Un faux mouvement

stumbled on this while scrolling through fearnet on demand. Its not a horror but a well-paced action-thriller about ruthless drug dealers traveling across country from LA to Arkansas. Billybob Thornton is riveting as the unpredictable, volatile crackhead while Bill Paxton is the easy going country boy-made -good sheriff who has never had to use his gun before and gets a thrill out of helping out the LA fuzz apprehend Thornton and his accomplices. Throw in a prior "relationship/paternity situation" between Paxton and Thornton's girlfriend/moll and this ends up being far superior to your average cops and robbers showdown. It had a great 90's feel to it with the complete absence of modern devices like cell phones, everyone puffing away on cigarettes like there was no tomorrow and some very un-PC language and references. In these sort of movies, endings usually disappoint but I felt this tied up everything perfectly and there was no over-dramatization which is what the director sometimes feels like he has to do.

Bad language and violence aside, this is one of the best movies of the 90's! This is actually, a lighthearted police drama with many surprises. One of the surprises is the depiction of small town Arkansas. They may have finally gotten it right! It is slower, safer and more relaxing in comparison to the life that the cops from L.A. have and there isn't any stereotyping that I could find! Another surprise is the performance by Billy Bob. He may be one of the most evil drug dealers I have ever seen on the big screen.

A word of caution though. This movie, at least in my opinion, has one of the most violent (not overly graphic, but sadistic) openings to a movie I have seen in a film. The way the murders and tortures are committed are a little hard to watch. But if you get past that, the movie settles down a lot and you really want to see the "bad guys" get what's coming to them! And the language is extremely rough. I saw the movie again on BRAVO and while there is a lot of silent moments, where they cut out the language, nothing else is cut from the film. A remarkable film.

I give this film an A-.

Boy, this film takes me back to the jerkwater Arkansas town where I spent several years of my youth. Bill Paxton (Aliens, True Lies, "Big Love") is spot on as a cracker sheriff who, in his words, hasn't drawn his gun in six years on the job. Well, he drew his gun seven years ago and it has now come back to haunt him and put him in a position that could get him killed.

Billy Bob Thornton (A Simple Plan, Sling Blade, Astronaut Farmer), Arkansas born himself, co-wrote and starred in this film and really pulls off the psycho robber with such perfection that I really cannot understand how a supposedly intelligent guy like "Pluto" (Michael Beach - Short Cuts, "Third Watch," "ER") could hook up with him, especially since they spent two years in jail after the last job. Joining the duo, was Cynda Williams (Mo' Better Blues) in her second film, as Fantasia/Lila. She did a super job.

As the trio heads to Houston from L.A. the body count rises and the Sheriff is put into a position where he has to act alone. False moves throughout the film just add to the tension and excitement.

This one keeps you on edge and it gives me the creeps, still, it is a well crafted, beautifully acted movie. I guess it's a bit too real for me. The murders are extremely violent. The less I see of drug addicts, coke heads and drug dealers, the better. Bill Paxton is absolutely terrific in this film and he outshines the rest of the cast, who are very good. Why haven't we seen more of Cynda Williams and Michael Beach, they are very fine actors? The film is well paced, beautifully photographed and there's even a little homage to "North by Northwest". This genre of realistic films is definitely not my 'cop of tea', but I can appreciate a well made film. Kudos to Carl Franklin for a job well done!

Directed by Carl Franklin and written by Billy Bob Thornton and Tom Epperson, 'One False Move' is a thriller starring Cynda Williams, Billy Bob Thornton, Bill Paxton, Michael Beach,etc.

Although the film on the surface is another drug deal gone wrong type thriller with violence and blood, but it has a lot going on beneath the violence of the criminal activities portrayed on screen. The script deals with the themes of the contrast between the country and the city, racism and the mask that many people wear to hide the complexities of their lives and their past. Somehow all these themes come together in the most seamless and nuanced manner to enhance the poignancy of the film. The plot reminded me of Richard Brooks' 'In Cold Blood'. It has a similar structure of criminals on the road trying to evade the law while the police is making plans to bring them in.

The acting is very good from all involved. Many of the characters in the film are not what they might appear to be initially. I have to individually mention Bill Paxton and Cynda Williams for showing a lot of range by playing character, the perceptions for whom change radically in the viewer's mind with the revealing of new facts about their past.

I have already mentioned that the script is layered, but even then this could have become a standard crime-thriller with no depth. Carl Franklin actually underlined the themes in the script by putting more emphasis on the characters, their behaviour and their past than just the violence of the criminal activities. The film ends on an optimistically in a subtle way. But personally I would have probably ended the film on a bleaker note to go with the subtext of the film. But the ending to the film still works as a hopeful message.