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Souvenirs, goutte à goutte

Titre original : Omohide poro poro
  • 1991
  • Tous publics
  • 1h 59min
NOTE IMDb
7,6/10
41 k
MA NOTE
Souvenirs, goutte à goutte (1991)
Trailer for Only Yesterday
Lire trailer1:43
3 Videos
99+ photos
Animation dessinée à la mainAnimation pour adultesAnimeIyashikeiJoseiLe passage à l'âge adulteTranche de vieAnimationDrameRomance

Une employée de bureau de vingt-sept ans se rend à la campagne tout en se remémorant son enfance à Tokyo.Une employée de bureau de vingt-sept ans se rend à la campagne tout en se remémorant son enfance à Tokyo.Une employée de bureau de vingt-sept ans se rend à la campagne tout en se remémorant son enfance à Tokyo.

  • Réalisation
    • Isao Takahata
  • Scénario
    • Hotaru Okamoto
    • Yuuko Tone
    • Isao Takahata
  • Casting principal
    • Miki Imai
    • Toshirô Yanagiba
    • Yoko Honna
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    41 k
    MA NOTE
    • Réalisation
      • Isao Takahata
    • Scénario
      • Hotaru Okamoto
      • Yuuko Tone
      • Isao Takahata
    • Casting principal
      • Miki Imai
      • Toshirô Yanagiba
      • Yoko Honna
    • 148avis d'utilisateurs
    • 75avis des critiques
    • 90Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 8 nominations au total

    Vidéos3

    Only Yesterday
    Trailer 1:43
    Only Yesterday
    Only Yesterday - Trailer
    Trailer 1:45
    Only Yesterday - Trailer
    Only Yesterday - Trailer
    Trailer 1:45
    Only Yesterday - Trailer
    Only Yesterday
    Clip 1:30
    Only Yesterday

    Photos182

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 177
    Voir l'affiche

    Rôles principaux67

    Modifier
    Miki Imai
    • Taeko
    • (voix)
    Toshirô Yanagiba
    • Toshio
    • (voix)
    Yoko Honna
    • Taeko (Child)
    • (voix)
    Michie Terada
    Michie Terada
    • Taeko's Mother
    • (voix)
    Masahiro Ito
    • Taeko's Father
    • (voix)
    Chie Kitagawa
    • Taeko's Grandmother (City)
    • (voix)
    Yorie Yamashita
    • Nanako
    • (voix)
    Yuki Minowa
    • Yaeko
    • (voix)
    Shin Ito
    • Taeko's Grandmother (Farm)
    • (voix)
    Koji Goto
    • Kazuo
    • (voix)
    Sachiko Ishikawa
    • Kiyoko
    • (voix)
    Masako Watanabe
    • Naoko
    • (voix)
    Yoshihiro Furubayashi
    • Station staff
    • (voix)
    Takako Sendo
    • Toshio's Mother
    • (voix)
    Hiroshi Ichikawa
      Issei Takahashi
      Issei Takahashi
      • Taeko's Classmate
      • (voix)
      Yoshimasa Kondô
      • Taeko's Teacher
      • (voix)
      Masashi Ishikawa
      • Soo
      • (voix)
      • Réalisation
        • Isao Takahata
      • Scénario
        • Hotaru Okamoto
        • Yuuko Tone
        • Isao Takahata
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs148

      7,640.7K
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      Avis à la une

      Soujiro

      Simple and Moving

      This is one of Studio Ghibli's less known films. It tells the story of middle-aged Taeko's gradual realization of her love for the Japanese countryside. Through frequent funny and realistic childhood coming-of-age flashbacks we see that even during moments when life seems hopelessly complicated, it's really quite simple. On a similar note, the ability of anime to refine the needlessly complicated to its essence is one of its great qualities in my opinion. The scene in which little Taeko merrily walks into the sky is an (exaggerated) example of this ability. A live action attempt to show childhood elation would be much more strained. The film does glorify farm living, but doesn't gloss over the difficulties to the extent that most films do. I was skeptical of any animated film's ability to inspire emotion for the beauty of the countryside. I mean... it's just drawings that presume to represent the real thing right? Well, the animators obviously did their research. The scenery isn't artificially...scenic, but it is very beautiful in a subdued, natural way. What most impresses me is the constantly calm mood of the film. Where other films would escalate certain situations to cheesy melodramatics, this film keeps it's feet on the ground (except for little Taeko... I love that scene). On a final note, the voice acting was superb, and the famous (among otaku) ending sequence is very uplifting. If Miramax releases a subtitled version of this, do yourself a favor and pick up a copy.
      10Dhomochevsky

      Takahata's best movie?

      This is the question to be asked, even for the fans (like me) of "grave of the fireflies". Compared to all the other ghibli movies, this real masterwork has been unfairly unrecognized. Forget about the anime you watched so far, it's completely different, more adult, more realistic, more... life-like. No big eyes (well, the flashback are somehow "very 60's", but that's the purpose!), no screams, no ultrasonic voices; just characters treated as they were true actors. For example the pineapple scene or the mathematics exercise scene are the most incredible daily life pictures i've ever seen! And the final credits will have you wipe some tears... Watch it and make your friends watch it too. Don't be surprised by its length. It's fun, sad, real, touching, moving whatever you want... I still dream it will be released abroad, one day... who knows? Talk about it around you and maybe this could happen. Takahata definitely deserves it!
      8teledyn

      Growing out of growing up

      We've all seen those "coming of age" movies that transition the protagonist from childhood into puberty, and there's heaps of "discover your inner child" movies to put some fun in your life or life in your fun or whatever -- Only Yesterday is a rarity: Unsure and a little lost in her urban complacency, Taeko finds she must step beyond her inner-child shadow before she can grow up and move on with her life.

