The Untold Story

THE UNTOLD STORY, like many reviewers have already noted, will stay with you for a long time. The basic storyline: Anthony Wong (in a masterful performance) portrays a sociopathic/psychopathic restaurant "owner" with a penchant for rape and murder. Wong takes over and claims ownership of the 8 Immortals Restaurant after he murders the real owner and his family (in one of the most brutal scenes ever put to film...) following a card game. From there Wong tries to legitimately take ownership of the restaurant but is unable, since the true owner is nowhere to be found to sign-off on the legal documents. Suspicions arise as the local police are sent letters from family members inquiring to the whereabouts of the missing owner. The police go to the restaurant and question Wong and his cashier, and notice that something seems "off". Upon further investigation, the police begin to put the story together, and THE UNTOLD STORY is finally revealed in all its horrific glory... First off, this is a well written, well acted, interesting film. I know that almost every other reviewer had a serious problem with the "comedic" elements in the film, but personally I feel that they really don't overshadow the film itself at all and are not as prevalent or annoying as other reviewers have noted. I think it is used to lighten the tone of the film a little, but to also show the dynamic between people who are constantly together, day and night, due to the nature of their profession. I don't think the good-natured (though admittedly sexist) ribbing of the female cop from her male counterparts is truly "harassing" in nature (though here in the States she'd definitely have cause for a lawsuit...) - I think it's more of a way to make her feel like "one of the guys" while still acknowledging her sexual differences. I think any female who has taken a profession in what might have once been considered a "man's field" can probably relate. THE UNTOLD STORY also delivers on the brutal and gory level. There are several scenes that are really rough, including: chopstick rape, rusty bucket wrist slicing, soda can tab wrist slicing, limb dismemberment, human meat grinding, and the infamous family slaugther scene. This scene in particular will have most casual horror-goers gouging their own eyes out, and even the more jaded of us sickos out there will have a hard time not being repulsed by the graphic, on-screen murder of an entire family, including several very young children. I have to say, I really, really like this film. THE UNTOLD STORY is a lot better made than many of the Cat III HK sickies, and works on more than just an exploit film level. It is definitely not for anyone who can't truly handle the above-mentioned types of images, but may prove to be a real treat for the more "discerning" (that is to say "depraved") viewers out there. There have been several inferior copy-cats of this film out there, this one is the real-deal. Highly recommended 9/10

In the early 80s, popular actor Danny Lee (famous for his work in action films) became director and producer of his own films, and by the end of the decade was already a major player in Hong Kong's movie industry. This position allowed him an enormous amount of power during the 90s boom of Hong Kong cinema, and made him the discoverer of famous stars (like Stephen Chow) and producer of a wide array of interesting films by upcoming filmmakers. Among those, Herman Yau's "Baat sin Faan Dim Ji Yan Yuk Cha Siu Baau", or "The Untold Story", is one of the most popular in the Western world, and one of the better known movies of the CAT III rating that was introduced by the Hong Kong government during those years. Suppousedly based on a true crime story, "The Untold Story" is a very powerful film that truly lives to its reputation as one of the most brutal films of Hong Kong cinema.

The plot starts with the discovery of a plastic bag containing the severed hands of a person in a lonely Macao beach. The young and unexperienced police team assigned to the case is clueless as they had never faced something so horrible, but lead by the suave officer Lee (Danny Lee), they find some clues pointing to Wong Chi Hang (Anthony Wong), the owner of the popular Eight Immortals Restaurant. As the cops find out that Wong just bought the place to his former boss, they try to track down the previous owner, but every attempt to find him or his family prove futile. The discovery of Wong's dark past prompts his arrest, but he still refuses to admit having committed the crime. Officer Lee decides to take severe measures, but not even he will be prepared to hear Wong's Untold Story.

Written by Law Kam Fai (author of another famous CAT III film, "Dr. Lamb"), the movie develops as a police procedural movie, detailing the work of the cops to figure out the responsible of the crime; however, two extremely different elements set "The Untold Story" apart from similar stories: the dark and extremely brutal portrayal of the psycho killer, and the odd addition of offbeat comedy thrown in to balance the grittier aspects of the movie. While this strange mixture of genres may sound unappealing (and honestly at first sight looks unappealing too), it surprisingly works within the movie, and gives good balance to the overall darkness of the story. Apropriately, in the end it is the horror element the one that dominates the film in a terrific brutal finale that by now is definitely a classic of 90s CAT III movies.

Famed for being one of the most shocking Asian horror movies, "The Untold Story" is surprisingly not as gory as one would expect with that reputation; however, this is not saying that the film doesn't live to the hype, as it is definitely a shocking experience although for a very different reason. Director Herman Yau cleverly chooses to portray the grotesque details of the crime in a relatively subtle, unseen way; but the way he executes the scenes allow for a far more powerful effect as plays with the imagination making the violence portrayed frighteningly real despite not being too graphic. The raw and gritty style Yau uses for his film (mainly for budgetary reasons) only enhance the realism of the movie, and together with Wong's brilliant performance make a movie very hard to forget.

