Baraka
- 1992
- Tous publics
- 1h 36min
NOTE IMDb
8,5/10
42 k
MA NOTE
Une collection de scènes de la vie humaine et religieuse, fruit d'un travail expert.Une collection de scènes de la vie humaine et religieuse, fruit d'un travail expert.Une collection de scènes de la vie humaine et religieuse, fruit d'un travail expert.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
Patrick Disanto
- Journeyman
- (non crédité)
Avis à la une
10tritisan
To do describe this work of art simply as a "movie" would be inaccurate and unjustified. More akin to a tone poem Baraka is.
Is this what the world would look like to a god, a being who experiences time differently than we do?
While Koyaanisqatsi effectively drilled its message, "Humans are destroying the planet!", into our hypnotized minds, Baraka lets you ponder and meditate its multiple meanings. Are humans just another part of the ecosystem, behaving as any other organism would with our capabilities? Or are we different, even alien, to this world?
10 out of 10.
Is this what the world would look like to a god, a being who experiences time differently than we do?
While Koyaanisqatsi effectively drilled its message, "Humans are destroying the planet!", into our hypnotized minds, Baraka lets you ponder and meditate its multiple meanings. Are humans just another part of the ecosystem, behaving as any other organism would with our capabilities? Or are we different, even alien, to this world?
10 out of 10.
10Fredichi
Very few movies can actually be truly inspirational. A lot of movies make you feel good while watching it. This is different. This movie can breathe life back into your soul. It will brighten your outlook. It will make you think and keep you thinking long after the movie has ended. And even the most bitter of cynics (like me) cannot deny it's beauty. It will always remain one of my favorites. I cannot make it my favorite movie since it is so powerful and different I don't consider it a movie but an experience. It requires just a smidge of patience to suck you into it. But once it does you cannot avert your eyes. The most spectacular images ever. Not an ounce of pretention to it. No hollwood bull. Brilliant. Moving music. Do not miss this!!!! If you have a DVD buy this one. Watching it on a small screen will severely cut it's impact.
'Baraka' is a work of art which rates amongst the greatest achievements in the field. As with any masterwork, it is something one will have to pursue. For those that seek it out at the proper time, 'Baraka' can act as a milestone of revelation. What the viewer takes from this film will solely be determined by the life experience they bring to it. 'Baraka' is unique in that it actually requires a commitment of time and concentration. This is a film that communicates its message without utilizing standard film language. Those that try to make the images conform to the conventional notions of Hollywood story telling are likely to give up in frustration. For a film with no plot,characters or dialog, it communicates an astonishing number of profound themes. Those who are familiar with National Geographic or the works of David Attenbourough will have little trouble in identifying the fascinating locals and tribes, but be forewarned: there are reasons that there are no subtitles or text on screen. Personal discovery is at the heart of the filmmaker's intentions. The ambient soundtrack by Michael Sterns weaves the images together on a separate plain, producing a hypnotic pathway for the images to flow. Once you allow yourself to be pulled along by this current of sound the images will link themselves together and the true revelations hidden within 'Baraka' will make themselves apparent. You may find as I did that your subconscious will be at work on 'Baraka' for many weeks after the experience, unlocking doors to a greater understanding.
When I first experienced (that's the most striking word for it) this movie at the Gothenburg Film Festival 1994, I was truly amazed. Never before - or since - have I had such an over all explain-it-all feeling after a show.
Ron Fricke has made a documentary about the World today for a day: starting at dawn with monkeys in hot springs in Japan, and the morning rituals of various religions. This is followed by the awakening of the human race, both in the big cities and on the country side. Brilliantly edited together follows every aspect of human daily life combined with the general changes of the planet itself and all the ecological systems upon it.
The over all glue of the story are the various religious rituals. Maybe this is my personal interpretation, being a teacher of Religion, but the only time giver, except for the turning of the sun, are the praying times and times of worship peoples practice around the globe.
My comparison of the film to the GAIA idea (that the Earth as a whole being a unit, a living organism) is detectable both in the way every different cultures shown are found to be very similar to one another, as well as the speeded up people at side walks and zebra crossings look very much like the stream of blood in the veins of an organism.
All in all this is a marvellous movie pointing out both the uniqueness of the individual and the unity with all people. Go see it - now!
Ron Fricke has made a documentary about the World today for a day: starting at dawn with monkeys in hot springs in Japan, and the morning rituals of various religions. This is followed by the awakening of the human race, both in the big cities and on the country side. Brilliantly edited together follows every aspect of human daily life combined with the general changes of the planet itself and all the ecological systems upon it.
