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5,1/10
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Ajouter une intrigue dans votre langueA woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects ... Tout lireA woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.
- Réalisation
- Scénario
- Casting principal
Laura Caulfield
- Actress on Soap Opera
- (as Laura Ann Caulfield)
Avis à la une
Before Sharon Stone hit big with Basic Instinct, she made Scissors - another thriller than gave her what was easily her best role at that time. In it, Stone plays a repressed 26 year old virgin who repairs broken dolls and sees a psychiatrist (Ronny Cox) who keeps trying to free her of her repressed childhood memories. Things take a bizarre turn when she's attacked in the elevator by a red headed man with a beard and she stabs him with a pair of scissors. He leaves, but not before taking her purse and keys. She begins living in fear that, one day, he'll return and finish the job.
Enter a kindly actor neighbor and his invalid creep of a brother who both take a liking to our heroine as her mental stability takes a turn. She's eventually called on to interview for a job at a fancy new loft and ends up locked in, further complicating her already fragile mental state.
There's a lot going on in Scissors and most of it doesn't need to be there. The entire subplot with the two brothers could have been dropped completely since the payoff isn't interesting enough to warrant its inclusion in the first place. Stone is good, especially when she finally starts losing her mind. The final twist is far fetched, but does make some sense in the grand scheme of things. It's just a shame that the movie spends so much time on characters and subplots that feel like they're from a different film entirely.
Enter a kindly actor neighbor and his invalid creep of a brother who both take a liking to our heroine as her mental stability takes a turn. She's eventually called on to interview for a job at a fancy new loft and ends up locked in, further complicating her already fragile mental state.
There's a lot going on in Scissors and most of it doesn't need to be there. The entire subplot with the two brothers could have been dropped completely since the payoff isn't interesting enough to warrant its inclusion in the first place. Stone is good, especially when she finally starts losing her mind. The final twist is far fetched, but does make some sense in the grand scheme of things. It's just a shame that the movie spends so much time on characters and subplots that feel like they're from a different film entirely.
There are so many things that make no sense and plot points that are completely meaningless. The main supporting actor, Steve Railsback plays twins, but neither of those characters story arcs play a factor in the main storyline or the climax of the film. The acting is so over the top you'd think someone told Sharon Stone this was a comedy. Almost no situation put on screen in this film makes any logical sense. There's a bird in the film and you can see the string attached to its leg that the handler is using to control it. This is definitely a so bad it's good movie, but be warned the score may be the worst I've ever heard and it's bad in a bad way and the movie is at least 15 minutes too long, so even the "good" parts can drag and get tedious at times.
This film was made in 1991, and it is sort of odd. Sharon Stone however, looks great (she is more understated, young and fresh). Steve Railsback ("Helter Skelter", and the more recent "Ed Gein") is strange and menacing.
The film itself has some odd cinematography and sets, including the apartment where Stone is abducted. Sort of a cold, Los Angeles modern look to it. It was marketed as suspense/horror. Probably more suspense/mystery.
Ronny Cox as Stone's psychotherapist and Michelle Phillips as his politician wife, so there is a message somewhere lost in the script. It is not the worst, and Stone looks beautiful, so it's worth a shot. 6/10
The film itself has some odd cinematography and sets, including the apartment where Stone is abducted. Sort of a cold, Los Angeles modern look to it. It was marketed as suspense/horror. Probably more suspense/mystery.
Ronny Cox as Stone's psychotherapist and Michelle Phillips as his politician wife, so there is a message somewhere lost in the script. It is not the worst, and Stone looks beautiful, so it's worth a shot. 6/10
Scissors is a tense psychological thriller where a disturbed woman (Sharon Stone) is trapped in an apartment by an unseen intruder in an attempt to drive her crazy. This film relied heaveily on Stone's dramatic acting and honestly she created a very believable and sympathetic character. She had to carry this film by herself basically and she pulled it off well.
I first saw "Scissors" some ten years ago, and I had kept some memories of it when I saw it again on tv. It fulfilled my expectations, as I remembered it as rather interesting, though somewhat far-fetched.
Several reviewers have wondered about the necessity of showing Sharon Stone's beautiful bare breasts. I think it signifies that, though she reacts frigidly to men's advances, her sexuality is nevertheless present and no longer repressed when she is alone. Most writers rightly stress the excellency of the impersonation of Sharon Stone, on her (delayed)way to stardom. However I should like to point out that Steve Railsback, a very underrated actor, is quite remarkable too in the dual role of the neighboring twins. I think the film is worth a 8.
Several reviewers have wondered about the necessity of showing Sharon Stone's beautiful bare breasts. I think it signifies that, though she reacts frigidly to men's advances, her sexuality is nevertheless present and no longer repressed when she is alone. Most writers rightly stress the excellency of the impersonation of Sharon Stone, on her (delayed)way to stardom. However I should like to point out that Steve Railsback, a very underrated actor, is quite remarkable too in the dual role of the neighboring twins. I think the film is worth a 8.
Le saviez-vous
- AnecdotesAfter the success of Sharon Stone's Basic Instinct (1992), this film was retitled in German as "Final Instinct".
- GaffesSupposedly taking place in Chicago (though there's no attempt to give even the barest hint of it being in Chicago -- the apartment building is very LA), but the sloppiness gets very evident when you see the (213) Los Angeles area code on the toy building across from the insane apartment she ends up in (Chicago's area code is 312).
- Versions alternativesIn Britain 11 seconds were cut from the video version by the British censors to edit shots of Angie being punched and her clothes torn during the elevator assault scene. The 2002 Hollywood DVD is uncut.
- ConnexionsFeatured in Bad Movie Beatdown: Scissors (2012)
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- How long is Scissors?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Fenêtre sur crime
- Lieux de tournage
- Los Angeles, Californie, États-Unis(Filming city, as Chicago.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 368 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 368 $US
- 24 mars 1991
- Montant brut mondial
- 2 368 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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