Toto le héros

Thomas, an elderly man lives in an old people's home. He's always been persuaded that he has been inverted with another baby called Alfred, during a fire at the maternity hospital. It means that he should have been Alfred, a wealthy and rough boy, cherished by his parents who fell in love with Thomas' sister, Alice. When he's a grown-up, he'll become a brilliant businessman whereas Thomas, him, will only live a dull and mournful life: his father will die early, he'll become a poor surveyor and when he feels love for a woman called Evelyne who looks like his late sister, Alice, he'll feel betrayed because Evelyne is Alfred's wife! His only way to escape from a destiny that is not the right one is to fancy himself as a secret agent (Toto le héros). So, in the old people's home, Thomas's got a sole idea: killing the "usurpator". Will he succeed in? For his first film, Jaco Van Doarmel showed cleverness, originality and talent. The movie is very close to Etienne Chatiliez's movie: "life is a long quiet river" but in this movie, everybody knew that the two babies had been voluntarily inverted and in Doarmel's film, Thomas remains the only one to be persuaed of being inverted. One of the feats of the film is that it never asserts this hypothesis. We see the fire but we don't know if the intervertion really happened... The movie works like a puzzle as Thomas's thoughts and memories pass by and it links several characters, in different places, at different times. It enables to reconstruct Thomas' bitter life. In parallel, you never lose the thread of the plot (Thomas aims at avenging himself against the one who stole his life). The film abounds in visual brainwaves and is very well served by a watertight screenplay. Moreover, there's an amazing contrast between Thomas's bitter life and Alfred's one (which would be Thomas's real life) that is cherished and successful. But, in the end, Alfred isn't as dreadful as he seems, because I noticed that when he was old, he seemed upset. He's probably marked by Evelyne's departure and don't forget that he's tracked down by terrorists. Always right and agile, the movie, sometimes, succeeds in creating touching moments( when Thomas discovers that Thomas's wife is Evelyne, the woman he loves). At last, Michel Bouquet is excellent in his role of tormented and disillusioned man. Like "eraserhead" by David Lynch, in another register, "Toto le héros" rank among the movies that you must see rather than telling it because it can be seen on several levels.

Take a deep breath... and dive... The movie is about to take you in a journey trough an extraordinary life... Not very overwhelming, one might say... but the story of "Toto le héros" is an unpredictable tale about a man who always thought he was nobody, and found at the very end of his life, that he was, in fact, a hero...

The very simple storyline is a sketch, for director Jaco Van Dormael, to elaborate a complex visual narration. Since we follow the main character, Toto, throughout his whole life, the movie is full of "time games". Van Dormael uses flash-back and leap in time to get away from a simple linearity. The aproach to dreams is very similar to Terry Gilliam's that we've seen in "Brazil" and "12 Monkeys".

"Toto le héros" is a touching film that will please the movie critics as well as the common viewers.

It is a chef-d'oeuvre...

Ask me what time it is. Very very very strange and very entertaining bit of European cinema from Wacko Jaco Van Dormael, a former circus clown turned director. This film about fate, love, and childhood fantasies gone awry is very hard to describe. Imagine a kids film directed by Lars Von Trier, add a dash of "Amelie," a scent of "Donnie Darko," a sprinkle of Lynchian strangeness, and a good heaping of Terry Gilliam inspired wackiness, place in a blender, then travel back in time (as this movie came long before and probably inspired "Amelie" and "Donnie Darko") and voilà, you'll have "Toto." Sometimes heartbreaking, sometimes funny (everybody seems to love those dancing tulips), sometimes weird, always captivating, this is a film for people who enjoy non-linear and creative story-telling. Also, that much talked about floating plastic bag stuff from "American Beauty" is taken straight from this film's unforgettable final scenes. Dormael seemed to have so much good stuff going on in this film, it's ashame he's only made one film since this, as any film buff who watches it will no doubt imagine a few more great films being pulled out of Dormael's magician's hat.

A hearty recommendation for this film, which deftly kaleidoscopes time. Three actors portray one life at various age stages, through them we see the innocence of childhood and the guilt of autumn years are two sides of the same coign of vantage.

The creative imagination of the protagonist (and the director) are well framed...and it was reassuring that some of the magic that our hero, Thomas, felt as a child stays with him throughout his life, and this film.

Minor caveats for people who

1) dislike non-linear time in a film

2) voice-over narration

But the distinct actors/times make #1 no problem here, better yet the dissolves between them are often lyrical...and I think more accurate to how we remember our time in this world.

Reaffirmed my belief of the power in charged details (shoes in a closet, a pop tune, candy wrappers) and my faith in the beautiful complexity of a simple life.

Jaco Van Dormael conjures up (he was a magician and a clown) one of those films that because of their formal beauty and intelligent content deserve to be seen more often but are not. The film is full of internal echoes, images that resurface under different contexts, and make you rethink them again and again (dare I say like in Citizen Kane?). As if that were not enough, there are many other resonances to genres and specific films that will make film buffs laugh with excitement: quotations to gangster films, to Hitchcock, to Bunuel, etc. are all there to be discovered and enjoyed. Alan Moore would be smiling at the construction of this beautiful crystal web that is the narrative of this film. See it and rejoice...