Un agent du FBI infiltré tente d'attraper un gang de surfeurs qui sont peut-être braqueurs de banque.Un agent du FBI infiltré tente d'attraper un gang de surfeurs qui sont peut-être braqueurs de banque.Un agent du FBI infiltré tente d'attraper un gang de surfeurs qui sont peut-être braqueurs de banque.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
John C. McGinley
- Ben Harp
- (as John McGinley)
Avis à la une
Thirteen years on it sounds a little trite - an FBI agent examines his inner self whilst trying to bring down a gang of surfer bank robbers by infiltrating their scene. But dude, how Point Break pulled this off!
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
Patrick Swaze and Keanu Reeves blow your mind out of the water! Very well written and clever. Epic how the heists in this became an inspiration for the video game Payday:The Heist and from the other movie Heist. This has an excellent cast, wild stunts, and the beautiful cinematography - everything you'd want from a action phenomenon!!
Everything good from this movie comes from the absolute amazing fact that Reeves and Swayze are the leads. They give off the perfect 90s surfer frenemy vibes. The storyline is unique and a bit of a bloodbath near the end, but honestly a decent watch.
On this face of it, this ought to be rubbish... a testosterone-fuelled story of beautiful people who rob banks to fund their hedonistic lifestyle that largely revolves around anything that causes their adrenalin to rush, but it isn't rubbish. Kathryn Bigelow keeps the pace end-to-end, and both Keanu Reeves ("Johnny Utah") and Patrick Swayze ("Bohdi") are clearly having fun as the FBI agent pursuing the gang of rubber mask clad "ex-president" beach-bum robbers. Reeves is easy on the eye, but pretty wooden and sure, the plot has more holes than a string vest but the story isn't meant to be deep and meaningful. This is just a fun adventure escapade that sees our hero go surfing, sky-diving and the cinematographer is clearly in his element, too. The ending, though cluttered up with some lovey-dovey nonsense, is actually quite exhilarating as the pair seem to develop just a little bit of a bromance... It's an updated variation on the traditional cops 'n robbers affair that offers much by way of escapism on a wet, wintry evening and ought to be judged accordingly.
As a 90s kid I've always been aware of this flick but never watched, until it showed up on Hulu. Glad I finally watched because it was definitely entertaining. Loved seeing Patrick amd Keanu in one of their most famous roles. I enjoyed the play on undercover agent infiltrating a subculture not to often heard from. It's not Broadway nor is it MARVEL superheroes, but it's quality entertainment worth watching more than once.
On another note, it was AWESOME seeing the lead singer of one of my all time favorite bands in this; even though he does something quite hilarious!
Le saviez-vous
- AnecdotesPatrick Swayze was an accomplished skydiver, and took part in the big skydiving scene. He made fifty-five jumps in total.
- GaffesWhen Bodhi shows Jonny the 'kidnap' tape in the back of the van, the monitor is a small, approx 5 inch portable device with dials down the right-hand side and the VCR underneath. However, when they exit the van and we can see inside, the monitor is now a normal 12 inch portable TV with no dials and the VCR appears to be on top of the TV.
- Versions alternativesThe 15-rated UK cinema version was trimmed by 25 secs to obtain the lower rating by the BBFC. There were five cuts to remove bullet impacts, cuts to shots of a naked woman being fired at during the house raid and several cuts to remove aggressive strong language. The cuts were restored the following year when the distributors opted for an 18 certificate for the video release. This same cut was resubmitted in 2011 and received a 15 certificate.
- ConnexionsEdited into The Clock (2010)
- Bandes originalesNobody Rides for Free
Performed by Ratt
Written by Steve Caton
Produced by Mick Guzauski with Ratt
Courtesy of Atlantic Recording Corporation, a Time-Warner Company
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- How long is Point Break?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Punto de quiebra
- Lieux de tournage
- Ecola State Park, Highway 101, Cannon Beach, Oregon, États-Unis(Bells Beach, Australia)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 24 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 43 218 387 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 514 616 $US
- 14 juil. 1991
- Montant brut mondial
- 83 531 958 $US
- Durée
- 2h 2min(122 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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