NOTE IMDb
5,1/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueIn order to escape from the mob, an African-American man must disguise himself as a white man.In order to escape from the mob, an African-American man must disguise himself as a white man.In order to escape from the mob, an African-American man must disguise himself as a white man.
Christopher Collins
- Frank LaMotta
- (as Chris Latta)
Avis à la une
On his way to an audition, second-rate actor Miles Pope finds himself sat next to a businessman with connections to the acting world. However, during an extremely severe bit of turbulence, everyone assumes they will die and the confessions start with Leland Carver confessing to Miles that he is really a wanted mobster (Frankie Lucino) assumed dead but hiding thanks to loads of plastic surgery. Of course when the plane doesn't crash, Carver is keen to keep his secret a secret and Miles finds himself on the run from a hit-man hired by Frankie.
Few people will come to this film hoping for much; indeed judging by the votes on this site it would appear that few people have come to this film at all. The plot sets up lots of material to be furiously milked and the writers don't disappoint as they take every strained setup they can and wring it dry. The fact that the plot is silly and forced will be no surprise to anyone but this was a price that I was willing to pay in this type of film in exchange for laughs. Sadly the film isn't actually that funny; it has some good moments but they are in the minority compared to the rest of the film that is mostly just so-so.
Henry's white makeup is impressive but once the novelty value has worn off there isn't a great deal left. His mimicry is good but his character voice (an American accent for Miles) is weak and generally his performance is only OK. His main problem is with the weak material he is given to work with; I'm not a big fan of him generally but he can do better than this. Langella is OK in support but not given that much to do although his role is massive compared to the wasted presence of JT Walsh. Lane is pretty poor not sure if he was trying to make himself the comedy Spike Lee but it didn't work.
Overall this is a pretty average film at best, but it isn't at its best that often. It is undemanding nonsense that will please some viewers and the white makeup is impressive but it must be said that the majority of viewers will find this comedy rather lacking in laughter and wit. Mindless stuff all round.
Few people will come to this film hoping for much; indeed judging by the votes on this site it would appear that few people have come to this film at all. The plot sets up lots of material to be furiously milked and the writers don't disappoint as they take every strained setup they can and wring it dry. The fact that the plot is silly and forced will be no surprise to anyone but this was a price that I was willing to pay in this type of film in exchange for laughs. Sadly the film isn't actually that funny; it has some good moments but they are in the minority compared to the rest of the film that is mostly just so-so.
Henry's white makeup is impressive but once the novelty value has worn off there isn't a great deal left. His mimicry is good but his character voice (an American accent for Miles) is weak and generally his performance is only OK. His main problem is with the weak material he is given to work with; I'm not a big fan of him generally but he can do better than this. Langella is OK in support but not given that much to do although his role is massive compared to the wasted presence of JT Walsh. Lane is pretty poor not sure if he was trying to make himself the comedy Spike Lee but it didn't work.
Overall this is a pretty average film at best, but it isn't at its best that often. It is undemanding nonsense that will please some viewers and the white makeup is impressive but it must be said that the majority of viewers will find this comedy rather lacking in laughter and wit. Mindless stuff all round.
Watching "True Identity," I was somehow reminded of an old "Saturday Night Live" Eddie Murphy skit where he disguised himself as a white man, then walked around New York City in makeup, realizing that when no black people are around, white people like to get funky.
At first I thought it was just a basic idea that bore resemblance, until two gags used in Murphy's skit were used in the film, and I started to wonder how they had ever gotten away with ripping off his materal. Then I realized that the writer of the film, Andy Breckman, used to write for "SNL," and that the film was an unofficial spin-off of Murphy's skit.
The problem with "SNL" spin-offs is that they take a successful five-minute paper-thin gag and stretch it out to full length. Mary Katherine Gallagher was never very funny, but her skits were watchable; whoever decided to put her oddball, unlikable character into a movie was nuts.
Luckily, even though it is far from being a great motion picture, "True Identity" has its fair share of good moments, which include British comedian Lenny Henry getting to dress up as a white guy and pose as an Italian-American mobster hit-man, then posing as James Brown's brother. (One of Murphy's trademark characters on "SNL" was his impersonation of James Brown in "James Brown's Hot Tub.")
