Salmonberries

This movie takes place in a remote Alaskan village, in a landscape that is bleak and stunning at the same time. Two lonely souls-both outsiders, in a sense-meet here and slowly fall in love. One is a native of East Germany who works as the village librarian. The other is a young transgender man, abandoned at birth, obsessed with finding his biological parents. There is also an excellent supporting cast portraying the people who live in this small town, fighting the rough environment and finding happiness and fun where they can. The plot is filled with twists, sadness, and even comedy-and the Alaskan scenery is breathtaking.

I think it's sad that this movie suffers from a shadowy existence under "Bagdad Café". I always found "Bagdad Cafe" to be dragging and weird, while "Salmonberries" is one of the most fascinating and extraordinary movies I have ever seen. Also after having watched it several times, it never loses its very strong appeal to me.

There are two very interesting and totally un-stereotypical main characters, which I both like very much in spite of their (or because of their?) quirkiness. They are played very well by k.d. lang and Rosel Zech. They both have interesting and touching life stories that are slowly revealed throughout the film. Both the revealing of their stories and the development of their unique relationship keeps you guessing where the film will go and keeps you interested.

The story itself is helped a lot through other things like the extraordinarily beautiful imagery of the film. The Alaska scenery is stunning but never cheesy. And anyone who ever saw this film will ever forget the image of Switha's bedroom with the sunlight shining through the glasses with the berries.

On top of that comes the equally beautiful and haunting song "Barefoot" sung by k.d. lang herself. It's amazing how you can hear how much the film inspired her as a singer and songwriter in the recording.

I honestly recommend to buy the DVD - also because in the Extras, there is a great interview, well it's more like a meeting, where director Percy Adlon meets with k.d. lang 11 years later and shares memories. Again, in k.d.'s thoughtful and insightful comments you see what an emotional film this was to produce.

I honestly can't imagine how anyone can find this film weak or boring. Of course there are minor flaws - Kotzebue's too sudden and strong change of character when they visit Berlin is the most obvious one - but this film always strikes a chord in me.

Kd lang. In alaska. She's kotz, trying to find out who her family was, and where they came from. She works in the mine, passing as a man. And lacks some basic skills in dealing with society. But she makes friends with switha, the town librarian, who also wants to know what became of her own family. So off they go, on their journey. Do they love each other? Can they find the physical side of their love and friendship? And will everyone find their past? A smaller role for chuck connors. Good stuff. Lots of long pauses. Sweeping scenes of alaska. Some songs sung by lang herself. Directed by percy adlon, who had directed one of lang's music videos. And wrote this film specifically for lang. At the very end, the producers thank the people of kotzebue and the elders of kikiktagruk.

I like picking up random movies I've never heard of, to see what I think. This was one of them. I went in with no expectations and was still disappointed. If anything, I can usually get amusement and a laugh out of a strange movie, but this fell flat on all marks. The acting was bad because it was so flat. ...it was really bad. The story just kind of existed, and wasn't interesting in any way. Things progressed very slowly, which is fine in itself, but there was basically no feeling of anticipation. Now, I like off-beat stuff, but this, I just couldn't get into. I think it tries to be artsy at times, or something, I'm not really sure what to think about some of the scenes. It was just plain boring.

I'm giving it a 2/10 simply because I was able to finish the movie, and because I've seen worse. But make no mistake... This movie is quite bad. And not even in a funny way. I was having a hard time even picking a rating for this movie. It's kind of like watching an instructional video for your new Singer sewing machine- it's not really something that you rate. It just kind of... Exists.

There is a dream sequence in the movie, a concert given by Chuck Connors, where he runs through a transparent foil on which is written "Germany". Kotzebue is named, as we hear from the lesson hold by Rosel Zech in her library, after the German August Von Kotzebue. And then there is Roswitha herself, living since 21 years in this icy asylum, escaped from the German Democratic Republic, cheated by her brother, her husband killed. The West would not have been an alternative, it had to be the land of the Eskimos that had been settled since the early 18th century mostly be the missionaries of Herrnhut, Germany. "Alaska is my home", Roswitha says later.

There is an outer and an inner story in this movie. The outer story is the extraordinary and partly one-sided friendship by an androgynous native and the German librarian. This story is, frankly, mediocre. But much more important, it seems at least to me, is the inner story: Imagine you are 21 years exiled in Alaska and now you have suddenly the chance to fly to Berlin, your home-town, and exactly at the time when the East German Wall falls which kept you exiled for such a long time. When outer things collapse, then there is always the problem how your inner reacts, how you hold it back from also collapsing. I think this is what this movie is really about, and I also think that this is the reason, why the climax, the landing of the machine of Alaskan Airlines in Tempelhof, is prepared by the stunning beauty of the remote landscape of the former Air Force Station at the Arctic Sea. As long you are in asylum, you represent this asylum and if it be only for you alone. This is why Alaska is Germany, and, as we heard, not only for Roswitha. If you are not convinced that I am right, ask yourself about this short scene with the tightrope walker, or have you missed it? Shortly after the landing of "Kotz" and Roswitha in Berlin. - Nietzsche, Zarathustra, chapter 6, correct.