NOTE IMDb
5,9/10
6,8 k
MA NOTE
Un maître du déguisement tueur dérangé commence à tuer les étudiants qui organisent un marathon de films d'horreur dans un théâtre abandonné.Un maître du déguisement tueur dérangé commence à tuer les étudiants qui organisent un marathon de films d'horreur dans un théâtre abandonné.Un maître du déguisement tueur dérangé commence à tuer les étudiants qui organisent un marathon de films d'horreur dans un théâtre abandonné.
- Réalisation
- Scénario
- Casting principal
Dee Wallace
- Suzanne
- (as Dee Wallace-Stone)
Freddie Simpson
- Tina
- (as Freddie Marie Simpson)
Karen Lorre
- Joy
- (as Karen Witter)
Matt Falls
- Lanyard Gates
- (as Mat Falls)
Avis à la une
This may look very much like a redundant and unpleasant horror comedy about the umpteenth serial killer wasting a group of film students but, if you give it a chance, you'll be pleasantly surprised. The premise is quite creative, the film pays homage to legendary titles and directors and believe it or not there even is tension to detect in the script. Jill Schoelen (The Stepfather, Phantom of the Opera) is the ambitious student Maggie who wants to turn her always-returning nightmares into a screenplay. When she's preparing a horror marathon event with some fellow students, she stumbles upon footage that proves her nightmares are real and that she might even be a completely different person. During the movie shows at the remote theater, an actual murderer shows up and goes after Maggie. Granted, Popcorn is an 80's slasher in disguise but at least it tries to be ingenious on several levels. The invented titles that are shown during the "horrorthon" also have potential if you ask me! Who wouldn't pay money to see flicks called "The Amazing Electrified Man"," Mosquito" or "The Stench"? I sure would
As said before, some sequences are quite suspenseful (like the eerie "possessor" film) and the murders aren't too gross. I had some prejudices as well before watching it but I'm glad to admit I was wrong. Too bad the last twenty minutes (and the climax in particular) are a bit of a letdown. Logic wasn't Popcorn biggest trump to begin with but, near the end, director Mark Harrier completely loses his grip on the messy screenplay. Also, the humor most of the time is painfully unfunny (for example on of the male leads constantly bumps his head or falls down) and irritating. Best aspects truly are the light-headed atmosphere, creative plot-twists and very good costumes and scenery. Surely this underrated gem beats the overload of 80's and 90's no-brain horror productions. Check it out!
This film combines the nostalgia of drive-in cheesefests with the tried and true slasher formula. Flawed but certainly holds up against more popular entries of the time.
i remember seeing popcorn for the first time , it was the most fun i ever had at the movies growing up. sure the story is kinda cheesy and so are a few of the actors but horror movies for the most part are meant for enjoyment not Oscars so as long as you don't try to compare popcorn to saving private ryan this movie is great. go rent it . you will have fun for sure guaranteed. i met jill schoelen when she was filming when a stranger calls back , she is so nice! she signed two movie stills and a popcorn crew shirt for me and my sister. she rocks. if you like movies like popcorn then i would like to offer you these titles as choices for your renting needs.... the gate part 1,the fog, the thing,student bodies, wishmaster (part 1 only, the rest suck), and child's play. a couple of titles that are lesser known are spliced (aka: the wisher), cherry falls, my bloody valentine and black Christmas. beware of black Christmas (the language is quite bad lol) i hope you enjoy these titles and i wish you all well. if anyone cares my fave horror movie of all time is of course HALLOWEEN because lets face it everyone is afraid of the boogeyman right? and we all know that you can't kill the boogeyman. moooohaha! (jason and freddy are lucky they had each other to fight instead of michael.
Although it takes a while to get going, POPCORN proves to be a warm and affectionate little slasher movie made along the same lines as Joe Dante's Matinée – i.e. a celebration of the world of the B-movie in its cinematic form. Indeed, the ghost of William Castle seems to be watching over this movies, both in the presence of the cheesy films shown by the fictional cinema and in the bizarre antics of the film students, determined to give their audience an interactive experience!
It's all about the gimmicks and the celebration of the weird, so much so that the actual slasher plot comes second. It's a slight shame, because the story isn't bad, even if it is remarkably familiar: there's an evil killer from the past returning to affect the heroine in the present, and his calling card is that he uses prosthetic masks to disguise himself as anyone and anything. The subsequent kills aren't particularly gory, but they are well staged with an element of Grand Guignol that becomes especially apparent during the over-the-top climax.
POPCORN was made in Jamaica doubling for small-town America, which gives it even more of an offbeat vibe – and the reggae soundtrack is great. The acting is nothing to write home about (THE HOWLING's Dee Wallace-Stone is the only actress of note in a minor part), but when the story and screenplay are so obviously written by genuine fans of old-time horror shows – well, this becomes a film impossible to dislike.
It's all about the gimmicks and the celebration of the weird, so much so that the actual slasher plot comes second. It's a slight shame, because the story isn't bad, even if it is remarkably familiar: there's an evil killer from the past returning to affect the heroine in the present, and his calling card is that he uses prosthetic masks to disguise himself as anyone and anything. The subsequent kills aren't particularly gory, but they are well staged with an element of Grand Guignol that becomes especially apparent during the over-the-top climax.
POPCORN was made in Jamaica doubling for small-town America, which gives it even more of an offbeat vibe – and the reggae soundtrack is great. The acting is nothing to write home about (THE HOWLING's Dee Wallace-Stone is the only actress of note in a minor part), but when the story and screenplay are so obviously written by genuine fans of old-time horror shows – well, this becomes a film impossible to dislike.
I've seen worse horror films, (every sequel of Friday 13th & Halloween.)
Paid a lot of respect to the pioneers of the 50's horror.
I think Wlliam Castle would have loved it.
I think the fake movie (Mosquito, Stench) titles that were mentioned in
Popcorn could have been made, sounds like some of the movies made in the 50's.
Think about the movies made in the 50's: "The Blob, Deadly Mantis, Earth vs. the Spider, The H-Man".
William Castle or American International would had done them.
I think the movie is under rated.
Paid a lot of respect to the pioneers of the 50's horror.
I think Wlliam Castle would have loved it.
I think the fake movie (Mosquito, Stench) titles that were mentioned in
Popcorn could have been made, sounds like some of the movies made in the 50's.
Think about the movies made in the 50's: "The Blob, Deadly Mantis, Earth vs. the Spider, The H-Man".
William Castle or American International would had done them.
I think the movie is under rated.
Le saviez-vous
- AnecdotesAfter three weeks of shooting, Amy O'Neill was replaced by Jill Schoelen. Schoelen has said that she did not have much interaction with the cast since many of the scenes had already been filmed with O'Neill and in most cases just needed to make quick re-shoots with Schoelen.
- GaffesWhen the killer is putting masks on in front of Maggie, you can see the dead body of Tina hanging behind Maggie. The dead body moves/shakes/breathes many times throughout the scene.
- ConnexionsFeatured in The Cine-Masochist: POPCORN (2011)
- Bandes originalesSaturday Night at the Movies
Written by Barry Mann and Cynthia Weil
Performed by Ossie D and Stevie G
Used by permission of Screen Gems - EMI Music Inc.
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- How long is Popcorn?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 205 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 563 365 $US
- 3 févr. 1991
- Montant brut mondial
- 4 205 000 $US
- Durée
- 1h 31min(91 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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