Miles Pope is an aspiring actor living in the big city with hopes of becoming the lead in "Othello." When he boards a plane, he finds himself seated next to a strange man named Leland Carver. When the plane starts to plummet, Carver (played by Frank Langella) admits that he used to be a criminal, who was believed to have died in an explosion, but in reality survived, had facial alterations, and "spent thousands setting up a new identity." Of course, the plane then regains itself, leaving Miles with the knowledge that he will probably be chased by the gangster's hit men. So his only option is to disguise himself as a white man.
This is essentially a very weak setup, with a truly ridiculous and contrived plot (like a mobster would admit his real persona for no reason whatsoever). But the movie does have a fair amount of fun, and a few good belly laughs, including the opening scene. "You need to get to your roots," a director of a play tells Miles. "Act more black." "But black people don't act like this anymore!" Miles says. The director doesn't care, so Miles tries to portray a stereotypical black man. The result is very funny.
The film, as a whole, is completely harmless and serves its purpose. It's entertaining, with a silly plot but a good amount of funny scenes. Henry is able to show off how good he is at comedy while we are entertained. And for the record, his "white man makeup" was much more convincing than Murphy's.
At first I thought it was just a basic idea that bore resemblance, until two gags used in Murphy's skit were used in the film, and I started to wonder how they had ever gotten away with ripping off his materal. Then I realized that the writer of the film, Andy Breckman, used to write for "SNL," and that the film was an unofficial spin-off of Murphy's skit.
The problem with "SNL" spin-offs is that they take a successful five-minute paper-thin gag and stretch it out to full length. Mary Katherine Gallagher was never very funny, but her skits were watchable; whoever decided to put her oddball, unlikable character into a movie was nuts.
Luckily, even though it is far from being a great motion picture, "True Identity" has its fair share of good moments, which include British comedian Lenny Henry getting to dress up as a white guy and pose as an Italian-American mobster hit-man, then posing as James Brown's brother. (One of Murphy's trademark characters on "SNL" was his impersonation of James Brown in "James Brown's Hot Tub.")
Miles Pope is an aspiring actor living in the big city with hopes of becoming the lead in "Othello." When he boards a plane, he finds himself seated next to a strange man named Leland Carver. When the plane starts to plummet, Carver (played by Frank Langella) admits that he used to be a criminal, who was believed to have died in an explosion, but in reality survived, had facial alterations, and "spent thousands setting up a new identity." Of course, the plane then regains itself, leaving Miles with the knowledge that he will probably be chased by the gangster's hit men. So his only option is to disguise himself as a white man.
This is essentially a very weak setup, with a truly ridiculous and contrived plot (like a mobster would admit his real persona for no reason whatsoever). But the movie does have a fair amount of fun, and a few good belly laughs, including the opening scene. "You need to get to your roots," a director of a play tells Miles. "Act more black." "But black people don't act like this anymore!" Miles says. The director doesn't care, so Miles tries to portray a stereotypical black man. The result is very funny.
The film, as a whole, is completely harmless and serves its purpose. It's entertaining, with a silly plot but a good amount of funny scenes. Henry is able to show off how good he is at comedy while we are entertained. And for the record, his "white man makeup" was much more convincing than Murphy's.
The first half hour of this movie could have been shortened by fifteen minutes -- too many minutes are used in set-up. It doesn't start getting good until Frank Langella comes along. Then it gradually improves as it goes along, and reaches and sustains its peak toward the end, starting when Henry introduces his alternate character.
There is a somewhat large and famous supporting cast, and for awhile one wonders why so many well-known actors would sign on, but by the end, their involvement becomes justified, although some are not given much to do.
This would make a good TV movie, but it would take a lot of bleeping. Too much of the F-word, for example.
There is a somewhat large and famous supporting cast, and for awhile one wonders why so many well-known actors would sign on, but by the end, their involvement becomes justified, although some are not given much to do.
This would make a good TV movie, but it would take a lot of bleeping. Too much of the F-word, for example.
This one movie and the BBC Television series CHEF are my only connection with Lenny Henry, however I am a fan of his work on both projects.
I haven't seen this movie on DVD as it is not released on Region 1 discs as of yet, I truly hope it is planned as I would love to own this title on DVD.
My remarks are based on the VHS version, tattered and torn as it is.
This film will keep you laughing and engaged from beginning to end, there are enough SNL-ish interactions between the characters to have caused a copyright infringement suit ;)(just kidding).
The first time I watched this film it was truly ground breaking in a sense of character and timing, at least in my opinion (not having had much exposure to BBC TV/Celebs). His (Lenny Henry) off beat characters and persona(s) throughout the film are engaging and remarkably funny.
