Troubles

The feel of this film rings of a late 1970's early 1980's action-drama TV show, like "Hart to Hart", "Charlie's Angels", or even "Dallas", particularly because of the location shots and the music. The scenes alternate between million-dollar mansions, ritzy hotels, billion-dollar corporations, and rural locales. And the lush strings always emerge when the characters are driving through some mountainous areas. I kept thinking that Jaclyn Smith would turn up at any moment.

The opening premise is quite a stretch: Tom Berenger as Dan Merrick survives after having plunged about 6000 feet off the road in his car. It's a miracle that his legs didn't end up in the glove compartment. Despite being more or less still intact, Merrick's face has been crushed into hamburger, and he can't remember who he is or what happened to him after he awakens from a coma. His wife Judith (Greta Scacchi) is only a little scratched up after the ordeal. She nurses him back to health and tries to help put the puzzle pieces back into his "shattered" memory.

He finds out he's a rich commercial real estate developer with a house with its own zip code. His office at the TransAmerica building in San Francisco is bigger than the average person's apartment. And he has a beautiful secretary who must have just finished a stint as a cover model for Vogue. And his colleague is the kind of guy who uses the old "two shooter" gesture while saying "We'll do lunch." That would be a nightmare!

But other pieces do not come together so easily, like why, before the accident, did he hire a private investigator (Bob Hoskins) who fronts as a pet store owner? And why did this guy's invoice end up at the development company? At one point, he thought he had bought $7000 worth of pets! (With that kind of money he could have gotten the equivalent of Magnum PI.)

The film becomes a kind of noir mystery in which Merrick tries to put the pieces of his life back into perspective all the while trying to figure who he can trust. Although some of the writing and circumstances were a little hard to swallow, the movie sort of gets better as it goes along. And a great performance by Berenger holds the story together more or less. At every moment, despite its short-comings, you want to find out what happens next. And a dynamite ending that is worth the wait and the price of admission, $5 for the DVD at Fry's.

Petersen's skillful direction and a cleverly constructed script combine to make this a thoroughly entertaining and absorbing thriller. On the first viewing, you're likely to dismiss the shocking and unpredictable ending as "far-fetched" and "unbelievable" (at least that's what I did), but see it again and you'll realize that the story DOES stand up to scrutiny; there are no scenes that cheat the viewer here. Bob Hoskins steals the show as the likable private detective. And overall, this a movie worth seeing. (**1/2)

Wolfgang Petersen (Poseidon & the Neverending Story)'s Neo Noir starring Tom Berenger, Bob Hoskins, and Greta Scacchi about a West Coast developer who has amnesia after a car accident and begins to suspect his wife of treachery.

This begins in a pretty mundane way. It runs like any one of thousands of films of the early 1990's, and there doesn't appear to be anything special about it until you get a little bit of the way into it. Roughly one third through, you begin to see the subtle idiosyncrasies of this work, and soon, you are wholly absorbed.

This features some great intrigues, a nice well paced plot, and a really twisty ending. Dialog delivery isn't as bad as you might expect, and the story itself steals the show. Camera angles are a bit odd at times, but nothing like some of those 1970's flicks!

All in all, though it was done as recently as 1991, it is horribly dated but I was still completely entertained by this film, and while it's not Friday-Saturday night quality, it makes for a great Saturday or Sunday afternoon diversion.

It rates a 7.6/10 from...

the Fiend :.

After surviving a car crash, real estate developer Dan Merrick (Tom Berenger) finds himself with Amnesia and begins to begin rebuilding his life with the help of his wife Judith (Greta Scacchi). As Dan examines the pieces of a life he can no longer remember and people he no longer knows his path crosses private investigator Gus Klein (Bob Hoskins) who reveals Dan's life may hide darker secrets.

Part of a wave of films in the 90s that tired to be updates on Hitchcockian suspense thrillers (Final Analysis, A Perfect Murder, etc.), Shattered was released to middling reviews and lackluster box office most likely due in no small part to having the misfortune of being released less than two months after very similar (and much more financially successful) Dead Again. And while Dead Again is objectively a stronger film on the whole, Shattered still deserves credit for being a smart thriller with engaging performances and a genuine sense of style and suspense.

Berenger is quite good as Dan Merrick and makes for a convincing everyman who tries to determine who can and cannot be trusted as he tries to piece together a mystery whose clues he can't seem to make sense of. Greta Scacchi is equally good as Dan's wife Judith and does a great job serving as a Hitchcock type enigma. But easily the best performance is Bob Hoskins as Private Investigator Gus Klein, a cynical, misanthropic, animal lover who commands the screen every time he's on camera.

The narrative is solid in terms of it's structure and Wolfgang Petersen's direction and writing effortlessly come together to create the needed amount of intrigue and engagement expected in a film of this ilk. Throughout the first half of the movie we (the audience) are very much in Dan's shoes following down every lead as he finds them with answers leading to more questions. To say anymore would be to spoil the movie, the ending it builds up to is suitably twisty and surprising but whether it strains credibility will be dependent on the person who watches it.

Shattered is a well made thriller with good performances and an intrigue rich hook. The film for the most part successfully emulates all the tricks and trappings familiar to Hitchcock's films and while it doesn't quite stick the landing for its ending (at least for me personally), it is still a solid thriller that'll keep you engaged til the end.

Dan Merrick (Tom Berenger) and his wife Judith (Greta Scacchi) are involved in a car wreck that leaves Judith with only a scratch but Dan in critical condition that involves restructuring his face to look as much as possible like the old face. Dan has one other serious problem, the shock has left him with amnesia. He tries to put his life back together with the help of his wife but nothing seems real. In trying to piece together his former existence, he tracks down all types of hunches and leads that take him nowhere. Then one day he comes across a strange bill for $7,000 from a pet shop. When he investigates further he discovers that the pet shop owner, Gus Klein (Bob Hoskins), moonlights as a private eye. Gus tells him all kinds of strange happenings including a story about his wife's lover. He also learns that his business partner's wife Jenny Scott (Joanne Whalley) is much closer to him than he wants her to be. As Gus and Dan search for clues, they find more than either one bargained for. The ending is a grabber. The viewer won't be disappointed.

Director Wolfgang Petersen of "Das Boot" fame directs with a flair for action and suspense. There is a wild car chase toward the end of the movie that really delivers the goods. Though Petersen's film (which he wrote based on a novel) may not exactly be film noir, it shares several elements in common with that genre including two femme fatales. There is also symbolic use of natural forces such as the pounding of the waves against the shore to enhance portions of the script, which may or may not have been inspired by the 1942 film noir picture "Street of Chance."

All the acting is above average, but the standout performance is by Bob Hoskins as the PI who loves animals. There are also bits of humor from a pet shop employee, Sadie (Jedda Jones), over the phone when called asking for Gus.