Definitely one of the elements that really make the difference between "The Untold Story" and similar exploitation movies is the top notch performance of Anthony Wong as the enigmatic Wong Chi Hang. He captures so well the traits of this unbalanced psychotic character that one can't help but believe that the man on screen is truly a demented person. Danny Lee as the Officer in charge of the case offers the balance between the sadistic darkness of Wong and the at times silly comedy of the police team. Lee's smooth and witty character contrasts with the clumsiness and naiveté of the young cops, portrayed effectively although somewhat average by equally young actors. The exception is Emily Kwan, who plays Bo, the only female in the team and therefore the one who has to prove that she is as capable as the guys to do the police work.

"The Untold Story" is often hard to watch, but it's definitely never boring, and while crude, the portrait of sadistic violence it makes of the crime is captivating in a way that few horror movies are. While this is definitely one of the best CAT III movies of its time, it's not without flaws, as the budgetary constrains really took its toll in the movie. Anyways, what most viewers have criticized about "The Untold Story" is the odd mixture of comedy in the movie, as it seems to add an unnecessary source of silliness to an otherwise brutal movie. Personally, I think that, while not exactly subtle, the comedy do adds to the "charm" of the film, and helps to break the tension in a very dark movie. It may not seem appropriate at first sight, but it's not really a terrible flaw as some may have pointed out.

In the realms of the horror genre, Herman Yau's "Baat sin Faan Dim Ji Yan Yuk Cha Siu Baau", is now a classic of Hong Kong cinema, and essential viewing for those interested in the infamous exploitation movies rated as CAT III. It's not a movie for everyone, but if you have an interest for gritty tales of serial killers, "The Untold Story" is a must-see. 8/10

I bought this movie out of sheer curiosity. I'd heard about it somewhere, something about it being a cult classic based on a true story. Anthony Wong was in it and I liked him in Hard Boiled and Full Contact, so I said what the hell. I ordered it on DVD and watched it as soon as I got it. Man, this movie is something. It's one of those movies where you watch it wondering if the cast and crew went home and had horrible nightmares every work day. There's stuff in this movie that doesn't quite leave your mind. I've shown this movie to several people, one in particular swearing off Chinese food to this very day. Anthony Wong gives one hell of a performance. It's not necessarily Oscar-caliber (even though I don't really dig the Oscars these days anyway) but it's just... very convincing. A little bit hammy maybe but yeesh, this guy is scary. My friend asked me once while watching it one day if Wong was really nuts. Judging from the look on Wong's face in most scenes I said yes. The murder scenes are better left undescribed because no amount of words can prepare you for when you're actually watching them. The only gripe I have with this movie is the comedy element. I think the best comparison would be to "From Dusk Till Dawn", where it was almost like watching two different movies spliced together. The comedy feels out-of-place and my idea is that they added it to lighten the movie up a little bit for the murder scenes are pretty intense. If you are one of the faint-of-heart, avoid. If you got guts, give this a look. One other thing: after watching this, you will never look at chopsticks the same way again. Rating: ***1/2 out of *****.

Even though Hong Kong movies are never as good looking or slick made as an Hollywood production, it produced a couple of great little movies. "Baat sin faan dim ji yan yuk cha siu baau" is simple one of those great movies, mostly because of its sick story.

Movies focusing on serial killers are often good and interesting ones to watch, especially when they are done as well as this one. The movie is not really made great by its directing, acting or writing but more due to its violence and graphic straight-forward approach.

The movie features a couple of pretty graphic and sick moments, that makes this movie stand out in its genre. It's one of those movies that got banned in numerous countries at the time of its release and is heavily cut in others. Not that it's the most shocking more around but the movie does have its moments that will make some people's stomach turn.

In the beginning the movie its storytelling doesn't feel balanced out well enough. On the one hand it focus on the movie its killer and on the other on the police investigators. The two don't always mix well and it feels a bit disjointed. This gets better as the movie progresses but it always still remains a problem of the movie. The movie also gets less great toward its ending, when its perhaps starting to drag a bit.

Because the movie picks a more light and comical approach at times, you're able to forgive the movie its rather cheap look and production values. Had the movie been done completely serious the movie would had probably been not as effective, although it of course also prevents this movie from being a classic movie within its genre.

Overall the movie remains a surprisingly good one, despite all of its obvious flaws and 'cheap' Hong Kong style of film-making.

8/10

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Consensus view: ugly, bleak, grueling slasher film about sick restaurant owner in Macau mincing his victims into pork buns, given really strange comedic pizazz by a group of daft incompetent cops on the trail. Smudge of social commentary near the end, when the cops cannot properly solve the case by gathering clues they turn into torturers themselves.

Digging a little deeper, I believe it works the way it does because of the particular way we are situated inside the story: we only spend time with the killer as he maims and mutilates. Our primary focus is on the incompetent investigation, itself a source of ironic amusement exactly because we are two steps ahead; we know exactly what is going on and have to wait for them as they play catch-up. Every dimwitted joke is someone's limbs hacked off down the road.

Our killer is messy and an amateur, the law enforcers perhaps even more. The police captain is always cavorting with hookers. The result is a chaotic universe without moral value or clear demarcations. How better to exemplify a corrupt, absent law than by increasingly depraved violence recast as the darkest of comedies?