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Psychose IV

Titre original : Psycho IV: The Beginning
  • Téléfilm
  • 1990
  • 12 avec avertissement
  • 1h 36min
NOTE IMDb
5,4/10
10 k
MA NOTE
Anthony Perkins, Olivia Hussey, and Henry Thomas in Psychose IV (1990)
Psycho 4: The Beginning: Dead Bodies
Lire featurette2:02
Regarder Psycho 4: The Beginning: Dead Bodies
1 Video
61 photos
Psychological HorrorSlasher HorrorHorrorMysteryThriller

Ajouter une intrigue dans votre langueNorman Bates recalls his childhood with his abusive mother while fearing his unborn child will inherit his split personality disorder.Norman Bates recalls his childhood with his abusive mother while fearing his unborn child will inherit his split personality disorder.Norman Bates recalls his childhood with his abusive mother while fearing his unborn child will inherit his split personality disorder.

  • Réalisation
    • Mick Garris
  • Scénario
    • Joseph Stefano
    • Robert Bloch
  • Casting principal
    • Anthony Perkins
    • CCH Pounder
    • Henry Thomas
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    10 k
    MA NOTE
    • Réalisation
      • Mick Garris
    • Scénario
      • Joseph Stefano
      • Robert Bloch
    • Casting principal
      • Anthony Perkins
      • CCH Pounder
      • Henry Thomas
    • 127avis d'utilisateurs
    • 41avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Psycho 4: The Beginning: Dead Bodies
    Featurette 2:02
    Psycho 4: The Beginning: Dead Bodies

    Photos61

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    Rôles principaux19

    Modifier
    Anthony Perkins
    Anthony Perkins
    • Norman Bates
    CCH Pounder
    CCH Pounder
    • Fran Ambrose
    • (as C C H Pounder)
    Henry Thomas
    Henry Thomas
    • Young Norman
    Olivia Hussey
    Olivia Hussey
    • Norma Bates
    Warren Frost
    Warren Frost
    • Dr. Leo Richmond
    Donna Mitchell
    Donna Mitchell
    • Connie Bates
    Tom Schuster
    • Chet Rudolph
    • (as Thomas Schuster)
    Sharen Camille
    • Holly
    Bobbi Evors
    • Gloria
    John Landis
    John Landis
    • Mike Calveccio
    Kurt Paul
    • Raymond Linette
    Louis Crume
    • George Emeric
    Cynthia Garris
    Cynthia Garris
    • Ellen Stevens
    Doreen Chalmers
    • Mrs. Lane
    Alice Hirson
    Alice Hirson
    • Mother
    • (voix)
    Ryan Finnegan
    Ryan Finnegan
    • Child Norman
    • (as Ryan Finnigan)
    Peggy O'Neal
    Peggy O'Neal
    • Nurse
    Bob Barnes
    • Salesman
    • Réalisation
      • Mick Garris
    • Scénario
      • Joseph Stefano
      • Robert Bloch
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs127

    5,410.4K
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    10

    Avis à la une

    7insomniac_rod

    A decent manner to end the Psycho series.

    I first watched "Psycho IV" when I rented it on the early 90's. I was a big fan of Psycho II and I respected Psycho. Psycho III was a big disappointment so I thought that part IV would be at least, a decent slasher.

    This pre-quel is not as bad as you may think. It explores Norman's origins and tries to reach a conclusion about his personality. To me, it worked. Norman is not the villain anymore and the director makes sure about that because he displays a victimized, sick Norman.

    The ending is a perfect way to end the Psycho series which were far from being bad. Part II is excellent, unlike Part III which is a boring slasher flick. Part IV deserves the watch for it's ending and because it's Anthony Perkins' last hurrah as Norman Bates.
    6kannibalcorpsegrinder

    All right conclusion to the series

    Inspired by a local call-in radio show topic, the psychotic killer calls in and begins recalling his time as a youth, and as he goes through his life story and all of the mental torture inflicted on him he's able to uncover the horrible secrets that puts everyone around him in danger.

    As the concluding chapter to one of the greater series around, it really could've been great. The main aspect that works here is the fact that the film gives away its plotline through flashbacks, but it does it while not being utterly confusing. That is a major feat in itself, since this is able to clearly keep the flashbacks and the modern time in a rather easy manner, a technique which rarely works since that mostly leaves the film a big, huge mess. The backstage antics both at the radio-station once they figure out the their caller and trying to keep him under control and the different stories that are told over the course of the interview, ranging from the first set of killings in the motel to the way the actual incidents he always described which give this some really fun moments that have always been apart of the franchises' legacy from the start, helped along nicely by the glorious psychological ranting that's included along the way. The other rather enjoyable aspect here is the final part of the film is a very creepy and suspenseful part, and it really hits the right mark on just about every angle being filled with chases, the strategic hiding places, and the Gothic-style thunder and lightning striking all throughout to make it a very creepy scene and end it on a high note. These are it's best moments as it's a rather flawed film, and it shows at times. The one biggest flaw is that it doesn't gel with the rest of the series all that much. These are big spoilers but the film mostly just makes up several events and ideas and places them together with new ideas and elements, which not always gel at all with most of what's been said about the series and the past. It might be a problem for the most hardcore fans as it's such a rapid departure, but there is a pretty noticeable shift that does occur. The other is that the first half of the film is really slow, as it concentrates on the life of Norman and his mother. It doesn't invoke any scares at all and mainly just seems to be there only for the building up of the story and not on making scares, which is rather crucial here. None of these issues make for all that creepy a series of scenes and it just causes the film to drag on with its simple one-note setup. Other than these two problems, it's not that bad a film.