      Only Yesterday isn't about grade-five, it's about being 27 by way of grade-five. It's a story about stepping out of our childhood, like the way we finally, and graciously, say goodbye to a worn-out favourite pair of shoes, or when, once we get to our destination, we can thank a particularly helpful bus driver and disembark.

      Ugh, that's not much of a review, is it. Fortunately, Takahata says it all ten thousand times better than this :)
      10laymonite-1

      A complete surprise! A real sleeper.

      I was lucky enough to obtain a set of "Studio Ghibli" anime films on DVD including the some of the best of Myazaki etc. These film are Japanese with English subtitles, I think a LOT would be lost in any dubbed version.

      I thought I'd give this film a try first, never having heard of it...

      It is one of the most amazing films I have ever seen, anime or not. It truly defines "adult anime" in the best sense of the word. I would agree with many of the comments already expressed, especially the use of animation to express the exhilaration of childhood joy.

      The fact is, this film packs in so many genuinely clever, poignant and laugh out loud funny observations on adult and child life I am really surprised it is not more well known. How many films can make eating a pineapple such an utterly fascinating,touching and meaningful scene?!

      This film is basically the story of a 27 year old woman (NOT a middle aged woman!) who is starting to think that life is passing her by and starts thinking of what she really wants and is important in life. She carries the memories of her childhood with her and these flash back as a parallel story to the present in an unbelievably delightful way! We truly see her (very sharply observed and funny/poignant)childhood and what made her character.

      This film is so uplifting! Do be sure to catch all of the ending too! I thought it caught the best parts of My Neighbor Totoro for a 20-something audience!

      Mike.
      9matchettja

      Touching and moving

      I really had no idea animation could be so touching and moving. A young woman on her way to the countryside to help out with some farm chores keeps getting flashbacks of her 10 year old, 5th grade self. That may sound boring, but instead I was riveted from beginning until the heart warming finish, enjoying her memories along the way. We all carry around with us such kind of memories-having trouble with a particular subject in school, flirting with members of the opposite sex, being teased by classmates or older siblings, misbehaving and being severely punished, not getting something we really wanted and on and on. While she was having her flashbacks, I was having mine, making it all a very personal experience. Her life has been shaped by her memories, and now she is guided by them as she comes face to face with a momentous, potentially life-altering decision. Even if she was only an animated character, I got so bound up in the story that I desperately hoped for her to make the right choice. Sometimes I even forgot that I was watching an animated movie.

      Centres d’intérêt connexes

      Jodi Benson, Jason Marin, and Samuel E. Wright in La Petite Sirène (1989)
      Animation dessinée à la main
      Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Les Griffin (1999)
      Animation pour adultes
      Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
      Anime
      Natsume yûjinchô (2008)
      Iyashikei
      Kids on the Slope (2012)
      Josei
      Elsie Fisher in Dernière Année (2018)
      Le passage à l'âge adulte
      Barakamon (2014)
      Tranche de vie
      Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Le Voyage de Chihiro (2001)
      Animation
      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drame
      Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
      Romance

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        The movie is based on a manga series of comic vignettes of a small girl. The scenes in the film portraying Taeko as an adult were created by writer-director Isao Takahata. The adult scenes gave the entire film a plot and connected the original vignettes as recollections of her childhood, making it a cohesive whole.
      • Citations

        Hirota: Rainy days, cloudy days, sunny days... which do you like?

        Taeko: ...cloudy days.

        Hirota: Oh, then we're alike.

      • Connexions
        Featured in JesuOtaku Anime Reviews: Only Yesterday (2012)
      • Bandes originales
        Cantec de nunta
        Written by Gheorghe Zamfir (uncredited)

        Performed by Gheorghe Zamfir and Ansamblul Ciocarlia

        Courtesy of Electrecord Romania

      Meilleurs choix

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      FAQ23

      • How long is Only Yesterday?Alimenté par Alexa
      • What is the song in the end credits?
      • What is the significance of the wooden arrow the children carry behind Taeko and Toshio?
      • What year does this movie take place?

      Détails

      Modifier
      • Date de sortie
        • 20 juillet 1991 (Japon)
      • Pays d’origine
        • Japon
        • États-Unis
      • Sites officiels
        • Official Facebook
        • Official site (North America)
      • Langues
        • Japonais
        • Bulgare
      • Aussi connu sous le nom de
        • Only Yesterday
      • Sociétés de production
        • Nippon Television Network (NTV)
        • Studio Ghibli
        • Studiopolis
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Montant brut aux États-Unis et au Canada
        • 453 243 $US
      • Week-end de sortie aux États-Unis et au Canada
        • 14 970 $US
        • 3 janv. 2016
      • Montant brut mondial
        • 608 562 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 59min(119 min)
      • Couleur
        • Color
      • Mixage
        • Dolby Stereo
        • Stereo
      • Rapport de forme
        • 1.85 : 1

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