Sketches from the everyday life of a successful New York office, with varying results achieving its goals by selling real estate, ranging from detached expensive buildings to entire neighborhoods. There are two African Americans on its staff. The first is a trader named Wayon, drowning in work 24/7, aiming for the position of a business partner, «whiter than other whites». The second is a typical street slob and party animal, leading his way, apparently, from somewhere in Harlem, in his own way reflecting the context of his era, a guy named Bobby. He barely holds on to the role of a messenger, delivering and sorting documents of varying importance, periodically causing the wrath of the episodically appearing boss in the person of Samuel L. Jackson.
One day, opposites working in the same structure, but coming from different worlds, will have to collide, as Wayon really liked an unfamiliar beauty in the person of Halle Berry. Bobby will help Wayon find «his dream», and Wayon will help Bobby move up a few notches in business, where the term «stepping on heads» is not rude at all, but a factual reality. In general a fairly standard and classic plot twist, with some adjustments for the «street» specifics, a light melodrama, with a dash of comedy.
Actually, this very «lightness» becomes the other side of the coin - there is no high-flown dramaturgy or conventionally complex messages here, and you can't expect anything in the spirit of Spike Lee's «Jungle Fever», released in the same 1991, where Halle Berry also managed to make her mark in one of her earliest and rather atypical roles. The film also does not claim the laurels of «Wall Street» (1987). To a greater extent, there is a set of purely situational, topical sketches, strung together on a common, rather conventional plot line and placed in a not very long running time of one hour and twenty minutes, but devoid of any depth. The film is generally not bad, but does not stand out in any special way.