The over all glue of the story are the various religious rituals. Maybe this is my personal interpretation, being a teacher of Religion, but the only time giver, except for the turning of the sun, are the praying times and times of worship peoples practice around the globe.
My comparison of the film to the GAIA idea (that the Earth as a whole being a unit, a living organism) is detectable both in the way every different cultures shown are found to be very similar to one another, as well as the speeded up people at side walks and zebra crossings look very much like the stream of blood in the veins of an organism.
All in all this is a marvellous movie pointing out both the uniqueness of the individual and the unity with all people. Go see it - now!
10blix_99
(1) A copy of Baraka. Steal it if you have to. (2) The biggest, clearest TV you can find and 5.1 surround. (3) A fabulously-rolled spleefer as long as your arm. (4) Phones off the hook, and an empty house with the lights out. (5) A recliner with a seat belt. (6) 96 minutes of your time.
I am 30 year old factory worker who loves NASCAR and Hockey and own 3 carbureted cars - 1 parked in my backyard that hasn't ran in 2 years AND I could probably pass for the guy who might spit as I offer you confusing directions if you stopped to ask, but I have never seen anything anywhere remotely close to this masterpiece. It's so good that it runs through my head while I'm slugging away at work covered in factory germs. The Burgan oil fires (the fire we possess) to the Australian steel workers (our ongoing need to keep the fire going) to the Auschwitz gas ovens (what we choose to do with it) is pure cinematic genius. For me, the Whirling Dervishes forward is my favorite scene. Where it slides from the mosque in Mecca to the cathedral ceiling at the Vatican is absolutely mind-bending. I feel like crying every time I watch it, yet I'm not all that religious.
Aside from all this film brings with it, it's not for everyone, and I can understand that. I was 17 when it came out and probably could have cared less. But for a blue-collar hick in need of a shave like me, I'd take this movie to prison if I was allowed.
When you see it for the first time, don't ask questions. Turn the volume up as loud as you can and just watch it. Baraka will provide you with everything you need. 10 thumbs out of 10, and not just up, but way up. Can't wait for the sequel.
I am 30 year old factory worker who loves NASCAR and Hockey and own 3 carbureted cars - 1 parked in my backyard that hasn't ran in 2 years AND I could probably pass for the guy who might spit as I offer you confusing directions if you stopped to ask, but I have never seen anything anywhere remotely close to this masterpiece. It's so good that it runs through my head while I'm slugging away at work covered in factory germs. The Burgan oil fires (the fire we possess) to the Australian steel workers (our ongoing need to keep the fire going) to the Auschwitz gas ovens (what we choose to do with it) is pure cinematic genius. For me, the Whirling Dervishes forward is my favorite scene. Where it slides from the mosque in Mecca to the cathedral ceiling at the Vatican is absolutely mind-bending. I feel like crying every time I watch it, yet I'm not all that religious.
Aside from all this film brings with it, it's not for everyone, and I can understand that. I was 17 when it came out and probably could have cared less. But for a blue-collar hick in need of a shave like me, I'd take this movie to prison if I was allowed.
When you see it for the first time, don't ask questions. Turn the volume up as loud as you can and just watch it. Baraka will provide you with everything you need. 10 thumbs out of 10, and not just up, but way up. Can't wait for the sequel.
Le saviez-vous
- AnecdotesThe shot with the monk on the streets of Tokyo was unplanned. The crew went to a factory for filming but after many hours of searching for ideas, they disbanded the place, finding it unsuitable for filming. On their way back to the hotel, producer Mark Magidson saw the monk walking and stopped the cars and asked director/cinematographer Ron Fricke to film him. After obtaining the footage, the crew gave the monk some money and left. The monk never stopped his prayer and never looked into the camera.
- GaffesThe city Istanbul is misspelled in the movie twice, as Instanbul.
- ConnexionsEdited into Circle of Life: An Environmental Fable (1995)
- Bandes originalesHost of Seraphim
by Dead Can Dance
Meilleurs choix
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- How long is Baraka?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 332 110 $US
- Week-end de sortie aux États-Unis et au Canada
- 26 812 $US
- 26 sept. 1993
- Montant brut mondial
- 1 349 880 $US
- Durée
- 1h 36min(96 min)
- Couleur
- Rapport de forme
- 2.20 : 1
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