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La fièvre d'aimer

Titre original : White Palace
  • 1990
  • R
  • 1h 43min
NOTE IMDb
6,5/10
9,4 k
MA NOTE
Susan Sarandon and James Spader in La fièvre d'aimer (1990)
Trailer
Lire trailer2:06
1 Video
39 photos
DrameRomanceLe passage à l'âge adulteRomance torride

Ajouter une intrigue dans votre langueLust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.

  • Réalisation
    • Luis Mandoki
  • Scénario
    • Glenn Savan
    • Ted Tally
    • Alvin Sargent
  • Casting principal
    • Susan Sarandon
    • James Spader
    • Jason Alexander
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    9,4 k
    MA NOTE
    • Réalisation
      • Luis Mandoki
    • Scénario
      • Glenn Savan
      • Ted Tally
      • Alvin Sargent
    • Casting principal
      • Susan Sarandon
      • James Spader
      • Jason Alexander
    • 64avis d'utilisateurs
    • 26avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    White Palace
    Trailer 2:06
    White Palace

    Photos39

    Voir l'affiche
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    Voir l'affiche
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    + 32
    Voir l'affiche

    Rôles principaux63

    Modifier
    Susan Sarandon
    Susan Sarandon
    • Nora Baker
    James Spader
    James Spader
    • Max Baron
    Jason Alexander
    Jason Alexander
    • Neil
    Kathy Bates
    Kathy Bates
    • Rosemary
    Eileen Brennan
    Eileen Brennan
    • Judy
    Steven Hill
    Steven Hill
    • Sol Horowitz
    Rachel Chagall
    Rachel Chagall
    • Rachel
    • (as Rachel Levin)
    Corey Parker
    Corey Parker
    • Larry Klugman
    Renée Taylor
    Renée Taylor
    • Edith Baron
    • (as Renee Taylor)
    Jonathan Penner
    Jonathan Penner
    • Marv Miller
    Barbara Howard
    • Sherri Klugman
    Kim Myers
    Kim Myers
    • Heidi Solomon
    • (as Kim Meyers)
    Hildy Brooks
    Hildy Brooks
    • Ella Horowitz
    Mitzi McCall
    Mitzi McCall
    • Sophie Rosen
    K.C. Carr
    • Stripper
    Glenn Savan
    • White Palace Customer
    Fannie Belle Lebby
    • Marcia
    Vernon Dudas
    • Jimmy the Bartender
    • Réalisation
      • Luis Mandoki
    • Scénario
      • Glenn Savan
      • Ted Tally
      • Alvin Sargent
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs64

    6,59.4K
    1
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    Avis à la une

    jertob

    Sarandon, as usual never disappoints

    Truth to tell I only watched this movie recently because I consider Susan Sarandon one of our finest actors. Also, I'm going add, one of our sexiest actors too. Ms. Sarandon gets the most from this role by underplaying the part with most of her interpretation deriving from her facial expressions. And, I have to admit, that if she can excite a 70 year-old man with her sexual magnetism as she did me, she has it all over some of the so-called younger sexy actresses. There was one scene that bothered me though, the Thanksgiving dinner scene where Spader's Jewish family is depicted as shallow and bigoted, something like Woody Allen's family in one of his films. Also, why the director ended the picture with that hokey table-top nonsense in a crowded restaurant is beyond understanding. It detracted from the reality of the film.
    newnoir

    WILL MAKE YOU WANT TO GO OUT AND DATE AN OLDER WOMAN!

    This is a film a lot of people didn't see. It is just a simple tale of a younger rich man who shacks up with an older much poorer, working class woman who works at a hamburger joint called White Palace. The name is obviously taken from the East Coast burger chain White Castle. Susan Sarandon picks up a drunk James Spader in a bar and takes him home for a night of sweet lovin'. The love scenes that follow are actually very erotic and sexy, not dull like most Hollywood love scenes.

    We need more stories like this. You always see movies with MUCH older men with MUCH younger women: Sean Connery and Catherine Zeta Jones in Entrapment, Jack Nicholson and Helen Hunt in As Good As It Gets...etc. Where are all the stories of younger men with older women? Welp, this film is one of 'em. And this is one younger guy who likes what he sees when he sees White Palace. Like it said on the poster of this movie: "The story of a younger man and a bolder woman."
    7SnoopyStyle

    two great actors

    Max Baron (James Spader) is a successful ad executive in St. Louis. His wife Janey (Maria Pitillo) was killed in a car accident two years ago. He buys 50 burgers from White Palace (White Castle refused to give permission) for his friend Neil (Jason Alexander)'s bachelor party and discovers six empty boxes. He berates Nora Baker (Susan Sarandon) and gets his refund. Later at a bar, Max finds common suffering with Nora who lost her son to leukemia. They start an affair based on their shared losses despite their differences.

    These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
    budikavlan

    Unlikely but hopeful romance

    It was interesting to me that it was more of a problem that she was such a slob than that she was significantly older than him. If anyone can carry off a believable and appealing older woman/younger man romance to a mass audience, it's Susan Sarandon. No other actress combines her ripe, open sexuality with such an accessible and self-assured personality. She makes sexiness respectable. James Spader does less well, not so much because of a faulty performance, but because he seems unable to break through a preternatural reserve. It served him well in "Sex, Lies and Videotape" but a little more emotionality is called for here. The sex scene when he is writhing in the throes of passion and finds a half-eaten sandwich under the bed is hilarious, not to mention the pivotal scene when he gives her a dustbuster as a gift. The future for this couple might seem unlikely, but I don't think it's any less likely than that of most movie lovers.
    7Ankhenaten91

    An entertaining film all around

    For me there really is nothing better than good writing, good actors and an interesting and engaging film. This has all of that.

    I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.

    Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.

    He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.

    The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.

    It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Robert Downey Jr. was considered for the role of Max Baron and even screen tested with Susan Sarandon.
    • Gaffes
      In the final scene where Max and Nora are talking at the restaurant, their hairstyles change mid-conversation.
    • Citations

      Max: All I know is that when I'm not with you I'm a total wreck.

      Nora: And when you are with me?

      Max: I'm a different kind of total wreck.

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Hot Spot/Mr. Destiny/Memphis Belle/Welcome Home, Roxy Carmichael (1990)
    • Bandes originales
      Love Or Money
      Performed by Slater Sealove Band

      Courtesy of Reata

      Written by James Slater & Carl Sealove

    Meilleurs choix

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    FAQ

    • How long is White Palace?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 mai 1992 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Pasión otoñal
    • Lieux de tournage
      • Duff;s Reataurant, 392 North Euclid Avenue, Saint-Louis, Missouri, États-Unis(The NYC restaurant where Sarandon and Spader reunite at end)
    • Sociétés de production
      • Universal Pictures
      • Mirage Enterprises
      • Double Play
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 17 487 531 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 078 697 $US
      • 21 oct. 1990
    • Montant brut mondial
      • 17 487 531 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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