    Rated R: Violence, Language and Nudity.
    6InnDreki

    We all.. reminisce about going a little mad sometimes.

    Psycho 4 is a pretty solid film. Norman is released once again following the events of the third film and is married. Norman calls into a radio show discussing matricide and recalls his childhood growing up and what drove him to kill his mother as well as the series of events that formed the Norman we know. It's an interesting watch and adds a lot to the psycho lore in the form of a sort of prequel. It's a pretty interesting watch with some tense moments and in keeping with the Psycho formula a great twist and solid ending overall. If you're reading a review for the 4th film surely you've watched the previous 3 and are intersted enough in the lore that you'll enjoy it. This film is a great way to bring closure to the Psycho franchise. Thank you Anthony Perkins for bringing life to such a great character.
    Jogurt

    Good balance without being ridiculous

    This movie is excellent as far as content goes. Many things that were unexplained in the original are dealt with, and not in a way that seems ridiculous. All that happens in part IV could conceivably have happened, so that's good.

    Anthony Perkins does a wonderful job of recapturing the essence of the disturbed Norman Bates, and Henry Thomas is very believable as young Norman. His performance completely illustrates the up-bringing of Norman by his unstable mother.

    Good supplement to the original, I thought.
    6Toronto85

    Psycho IV: The Beginning

    Psycho IV is a continuation of the Bates Family history. For the most part it's a prequel to the original 1960 film. I was always kind of turned off to this one because I feel they added way too much story to the original film as each sequel came out. Psycho II introduces us to Mrs. Spool who was really Norman's mother. But then Psycho III tells us, no, Spool was just a crazy aunt of Norman's. Now Part 4 adds so much to Norman's childhood that really makes it puzzling to follow any sort of true time line or plot line. We discover in this one that Norman's mother was truly sick, more sick then we could've imagined. It's alluded to in the other sequels that Norman had a "twisted" relationship with mother, but part IV goes into explicit detail as to how twisted it really was. The story is well done in part 4, but for the most part it's kind of pointless. Did we really need to see Norman have that sort of relationship with his parent? Probably not.

    We get to see Norman functioning like a normal person. He has a new house and a wife. It's him calling into a radio show to tell his life story that causes him to become unhinged. Anthony Perkins and Olivia Hussey save this movie from being a total letdown. Their performances are top notch. Psycho IV doesn't go overboard with blood, we only see Norman kill I think one or two people in his flashback to growing up. I did like that the makers of this one added to the fact that Norman did kill people before Marion Crane was attacked in the famous shower scene. I liked those scenes with the teenage "Norman". It adds to the scene at the end of the first Psycho where the psychiatrist asks if there were any missing reports on girls in the area. It alluded to the idea Norman killed before, and I like that Psycho IV explores that.

    Psycho IV is a prequel to the 1960 film, and adds a lot to the already twisted back story of the Bates clan. It's a good watch, but the ending is pretty weak. Only true "Psycho" fans interested in the back story of Norman will like this one. There aren't many murders committed in IV like in the second and third sequels.

    6/10

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      When filming the first murder scene, Henry Thomas got so involved in the stabbing that part of the knife went into his hand which caused some nerve damage. To this day, he still has a scar.
    • Gaffes
      Norman uses strychnine to poison his mother and her lover. The lethal dose of strychnine is around 10mg and Norman's bottle reads 1.5mg/oz. He puts a maximum of 4oz into the ice-tea. Even if his mother and her lover drank the whole pitcher, it would have hardly killed them. Furthermore, strychnine is one of the most bitter substances known to man, it's highly unlikely to be swallowed by accident, even in very small doses.
    • Citations

      [last lines]

      Mother: Let me out of here! Norman! You hear me, boy? LET ME OUT!

    • Connexions
      Edited into Psychos (2021)

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    Détails

    Modifier
    • Date de sortie
      • 10 novembre 1990 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Universal Pictures
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Psychose: L'origine
    • Lieux de tournage
      • Orlando, Floride, États-Unis
    • Sociétés de production
      • Smart Money Productions
      • Universal Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo

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    Anthony Perkins, Olivia Hussey, and Henry Thomas in Psychose IV (1990)
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    By what name was Psychose IV (1990) officially released in Canada in English?
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