A Scene at the Sea

I watched a scene at the sea last night, I was feeling really tired but it actually helped to watch the film in a drowsy state, it is a really simple story and the way kitano tells the story is even more simple, I just can't get over kitano, he's a really incredible film aker, I've only scene this and "hanabi" and "brother", but they all deict a similarly strange world. I like the fact that the camera barely ever moves instead relying on really beautiful long shots that look, in a lot of cases, like paintings. I'm going to make it my mission to see all 11(?) of the films he has directed. Kitano really is just one of those people who can make you forget your watching a movie, the way it all unfolds just feels like something else The acting was reserved but completely convincing, especially between the two main characters, the fact that you could get such a strong sense of character from two people who never speak is really amazing. My appreciation for kitano grows with every film I watch, seek these films out, they're worth it.

This film shows that sensitive side of Takeshi Kitano's films. He can really create some beautiful and atmospheric scenes. Sadly, this film didn't have enough to amaze me. I know many people say this is an absolutely beautiful film, and while I cannot deny the beauty of some scenes, it can drag a lot a feel dull at times.

My main issue was with the main characters. It's supposed to be a love story, but I just didn't feel their connection was believable. It was as if we are expected to see them sitting beside each other day after day as some kind of big romantic connection. Now I understand that he is deaf and, while it sometimes seems like she isn't, the girl is deaf too, making this silent and beautiful connection appear. But I just at times felt like they just happened to beside each-other. They barely ever make any eye contact. You never truly feel that silent love for each other. It felt similar to how when Takeshi Kitano is acting, he has a stone face, but in the case of these characters it doesn't work. Kitano can do his usual emotionless face yet somehow convey a character underneath that face with emotions. The two leads in this cannot do that, and it hurts the film greatly. The film also suffers from being extremely repetitive. We see people walking down the same road numerous times, see the same surfing scenes again and again without any noticeable differences. I wouldn't have minded if you we're seeing him improve his surfing skills each time, but I felt like he didn't really. Even at the end he seemed... okay. His surfing was just good. I didn't know whether that was the point or if he was supposed to actually look really good at it. The surfing feels pointless if there is not a big change in skill. I just felt like I watched a movie about two deaf people who sit around and don't look at each other, and on of them becomes mediocre at surfing. Although I will say the soundtrack is amazing. The music gave me the feelings that I wish the characters would have. It helped add emotional impact to scenes that, without the aid of Joe Hisaishi's score, would have been dull. Kitano also gives us some great shots to take in and enjoy, but the repetition of a lot of them can wear on you.

In the end, it has some beautiful scenes, but just doesn't cut it. I wish I could have loved this, because Kitano can do some amazingly touching stuff, but it didn't hit my buttons in the right way.

Deaf and introvert Shigeru works as a garbage man while his mind is at surfing. He has a very patient girlfriend by his side with which he communicates very little.

Compared to another surf movie say 'Point Break' there are no other similarities than the surf boards. In 'Ano Natsu ...' there is no action, nothing spectacular and no glorification; its a slice of life movie with its humour in the details. The pace is slow, at first it seemed boring, but you'll grow into it quickly and find it rewarding.

The 80s love scene style music by Joe Hisaishi was surprisingly tolerable, its understated anyway.

My favourite Kitano film so far together with 'Dolls'.

This movie, directed by Takeshi Kitano, moves at a measured pace, one that allows the viewers to feel and relate to the situations slowly. On one level, it talks about a mute garbage collector's desire to become a surfer, yet it also deals with unspoken love, silence, and determination. One of the gentlest, most subtle movies I have seen. A simple expression, at times, is worth more than complex ones. Takeshi Kitano understands this.

Having recently seen and loved Zatoichi, the Blind Swordsman, I became interested in seeing his other work. So I started with this movie, which had been praised to the sky.

Slow? Measured pacing? Grass grows faster. And why doesn't a contemporary Japanese deaf couple know sign language? This film's emotion is so subtle that white bread seems interesting.

I am a lover of foreign and independent films. But the high praise that this one has received has me stumped. It seems to me that the director has tried too hard to create something unusual.

Incredible from the get-go.

Oh, well, I'll keep trying. I shall now watch Kids Return.