Ajouter une intrigue dans votre langue1992, Florida, USA. Aileen Wuornos is claimed to be the world's first female serial killer.1992, Florida, USA. Aileen Wuornos is claimed to be the world's first female serial killer.1992, Florida, USA. Aileen Wuornos is claimed to be the world's first female serial killer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Self
- (as The Human Bomb)
- Self
- (as Sgt. Brian Jarvis)
Avis à la une
The documentary portrays her as angry at the world, yet relentlessly addicted to bad advice from others who seek to exploit her for their own selfish reasons. First she listens to a nincompoop "Christian" lady, who convinces her that Jesus will forgive her sins if only she admits to all her crimes in court. So she does, only later to realize the stupidity of such advice. Similarly with legal representation. Going from bad to worse she listens to a worthless narcissist more interested in his own career than saving her life. For all involved, she is worth more dead than alive. Her life would end in the electric chair, while the audience would be eating popcorn and watching the Hollywood version of her story.
The deeper question, however, is how did this woman become a killer in the first place? What is it about our culture that we turn a blind eye to poverty, neglect and abuse, yet we blame those who act out their frustrations through anti-social behaviors? Given her background, why should we be surprised that she turned out as she did? Her life meant nothing to anyone until she went over the edge, and then it only meant a story to be exploited for profit by others. There are flaws in this documentary, to be sure, but a very sad story it yet remains.
This titillating, albeit a bit amateurish, documentary focuses on the greed surrounding Aileen Wuornos, alleged killer of seven men in Florida. You may have seen her portrayed in the movie "Monster" for which Charlize Theron was awarded an Oscar.
The two worst people in this documentary, as I mentioned, were Steve Glazer and Arlene Pralle. Steve Glazer was a musician turned lawyer and he was bad at both. Except if you're bad at music people can boo you off the stage or turn your demo off. If you're bad as a criminal defense attorney your client gets put in the electric chair as Wuornos was. Steve Glazer spent the entire documentary smiling and singing as though he didn't have a care in the world. It was all too vexing to see his smug, self-righteous, predatory face every shot with a s--- eating grin, singing a stupid song, or justifying his pathetic lawyering.
After him was Arlene Pralle. She looked like a missing member of the Manson Family. She looked utterly vapid and vacuous, and she had a voice to match. In all of her Born Again wisdom she convinced Aileen to plead no contest which was tantamount to pleading guilty. She and Steve ushered Aileen to death row as though they were doing the Lord's work. If that didn't make her repulsive enough, she also sought to make money off of Aileen like many others had. She was a horrible human being and she was too dumb to know.
We didn't get to see much of Aileen that wasn't archived footage. It would've been nice to hear her fully explain what she'd been through and what she'd done. No one will ever know the complete truth, but I'd like to hear from her a lot more than the slimy people she found herself attached to.
*** (out of 4)
Good documentary from Nick Broomfield has the filmmaker trying to secure an interview with Aileen Wuornos, the Florida woman convicted of killing seven men as she was working as a prostitute. The story became (wrongly) known as the first female serial killer but the filmmaker quickly learns that those around here supposedly looking after her best interest are actually just trying to milk money from the case. This includes her lawyer Steve Glazer as well as Arlene Pralle, the woman who adopted Wuornos soon after she was arrested. This is a pretty fascinating documentary on many levels and I do wonder if Broomfield's original intent was just to make a documentary on Wuornos and then while doing it he discovered how others were just using her to make money for themselves. While there's a quick interview with Wuornos at the end of the documentary, the main focus here is the lawyer as well as the adopted mother. Right from the start you can tell that there's something really wrong with these people and especially when they make Wuornos change her pleas simply because of coming clean to God and going home. This is just the start of things because Broomfield soon uncovers that perhaps even the police are in on this just so they could get movie deals. I really liked the way Broomfield interviewed both parties on their connections to the case and it was really fascinating that no one could see through this lawyer while all the court stuff was going on. Now, I'm not going to sit here and say that Wuornos didn't get what she deserved for her crimes but at the same time those around her shouldn't have been benefiting from her case, life and eventual death.
This documentary by Nick Broomfield is unfocused, and the filmmaker and his small crew are often part of the saga. It paints a rather grim picture, where police are more concerned about possible movie deals than arresting the right person (although they did have the right person, almost by accident), where lawyers are slime buckets even when masquerading as laid back rejects from the '60s and '70s "flower power" era, and where people who claim to be spiritual and doing "God's work" come out looking no less mercenary or self-serving than anyone else (well, except maybe the killer and the sleazy lawyer).
Filmmaker Broomfield doesn't give us nearly as many facts as you might expect - and in this case, even wish for - in a documentary of this type. Much of the film consists of him traipsing around with his small film crew, trying to convince somebody to talk to him. He seems often to miss the point, and doesn't ask the most relevant or probing questions. I never could decide, while watching this film, how much of that was on purpose, for effect, and how much was just him not doing a very good job. It does add to the overall dark impression in the film, that few people really know the truth, know what's going on, and that fewer still care...
Interesting in places, disturbing in others, downright scary if you come out of this believing this is how the criminal justice system works (or not) in this country, Broomfield's film is certainly thought provoking, if somewhat confused and lacking focus.
Le saviez-vous
- AnecdotesIncluded among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
- Citations
Aileen Wuornos: [In court] I wanna be back in prison. I don't care what the sentence is. I'm already on death row, I'm gonna see the chair, I don't... this is all re-electional purposes. This is not for nothing but to get you guys re-elected. And this is a bunch of bull-shit. This doesn't even need to happen. I'm trying to save tax payers money; you people don't care. You wanna press on with a jury and everything else to try to impress the public. And all I wanna do is go back to prison, wait for the chair, and get the hell off of this planet that's full of evil and your corruption in these courtrooms.
- ConnexionsFeatured in Aileen: Life and Death of a Serial Killer (2003)
- Bandes originalesTime
Written by Roger Waters (as Waters)/David Gilmour (as Gilmore)/Richard Wright (as Wright)/Nick Mason (as Mason)
Publisher: PINK FLOYD MUSIC PUBL. Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Эйлин Уорнос: Продажа серийной убийцы
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro