NOTE IMDb
6,2/10
22 k
MA NOTE
Un procureur de district est terrorisé par le criminel qu'il a mis en prison il y a des années, lorsqu'il était flic.Un procureur de district est terrorisé par le criminel qu'il a mis en prison il y a des années, lorsqu'il était flic.Un procureur de district est terrorisé par le criminel qu'il a mis en prison il y a des années, lorsqu'il était flic.
- Réalisation
- Scénario
- Casting principal
John Cothran
- Councilman Farris
- (as John Cothran Jr.)
Linda Dona
- Wanda
- (as Linda Doná)
Avis à la une
This movie rocks! The double cat-and-mouse game played by Washington and Lithgow works. If you are looking for an action movie that provides plenty of thrills, conflicts, drama, chases, and breathtaking suspenses and actually has a PLOT, then this film is for you.
Washington and Lithgow are both first rate, as always, and this movie does not disappoint. Watch it!
*** out of ****
Washington and Lithgow are both first rate, as always, and this movie does not disappoint. Watch it!
*** out of ****
Over-the-top vehicle for Denzel Washington, here playing policeman-turned-District Attorney who puts slimy killer John Lithgow away, but quickly becomes the psycho's main target after Lithgow escapes from prison (in what must be the most nondescript prison-breakout in movie history!). Ridiculous, sometimes enjoyable non-think entertainment doesn't take itself too seriously, and Washington is solid throughout. Lithgow appropriately hams it up, but Lindsay Wagner is wasted as a fellow D.A. Film tails off near the finish line for a formulaic climax, but otherwise isn't too bad. ** from ****
It's so bad, it's good? I don't even know how to explain the absurdity going on in this movie. From the power guy/bad guy having cake with the babysitter to everyone believing a dubbed video of the protagonist passed out screwing a hooker is real. Everyone close to him IMMEDIATELY turning on him for absolutely no reason whatsoever to god knows what because I haven't even finished this train wreck. I don't know if someone really wrote the most terrible script in the world or half this movie got left on the editing room floor. God it's bad.
Early in the movie there was a discourse between Nick Styles (Denzel Washington) and Odessa (Ice-T) that was a prelude to Denzel Washington in his Oscar role in Training Day. Seeing that was very exciting. Now, unfortunately, the rest of the movie wouldn't be on the level of Training Day but it was still good.
Earl Talbot Blake (John Lithgow) was put behind bars in 1984 by Officer Nick Styles. From that day until Blake was able to secure his release in 1991 he'd been planning his revenge. The revenge was well coordinated and pretty much flawless. A little too flawless.
I appreciated Blake's commitment, preparation, and execution. It was a creative plan he authored to not simply kill Styles, but to destroy his life. But the plan was so grandiose and so elaborate that it defied all reason and feasibility. As I've mentioned in other reviews: elaborate plans that rely on so many moving parts and rely upon predicting the precise actions of another human being are just too far-fetched and unrealistic for me to swallow.
Still, even with that aspect and flaw I thought the movie was good. It offered action, a decent plot, and of course good acting from Washington and Lithgow. Washington was the suave, upwardly mobile cop turned DA while Lithgow was the seething psychopathic megalomaniac with a burning desire to destroy his enemy. They were an excellent mesh.
Earl Talbot Blake (John Lithgow) was put behind bars in 1984 by Officer Nick Styles. From that day until Blake was able to secure his release in 1991 he'd been planning his revenge. The revenge was well coordinated and pretty much flawless. A little too flawless.
I appreciated Blake's commitment, preparation, and execution. It was a creative plan he authored to not simply kill Styles, but to destroy his life. But the plan was so grandiose and so elaborate that it defied all reason and feasibility. As I've mentioned in other reviews: elaborate plans that rely on so many moving parts and rely upon predicting the precise actions of another human being are just too far-fetched and unrealistic for me to swallow.
Still, even with that aspect and flaw I thought the movie was good. It offered action, a decent plot, and of course good acting from Washington and Lithgow. Washington was the suave, upwardly mobile cop turned DA while Lithgow was the seething psychopathic megalomaniac with a burning desire to destroy his enemy. They were an excellent mesh.
Wow, just wow. Kind of left me speechless once I got to the end. Okay... here goes. This is an unintentionally fun and entertaining film. Surprisingly brutal kills in this, but at the same time ridiculous. This is also a film where suspending your disbelief is a must. I think the entire production were probably on the same drugs that Denzel's character was forced into. They all sat around, high as a kite, and attempted a discussion on how this movie should be made, probably sounded great at the time, but was just gibberish. Honestly, Denzel and John lithgow were pretty much carrying this film, because the story was just insane. All that being said, I still got so much entertainment from this. Laughed so many times, shocked they actually went everywhere with this film. This isn't for everyone, but if you go into this with the right expectation, you'll come out liking it.
Le saviez-vous
- AnecdotesDenzel Washington worked out for three hours a day, six days a week for four months so as not to look out of shape for his shirtless scenes.
- GaffesTo facilitate his escape, Blake grabs a pistol from a corrections officer. Under no circumstances does a corrections officer carry a firearm inside a prison or jail.
- Citations
Parole Board Official: Mr. Blake, what will you do if you get out of prison?
Blake: [thinking] Well, I guess, Mr. Chairman, that first I'll pay a visit to your house.
Parole Board Official: To thank me, I suppose?
Blake: No... to fuck your wife. And your daughter. Hell, maybe even your dog.
- Versions alternativesOriginal UK video & cinema releases were cut by 5 secs, including a shot of a butterfly knife being twirled and a brief shot of child porn magazine covers, in line with UK laws on child protection (Protection of Children Act, 1978); for the latter, an alternate take where the covers are obscured is used for all UK releases.
- Bandes originalesAutomatic
Words and Music by Brock Walsh and Mark Goldenberg
Published by MCA Music Publishing, a Division of MCA Inc., Music Corporation of Amercia, Inc. and Fleedleedle Music. Rights administered by MCA Music Publishing,
a Division of MCA Inc.
Performed by The Pointer Sisters
Courtesy of RCA Record Label, a Division of BMG Music
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Рикошет
- Lieux de tournage
- Olvera Street, Downtown, Los Angeles, Californie, États-Unis(Outdoor 'Festival San Genero' scenes and confrontation with the protagonist.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 21 756 163 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 831 181 $US
- 6 oct. 1991
- Montant brut mondial
- 21 756 163 $US
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