Mr Quigley l'Australien

Underseen western which , after a few theatrical misfires (though I also enjoyed him in High Road to China), gave Tom Selleck a role which suited him perfectly. A role which, as a previous comment stated, John Wayne would have been right at home in. It can be argued that this is just a politically correct revisionist western wherein the American witnesses injustices on aborginals in a foreign land and is outraged to action despite the utter mistreatment of native Indians during this same period back home. Some may say it is so, but I prefer to think of Quigley as a man who came to Australia BECAUSE of the injustices he's known back home and is looking perhaps for something better. Selleck represents, as did John Wayne, the decent and noble side of America, and there is no doubt that this is a man given to stand up and do the right thing no matter where he is, Wyoming or Fremantle.

This aside, Quigley succeeds most as a light romance amidst the traditional shoot em up scenario. In fact, the love story is what drives it along most and provides it's most special moments. During a heartfelt speech beside the campfire, Cora relates how heartbreaking it was for her to have her Husband Roy, who blamed her for the death of their child, put her on a ship to Australia and walk away from her life not looking back. This is what matters to her most, as it matters to Quigley that she call him by his right name or he won't share his bed. When presented with their first parting, Quigley leaves Cora and the Aborigine baby in the cave and though assuring her he will return for her he rides away, without stopping to look back.

This is mere oversight on his part and it leads to the most moving scene in the film, one which never fails to bring a tear to my eye - when they are again about to be parted she asks him "I'll never see you again, Will I". He can't say because of what's ahead for him, but he puts his hand on her cheek and says "You sure look pretty in the morning sun". As he mounts his horse and rides off Cora watches after him wondering, as we are wondering, if he'll stop and look back. And then he does. It's one of the most thoughtful and emotionally fleeting moments in movie history. Too bad it hasn't been seen and appreciated by more people.

The musical score, by Basil Poledouris, is also a treat and it hits all the right notes. His score for Conan the Barbarian is an acknowledged classic but here I think he goes a step better. It truly is a nice piece of music to hear amid the action and quieter moments.

Quigley is a very good modern day western. It won't fail to entertain and it must surely be a film which both men and women can enjoy together. If they made more of these kinds of movies I definitely wouldn't complain.

It will surprise many Americans but Australia had a "wild west" like America. One can read up on Ned Kelly, for example. And they had a gold rush at Ballarat, in the state of Victoria (near Melbourne, I believe).

Their Outback, which starts just a few miles in from the coast, is the most desolate and hostile terrain one can encounter. And I have been to some deserts around the world. Kudos to the Aborigines for actually knowing how to survive in such a place.

So, add this with a hero (Selleck) who comes from Wyoming answering a somewhat vague ad from our urbane villain (Alan Rickman) who is a station (ranch) owner in the outback. Rickman wants a sharpshooter for a job unspecified. When Selleck learns the true purpose for his hiring he decides to right some wrongs.

It's a classic western of the solitary hero who stands up to evil and defeats it. The Sharps rifle is one of the stars, too.

And to some of our reviewers who think this shooting is a bit unbelievable, there are a handful of people who can shoot some long distances with just iron sights.

I have seen them.

If you like westerns you will like Quigley.

Unlike most "modern" westerns, this one is unburdened by the usual Hollywood flaws: overproduction, overacting and a massive cast of big names demanding their share of "face time." Selleck & San Giacomo do a masterful job of creating honest, three-dimensional characters facing a truly evil antagonist -- a part played with fiendish perfection by the superb Alan Rickman. Even the minor characters on both sides are well-cast and well-acted. Two other "stars" of this exceptionally fine film are Quigley's Sharps rifle and the musical score. The unusual, catchy theme will stick in your mind, and some of the dialogue will pass into screen legend, such as Quigley's remark about the Colt revolvers: "I said I didn't have much use for them. I never said I didn't know how to use one." To be sure, the writers take a few necessary liberties with the plot to make everything work, as in any movie, but it does work well. My wife, who is a gun enthusiast but not a big fan of westerns, has watched "Quigley" 7 or 8 times and never tires of it. There are a few films that will bear watching that often: The Usual Suspects, All About Eve, High Noon, Casablanca -- to name a few. Quigley is one of these.

The first western I ever saw, QUIGLEY DOWN UNDER is my favorite. It's a great homage to the classic westerns of the past, with all the best elements combined in a fun movie about one man's fight against an evil land baron who (unknown to the hero) wanted to hire him to kill the local Aborigines, not the dingos as the hero originally thought. Tom Selleck ads another top-notch western to his resume, long with THE SACKETTS, THE SHADOW RIDERS, and the more-recent CROSSFIRE TRAIL. Alan Rickman is great as the bad guy, one of those characters you love to hate, and the beautiful Laura San Giacomo is a perfect western girl, whose (thankfully) is not the kind who becomes kidnapped and must be rescued. In fact, she spends a good deal of the film away from the action, caring for an Aborigine baby who was the only survivor of a tribe massacre earlier in the film. Director Simon Wincer proves what a genius he is at making westerns. He gets the most from everything, from the costumes to the performances, from the sweeping panoramic shots of the Australian outback to Basil Poledouris's lush score. And of course, no review of QUIGLEY would be complete without mentioning that awesome Sharps rifle. I cringe every time that wonderful rifle is thrown to the ground by Rickman. Glad to see that a DVD release is on the way, though it appears to be sorely lacking in the bonus features department. Anybody who likes westerns should check this film out. It's pretty family-friendly, too, with no harsh swearing and violence that never gets bloody or glorified.

I loved this movie!

Ex-Confederate officer Matthew Quigley immigrates to Australia to forget the horrors he has recently witnessed. He was hired in advance by the owner of the Marsten Waters Ranch. When he arrives, things are definitely not what he expected due to the fawning treatment he receives from Marsten that comes with the request that he carry out a program of racial purity...

Selleck's performance as Quigley is first rate. I easily believed that although Quigley had watched more than his share of Man's Inhumanity, yet he managed to hang onto his integrity. The character finds himself in a situation where his own actions can transform the circumstances for better. He did not go looking for a fight, but by God, he will finish this one.

Even so, the character of Crazy Cora is my favorite. She is the victim of cruelty also but did not fare as well as Quigley. She is damaged goods, unable to take care of herself in any significant way when the story opens. In the course of the story, she is the one who recovers her Humanity. It is really her story as much as Quigley's.

An excellent movie. Simon Sez check it out.