Le meurtre horrible d'un détective de Brooklyn transformera l'affaire en une vendetta personnelle lorsque le meilleur ami et collègue du défunt déclenchera une attaque tous azimuts contre le... Tout lireLe meurtre horrible d'un détective de Brooklyn transformera l'affaire en une vendetta personnelle lorsque le meilleur ami et collègue du défunt déclenchera une attaque tous azimuts contre le gang brutal d'un agent psychotique de la mafia.Le meurtre horrible d'un détective de Brooklyn transformera l'affaire en une vendetta personnelle lorsque le meilleur ami et collègue du défunt déclenchera une attaque tous azimuts contre le gang brutal d'un agent psychotique de la mafia.
- Réalisation
- Scénario
- Casting principal
- Joey Dogs
- (as Nicky Corello)
- Buchi
- (as Robert Lasardo)
- Cop
- (as Charles Daniel)
Avis à la une
You wondered why Gino's boss Capt Donziger, Jerry Orbach, never as much as complained, much less suspended, the obviously crazed and homicidal detective and where was the citizens police review board in the movie, where they out to lunch or asleep? Even women weren't safe from the off-the-wall Gino with his brutalizing and humiliating Richie's sister Patti, Gina Gershon, and a bar girl who worked in her nightclub Terry, Shannon Whirry, who were totally innocent and had nothing to do with Bobby Lupo's murder. Even Richie's elderly parents were terrorized by the uncouth Gino even though later Gino apologized to them after the damage was already done, nice man that Gino. Like thats what it would take to make him a good guy in the movie.As for the coke-sniffing and crazy Richie he seemed to want to get caught and never made any attempt to get out of the city and just waited for the end to come partying in a hooker's apartment with his drugged out gang.
Watching Gino in action you wondered if even the Mafia would want him to work for them as a muscle man or enforcer? The Mob was far more civil professional and kinder when they dealt with the same hoods that Gino worked over in the movie.
It turned out that Gino's partner Bobby Lupo was killed by Richie for cheating on his wife by having an affair with Richie's woman Roxanne Ford, Julie Strain, and also, surprise, Bobby was a dirty cop on the take to, thats right, Richie's drug gang.
The final shoot out at Richie's "pad" was as ridicules as the rest of the movie with Gino taking on the entire Madano gang who were dangerous and armed to the teeth single handily and getting a bullet in his gut for the effort. Gino was either too crazy or stupid, or both, to bother to call the police to come to his aid. In fact it was the Mafia who came to the "rescue" after almost everyone of Richie's gang were killed.
Having it out with Richie Gino beats him to a pulp and then instead of trying to arrest the almost dead Richie drives what looks like a sharp screwdriver through his brain killing him. So much for Gino being "Out for Justice" like the movie title says.
For all his viciousness Gino did have his good points but they were at the very beginning and end of the movie. At the start of the movie "Out for Justice" Gino slams a vicious pimp against a brick wall and then throws him head-first into a car windshield. After the pimp brutalized one of his streetwalker for getting pregnant by one of her customers. At the end of the movie Gino let a guy have it who threw a puppy, that Gino later adopted, out of his moving car window by kicking him in his family jewels. As Gino and his wife walked away the puppy showed the creep who tried to kill him just what he thought of him.
This is a very violent film. It is also a very troubling film. William Forsythe - who also turns in a better than average performance - plays a lower-rung mob boss who, strung out on crack and finding his girl-friend cheating on him, turns psychotic and suicidal. Not a good mix - he starts blowing people away just because they irritate him a little.
The film is also an attempt to deal with the continuing fragmentation of neighborhood communities that were once the heart and soul of larger cities. The community is preserved, but only tentatively - the seeds of its eventual collapse have clearly been planted. The extreme violence of the film thus becomes the manifestation of a unresolvable frustration with the tensions of a community falling apart.
All this adds up to a surprisingly complex Steven Seagal action film that will haunt you long after the closing credits.
Le saviez-vous
- AnecdotesAccording to William Forsythe, Steven Seagal told him, "You really need to work on your Brooklyn accent." Forsythe, a Brooklyn native, replied, "Trust me, YOU do."
- GaffesWhen Gino enters Richie's hideout in the final conflict of the movie, he is carrying a single pump shotgun, which requires a pump per shot fired. Upon entering the kitchen he consecutively shoots three different people without pumping (loading a shell into the chamber) the shotgun once.
- Citations
Det. Gino Felino: Come over here, Vinnie. Listen, you shouldn't talk to me that way. You know why? 'Cause like, you and I, we don't know each other so good. You were still suckin' your thumb when your brother was around town suckin' dicks. But just the same, you shouldn't talk so tough, all right?
Vinnie Madano: If my brother was here, you wouldn't talk shit like that.
Det. Gino Felino: Yeah, but he's not here. And you know why he's not here?
Vinnie Madano: Why?
Det. Gino Felino: 'Cause he's a chickenshit fuckin' pussy asshole.
- Versions alternativesThere is another version avalibale on video with a FSK-18 rating. Most of the scenes are uncut, expect the scene where Don Vitorios guys come into Winnies bar for the second time. The shootdown with Richie is a little shorter.
- ConnexionsEdited into Terrain miné (1994)
- Bandes originalesDon't Stand In My Way
Written by Steven Seagal, David Michael Frank and Todd Smallwood
Produced by Steven Seagal and David Michael Frank
Performed by Gregg Allman
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Furia salvaje
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 673 161 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 524 026 $US
- 14 avr. 1991
- Montant brut mondial
- 39 673 161 $US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1