice. It doesn't skimp on the gags (even if they're not very great) and it never turns stupid (like the 3rd and 4th film).
All in all, "Beethoven" delivers what it promises, and it does it pretty nicely.
3.5/5 stars -
John Ulmer
This St.Bernard puppy escapes from dognappers who take him and others from a pet shop. But even as a puppy he's resourceful and he wonders into a typical suburban home and is made welcome by the family and I mean the kids Christopher Castile, Nicholle Tom, and Sarah Rose Karr. Even their mom Bonnie Hunt kind of takes to him. What's a dad like Charles Grodin to do.
But as Beethoven grows older his clumsiness causes a lot trouble. He does have an instinct for sorting out some bad people and dealing with them. The kids get it, the parents don't.
Dean Jones is the villain here, a veterinarian who 'kills' his charges but secretly uses them for mad scientist like experimentation. Jones who was the all American hero in so many Disney films in the 60s and 70s looks like he's having a great old time as the Snidely Whiplash of scientists. He's got a pair of mooks for henchmen in Michael Tucci and Oliver Platt. In the old days they'd be played by Allen Jenkins and Edward Brophy.
This movie has little kids and a big dog in it. Now only the most hard hearted could resist that.
Le saviez-vous
- AnecdotesGreat care was taken to make sure the animals used in filming were not harmed. Measures taken included many trick shots, multiple cuts, and even a mechanical dog/dog suit in order to achieve scenes.
- GaffesWhen Ted and Rice are playing Super Mario Brothers 3, they are both mashing away on controllers; however, when it shows the close-up of the screen, we see that they're only playing a one-player game at the time.
- Citations
George: I really don't like our dog.
Alice: I really don't like those people, George. I don't trust them. I don't want their money. I know my opinion doesn't matter, but I'm not interested in expanding. If I had been home instead of helping you impress those morons, Emily wouldn't have fallen in the pool. And I'm not re-entering the work force, George. You're gonna have to do this on your own. And you will. Somehow, you'll make your fortune. And tucked away behind you deep in the shadows will be me and the kids.
George: That's how you see me. Suddenly, I'm a lousy husband and father. Everything was just fine until Beethoven came into our lives. I've tried to be patient, but I've had it. The dog has to go.
Alice: I'm proud of Beethoven. Those two idiots insulted your kids, they treated me like dirt, and he was the only one of us who had the nerve to give them the ride they deserved. I'm going to bed.
[she heads back inside]
George: My dream's going down the drain, and you're worried about a dog.
Alice: Your family's going down the drain, and you're worried about a dream.
- Crédits fousAs the end credits finish, a short scene plays of Beethoven standing on a rock, silhouetted against a sunset. He barks as the screen fades to black.
- ConnexionsEdited into 5 Second Movies: Beethoven (2008)
- Bandes originalesRoll Over Beethoven
Performed by Paul Shaffer and The World's Most Dangerous Band
Written by Chuck Berry
Produced by Paul Shaffer
Meilleurs choix
- How long is Beethoven?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Chú chó Beethoven
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 57 114 049 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 587 565 $US
- 5 avr. 1992
- Montant brut mondial
- 147 214 049 $US
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1