Miles Pope seems to be the sort of guy you would not mind helping should he require it, although knowing ahead of time what kind of help he would need with regards to this film would surely have slowed my response time.
However from the beginning plane ride on through the ending sequence this movie keeps me interested and laughing, a must see comedy for all ages based upon my perspective.
Please, if anyone has any pull with the powers that be, have this title released on Region 1 DVD as soon as possible, thanks.
I haven't seen this movie on DVD as it is not released on Region 1 discs as of yet, I truly hope it is planned as I would love to own this title on DVD.
My remarks are based on the VHS version, tattered and torn as it is.
This film will keep you laughing and engaged from beginning to end, there are enough SNL-ish interactions between the characters to have caused a copyright infringement suit ;)(just kidding).
The first time I watched this film it was truly ground breaking in a sense of character and timing, at least in my opinion (not having had much exposure to BBC TV/Celebs). His (Lenny Henry) off beat characters and persona(s) throughout the film are engaging and remarkably funny.
Miles Pope seems to be the sort of guy you would not mind helping should he require it, although knowing ahead of time what kind of help he would need with regards to this film would surely have slowed my response time.
However from the beginning plane ride on through the ending sequence this movie keeps me interested and laughing, a must see comedy for all ages based upon my perspective.
Please, if anyone has any pull with the powers that be, have this title released on Region 1 DVD as soon as possible, thanks.
Growing up there was a bunch of movies I would have never saw if it wasn't for late night TV in the 90's. 'True Identity' happens to be one of them. It has stuck with me doing a Mrs. Doubtfire routine before that movie even existed. I'll state up front I'm not familiar with comedian Lenny Henry, but that didn't stop this film from having fun moments.
Struggling actor Miles Pope (Henry) is sat next to a reputed mobster (Frank Langella) who is thought to be dead on a flight. When it appears the plane is going down, the man airs his dirty secrets and afterwards wants Pope dead. With the help of his movie makeup neighbor, Miles undergoes a transition to being a white guy and then inadvertently takes the identity of the hitman sent to kill him. Faking his way thru conversations, making excuses, staging a fake murder scene until the gig is up and he has to find a real way out.
Quite a few recognizable faces pop up, but the show belongs to Henry, the dependable Langella and Andreas Katsulas (Star Trek TNG, The Fugitive) as the mobsters associate. There's a throwaway love interest and some corny cop play in which the film takes a dip however there's a solid laugh or two during his aspirations for a successful acting career.
Remember that classic bit from 'The Simpsons' with the pamphlet on stealing cable? "Fact: Most movies on cable get two stars or less and are repeated ad nauseam." That's 'True Identity' in a lot of ways. Good pieces here, I certainly laughed but you have to sit thru formula to get to them.
Struggling actor Miles Pope (Henry) is sat next to a reputed mobster (Frank Langella) who is thought to be dead on a flight. When it appears the plane is going down, the man airs his dirty secrets and afterwards wants Pope dead. With the help of his movie makeup neighbor, Miles undergoes a transition to being a white guy and then inadvertently takes the identity of the hitman sent to kill him. Faking his way thru conversations, making excuses, staging a fake murder scene until the gig is up and he has to find a real way out.
Quite a few recognizable faces pop up, but the show belongs to Henry, the dependable Langella and Andreas Katsulas (Star Trek TNG, The Fugitive) as the mobsters associate. There's a throwaway love interest and some corny cop play in which the film takes a dip however there's a solid laugh or two during his aspirations for a successful acting career.
Remember that classic bit from 'The Simpsons' with the pamphlet on stealing cable? "Fact: Most movies on cable get two stars or less and are repeated ad nauseam." That's 'True Identity' in a lot of ways. Good pieces here, I certainly laughed but you have to sit thru formula to get to them.
Le saviez-vous
- AnecdotesThis film was designed as a vehicle for Lenny Henry as part of a 3-picture deal the actor signed with the Walt Disney Company, which thought that he had the potential to be a big star in the United States. When this film flopped at the box office, Henry's deal with Disney was canceled, and the other films were never made.
- Citations
Miles Pope: Yo, Frankie, when you get to jail, you might want to talk to some of the brothers on your views of racial equality.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is True Identity?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- True Identity
- Lieux de tournage
- Mill Neck Manor, Mill Neck, Long Island, New York, États-Unis(Country club scene.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 693 236 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 541 581 $US
- 25 août 1991
- Montant brut mondial
- 4 693 236 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant