Prayer of the Rollerboys

(Credit IMDb) Set in an unspecified time in the future, USA has declined and become a country of violence and racial prejudice. Griffin earns his living delivering pizzas while he tries to take care of his little brother. An old friend of his, Gary Lee, is the leader of a gang with big ambitions, the Rollerboys. Gary joins them to help the police keep track of the gang.

I saw this movie on You Tube a few months ago, and don't remember too much about it. Corey Haim's drug troubles were starting to get bad at this juncture. His status of a teen hunk was still there, but it was diminishing. Corey Haim is a very talented actor, and it's a shame that he had to succumb to drug use, and pressures of Hollywood. This was a ballsy project for him to take on. It's set in a post-apocalyptic future, and it's quite a grim experience in all honesty. Haim had yet to really sink his teeth into dark material as of yet, and Haim pulls it off very well. He reportedly did all of his own blading stunts, and I was quite impressed with it. Haim has to deal with a below average script, which kinda negates his excellent performance a little bit, but Haim was terrific in a part that was potentially miscasting for him. Patricia Arquette doesn't have a whole lot to do, nor was she as famous as she is now. This movie is interesting, and never boring, but the script lets people down. I wish they had done more, but it's worth a look for Corey's performance

5.2/10

The Oklahoma City Bombing, according to American government officials, was inspired by an obscure controversial novel named "The Turner Diaries." The novel depicts a future race war initiated by White racial supremacists against non-Whites. A similar world exists in "Prayer of the Rollerboys," where an Adolf Hitler-like charismatic leader,Gary Lee (Christopher Collet), motivates his group of dominant young paramilitary skaters known as the Rollerboys. They envision an all-White world achieved through violence and the overthrow of governments. Depression-level economic turbulence have weakened local authorities. Gary Lee and his gang fills a void; a somewhat parallel to Hitler's ascension during the Weimar Republic.

There is a plausible case to be made that screenwriter W. Peter Lliff had a deep familiarity with "Turner Diaries." The novel and the film presents a "The Day of the Rope" for the unmerciful elimination of perceived enemies. They parts ways in its implementation. On that eventful day in the book, many "race traitors" end up in nooses. The "rope" of the Rollerboys is a chemical modification to the recreational drug Mist, an adjustment which sterilizes its non-White users. (Compare that to Walter Mosley's "Futureland," where an artificial plague bypasses anyone whose DNA is at least 12.5% African.)

By the time "Prayer Of The Rollerboys" was released, Corey Haim's career was in decline. Long gone were the theater-ready times of "Lost Boys." Because of personal issues, Corey became a true lost boy--with skates--eager to get by, having lost the power of selectiveness in his movie roles. True life wasn't better, as his character Griffin avoided addiction. My standards for movies are not high, maybe that's why I will watch a Corey Haim film post-super stardom.

The futuristic nature of the movie was promising, while the unconvincing unfolding of events and the frequently sub par performances went below my low requirements.Yet the movie got me hooked like a Mist addict. It retains a significant appeal in a "Lord of the Flies"-like environment with minimal parental authority. The Rollerboys feed the "what if" imaginations of those eager to escape the restrictions of society. Ideology aside, the Rollerboys are cool skaters swinging in reinforced rhythmic uniformity, well at home in a semi-dystopia.

This movie is awful in a really great way. If you don't like bad movies you shouldn't be looking at the work of Corey Haim. But that doesn't mean that bad movies aren't enjoyable. And this one has everything.

By everything I mean post-apocalyptic, drug dealing, fascist skating around in formation wearing trench coats.

I know what you are thinking "Wait, wait, I have seen this a million times", but you haven't seen an apple eaten as viciously as you will in this film.

I wept for that apple, it was violated.

Plus you get Corey Haim and Patrica Arquette.

I say gather a group of like minded friends, some adult beverages, and enjoy a truly enjoyable bad movie.

I saw this movie shortly after it came out in 1991, and I immediately fell in love with it.

This movie takes you to the worst place possible: the not too distant future! In this future, the government has failed, and there is total chaos in society. There are hardly any jobs left, you have to pay even for basic education, Harvard has been relocated to Japan, homeless shelters have become homeless CAMPS (which look like prison camps), and the pizza guy delivers the pizzas with an M-16!

A gang called the Rollerboys is "buying back America, one piece at a time". but in doing so, they are sterilizing the populace with a drug called "The Rope". The Rollerboys talk about "The Day of the Rope", which is the day they say they will get even, and hang all their enemies. The Rollerboys are a prejudiced group, and their enemies are those who are not white, and those who are too weak and who take their drugs.

It is left up to the pizza delivery boy (Griffin, AKA Corey Haim) and what is left of the governmental agents to stop this madness, and to capture the leader of the Rollerboys, Gary Lee, before he can do any more harm to those that Griffin cares for.

This movie is a great combination of the movies Solar Babies and Class of 1999, with it's own twists....a must have for any one who is a fan of bleak futuristic movies!

I only watched this movie in the first place because I always kind of had a crush on Corey Haim. The plot didn't sound particularly interesting or original -- I didn't expect much. But this movie surprised me. It is without question messy -- it needs more time for character development, it goes right for a bunch of stereotypes that take away some of its credibility. But there's a lot in this film that's worth considering. The idea is half-"1984," half-"Lord of the Flies" -- a futuristic society where kids rule the world, yet there's less freedom or honesty than ever. It's a little scary in that thrilling way because it's something you can imagine, especially in light of recent history. And the constant use of iconography from the "Golden Age" of family values in American culture was stunning (an evil character named "Bullwinkle," an otherwise-bleak roller park with a giant record painted on the ground, Patricia Arquette's many costumes including cowgirl and sailorette). This is a movie that would do well to be remade a little more carefully. More focus on the obvious symbolism, more thought given to character. I'd like to see that, because I actually think this story has quite a bit to say to us today that might have seemed unimportant in 1991.