Ajouter une intrigue dans votre langueDuring perestroika, a Chicago student visiting Moscow inadvertently gets caught up in a perilous game involving a stolen Russian Orthodox icon amidst the USSR's transition to capitalism.During perestroika, a Chicago student visiting Moscow inadvertently gets caught up in a perilous game involving a stolen Russian Orthodox icon amidst the USSR's transition to capitalism.During perestroika, a Chicago student visiting Moscow inadvertently gets caught up in a perilous game involving a stolen Russian Orthodox icon amidst the USSR's transition to capitalism.
- Réalisation
- Scénario
- Casting principal
Aleksei Yevdokimov
- Mikhail
- (as Alexei Yevdokimov)
Nikolay Averyushkin
- Aide
- (as Nikolai Averiushkin)
Avis à la une
Nothing works in this absolutely witless teen fantasy, a lame Hitchcock rip-off about a stolen Russian icon and the plucky young American tourist who has to find it, pursued all the while by Soviet cops, Mafia killers, American embassy stooges, the Russian Orthodox Church, evil art dealers, assorted black marketeers (including a presumably desperate Roman Polanski), and the lovely Natalya Negoda, doing a somewhat sanitized variation of her delinquent character role from 'Little Vera'. Why travel all the way to Russia to make such a bone-headed, embarrassing movie, when even the local actors are so unconvincing? The answer is obvious: the film looks as if it was produced by the Moscow Tourist Council, with the full support of a government anxious for western currency, and eager to cash in on the promotional value of a slick, action-packed comedy caper filmed in their backyard. Ship this one to a distant Gulag.
Why is everybody describing this movie as a thriller ? It isn't at all , this is a comedy and a rather good one. I really loved it. If you ever have been there at that time (1992) you will recognize it. And mostly visitors of Russio in general love it of they never will go back. Beside this I loved the camera-work, careful lightning and the vivid editing of the film. The difficult language exercise is acceptable realized and for the music : the Russian version of the Beatle-song Back in the USSR was as an extra for me with a good cup of coffee. I can see that movie again and again. It will never get an Oscar or whatever other price, but it should have some for his smooth entertaining character with a little bit spirit for the connoisseurs. Comedy's are not my cup of tea, but this one has stolen my heart.
On his last day on vacation in Moscow, a young American's (Frank Whaley) attempts to get laid are sidetracked by a search for a stolen icon with the most preposterous set of plot twists imaginable. Worth watching (perhaps) as the first U.S. production to be filmed entirely in Russia, and much of the visual tour of Moscow is very impressive. Also, many of the performances by the Russian cast, especially co-star Natalya Negoda, are excellent. The film is fast moving, and the motivation and twists, especially the premise, are so ridiculous that one doesn't need to stop and wonder if they're believable -- they quite obviously aren't. Painless to watch if you're not too demanding.
This time that film back in the ussr (1992) is supposed to be on DVD. This time I want it for real. Same thing as jumpin at the boneyard and night and the city (1992). Those 3 20th century fox films from 1992 need to be on dvd.
Back in the ussr is a confusing film without much going for it except the gorgeous natalya negoda.. who barely makes it watchable.. besides her it is a nonsensical film without any real coherent plot or good acting.. on a scale of one to ten ..a 3
Le saviez-vous
- AnecdotesThe first U.S. film ever shot entirely in Moscow, Russia.
- Crédits fousAndrew Divoff's name is misspelled as 'Divof' in the end credits.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 501 036 $US
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By what name was Back in the U.S.S.R. (1992) officially released in India in English?
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