Popcorn

This has got to be one of my old favorite horror flicks, I remember renting this when it first came out, and I loved it since then!

The storyline of this movie is so classic and original, but thats what it made it so great!

I was a little shocked to read that Toby (Tom Villard) had passed away, I had no idea, he was one of my favorite movie psychos, and I was wondering if he'd be in any other movies...R.I.P Tom Villard.

If you haven't seen this movie, rent it now! Or since its been released on DVD, pick it up! remember, "Buy a bag, go home in a box." !

This may look very much like a redundant and unpleasant horror comedy about the umpteenth serial killer wasting a group of film students but, if you give it a chance, you'll be pleasantly surprised. The premise is quite creative, the film pays homage to legendary titles and directors and – believe it or not – there even is tension to detect in the script. Jill Schoelen (The Stepfather, Phantom of the Opera) is the ambitious student Maggie who wants to turn her always-returning nightmares into a screenplay. When she's preparing a horror marathon event with some fellow students, she stumbles upon footage that proves her nightmares are real and that she might even be a completely different person. During the movie shows at the remote theater, an actual murderer shows up and goes after Maggie. Granted, Popcorn is an 80's slasher in disguise but at least it tries to be ingenious on several levels. The invented titles that are shown during the "horrorthon" also have potential if you ask me! Who wouldn't pay money to see flicks called "The Amazing Electrified Man"," Mosquito" or "The Stench"? I sure would… As said before, some sequences are quite suspenseful (like the eerie "possessor" film) and the murders aren't too gross. I had some prejudices as well before watching it but I'm glad to admit I was wrong. Too bad the last twenty minutes (and the climax in particular) are a bit of a letdown. Logic wasn't Popcorn biggest trump to begin with but, near the end, director Mark Harrier completely loses his grip on the messy screenplay. Also, the humor most of the time is painfully unfunny (for example on of the male leads constantly bumps his head or falls down) and irritating. Best aspects truly are the light-headed atmosphere, creative plot-twists and very good costumes and scenery. Surely this underrated gem beats the overload of 80's and 90's no-brain horror productions. Check it out!

This actually was kind of a fun horror flick, as the Scream movies were. The best part in my opinion is the movies-within-a-movie the characters show at their sci-fi festival ... cheesy 50s stuff similar to what was done in Matinee.

Although it takes a while to get going, POPCORN proves to be a warm and affectionate little slasher movie made along the same lines as Joe Dante's Matinée – i.e. a celebration of the world of the B-movie in its cinematic form. Indeed, the ghost of William Castle seems to be watching over this movies, both in the presence of the cheesy films shown by the fictional cinema and in the bizarre antics of the film students, determined to give their audience an interactive experience!

It's all about the gimmicks and the celebration of the weird, so much so that the actual slasher plot comes second. It's a slight shame, because the story isn't bad, even if it is remarkably familiar: there's an evil killer from the past returning to affect the heroine in the present, and his calling card is that he uses prosthetic masks to disguise himself as anyone and anything. The subsequent kills aren't particularly gory, but they are well staged with an element of Grand Guignol that becomes especially apparent during the over-the-top climax.

POPCORN was made in Jamaica doubling for small-town America, which gives it even more of an offbeat vibe – and the reggae soundtrack is great. The acting is nothing to write home about (THE HOWLING's Dee Wallace-Stone is the only actress of note in a minor part), but when the story and screenplay are so obviously written by genuine fans of old-time horror shows – well, this becomes a film impossible to dislike.

This film combines the nostalgia of drive-in cheesefests with the tried and true slasher formula. Flawed but certainly holds up against more popular entries of the time.