Night on Earth
- 1991
- Tous publics
- 2h 9min
NOTE IMDb
7,7/10
69 k
MA NOTE
Anthologie de 5 chauffeurs de taxi différents dans 5 villes américaines et européennes, et leurs courses incroyables en cette même nuit mouvementée.Anthologie de 5 chauffeurs de taxi différents dans 5 villes américaines et européennes, et leurs courses incroyables en cette même nuit mouvementée.Anthologie de 5 chauffeurs de taxi différents dans 5 villes américaines et européennes, et leurs courses incroyables en cette même nuit mouvementée.
- Récompenses
- 1 victoire et 1 nomination au total
Alan Randolph Scott
- Rock Musician #1 (segment "Los Angeles")
- (as Alan Randolph Scott I)
Pascal N'Zonzi
- Passenger #1 (segment "Paris")
- (as Pascal Nzonzi)
Emile Abossolo M'bo
- Passenger #2 (segment "Paris")
- (as Émile Abossolo-M'bo)
Stéphane Boucher
- Man in Accident (segment "Paris")
- (as Stephane Boucher)
Avis à la une
It's not that this movie is non stop laughs, but just that it is so smart and such intelligent humor. It's got a clever premise about five short stories involving cab rides in different cities, but it's the specific situations that will crack you up. One after another, they are all hilarious. Roberto Benini's scene had me laughing out loud, and that never happens. The only sketch that wasnt so great was the opening one with Winona Ryder. Everything that followed it rocked and impressed the hell out of me. A smart comedy. not too many of those.
Jim Jarmusch does for movies as Tom Waits does for music, no wonder he uses his music in his films. I've seen this movie over and over, its truly wonderful. We glimpse A side of the world that is the same no matter where you go. The world is round so no matter where you go you are always in the center of it. Here we catch a Taxi in different cities around the globe and although the cultures are clearly different , there is something of the blues in each act. I can't make out which one is my favorite, they all have a certain magic to them that totally captures to mood of the country we are in although the mood itself is that of the night where not much seems to be going on really except in our taxis. Each scene in this film is a masterpiece, no matter which country Jarmusch takes us too. Of course Benigni needless I mention is that little bit more of a of a superstar but for that matter so is the blind girl in Paris. Great music, great photography, great acting, its all good. Its magic!
8KFL
I suppose people will typically talk about they loved the NY and Rome stories, but hated the Helsinki segment, or vice-versa, or whatever. This probably comes from thinking of the entire movie as belonging to a single genre--drama, comedy, satire. If you take each story by itself, though, with an open mind, you will find yourself being entertained (mostly) in five different ways. Although of course we will all have our favorites.
I wondered briefly why there wasn't a segment set in Hong Kong, Singapore, Japan--to make it truly global. Of course it wouldn't be night at the same time on that side of the world. Jarmusch should have done it anyway.
Some think the movie is too long. But this is obviously a movie you don't need to watch in a single sitting; indeed, for the reason stated above, it's perhaps best watched a little at a time.
I wondered briefly why there wasn't a segment set in Hong Kong, Singapore, Japan--to make it truly global. Of course it wouldn't be night at the same time on that side of the world. Jarmusch should have done it anyway.
Some think the movie is too long. But this is obviously a movie you don't need to watch in a single sitting; indeed, for the reason stated above, it's perhaps best watched a little at a time.
A fantastic piece of entertainment: five little stories, five cities, four languages. That's all. This movie has no message but it portrays five regions of the world most sensitively.
The L.A. episode is the weakest. It is not bad but it has one big problem: it is the first one. People start watching the movie and expect something sensational. This first episode cannot present anything spectacular, only first class character acting. There are no big surprises or twists, the episode is not particularly funny or anything. Honestly, when I saw the first minutes of this movie I thought: `O dear, I'm going to fall asleep!'
Then, the N.Y. story came. This one made me laugh real hard, and it made Armin Mueller Stahl one of my favourite actors. I started to love this movie, and I was well prepared for the Paris episode, which is, in my opinion the best, the most satisfying of them.
I found the story of the Roberto Benigni episode rather stupid, but his talent in exaggerating (so he did this even seven years before 1999's Oscar ceremony!) made up for it.
Then, the huge contrast: The liveliest episode is followed by the dreariest. Finnish workers tell each other stories from their lives, each trying to tell the saddest.
`Night on Earth' is not a movie for everybody but I think it is, in any case, the ideal movie to watch on television at two o'clock in the morning.
The L.A. episode is the weakest. It is not bad but it has one big problem: it is the first one. People start watching the movie and expect something sensational. This first episode cannot present anything spectacular, only first class character acting. There are no big surprises or twists, the episode is not particularly funny or anything. Honestly, when I saw the first minutes of this movie I thought: `O dear, I'm going to fall asleep!'
Then, the N.Y. story came. This one made me laugh real hard, and it made Armin Mueller Stahl one of my favourite actors. I started to love this movie, and I was well prepared for the Paris episode, which is, in my opinion the best, the most satisfying of them.
I found the story of the Roberto Benigni episode rather stupid, but his talent in exaggerating (so he did this even seven years before 1999's Oscar ceremony!) made up for it.
Then, the huge contrast: The liveliest episode is followed by the dreariest. Finnish workers tell each other stories from their lives, each trying to tell the saddest.
`Night on Earth' is not a movie for everybody but I think it is, in any case, the ideal movie to watch on television at two o'clock in the morning.
10fpapp
Since I have almost seventeen years of experience in the taxi business as a dispatcher and driver, I have to say that "Night on Earth" is one of my favorite movies! This movie gives a very real and comical portrayal of life in this line of work. I've known people who were given great opportunities, and rejected them. I've personally kicked drunk idiots out of my cab. I've had blind people tell me which route to take. I've had people who were so "down and out" tell me their life story. This is a film that portrays what taxi driving is all about, and it is not limited to the USA. People are the same all over the world! This movie is not yet available on DVD in the USA, but I really hope it will be soon!
Le saviez-vous
- AnecdotesThe production hired a stunt driver to maneuver the tiny Fiat cab around a hairpin turn for one of the exterior shots in Rome. The turn was so tight that the stunt driver couldn't manage it, even after several takes. Roberto Benigni asked if he could try it and pulled it off perfectly on the first take.
- GaffesThis film takes place sometime during the winter, and the opening story takes place in Los Angeles starting at 7:07 p.m. At no time during the winter would Los Angeles be this sunny at 7:07 p.m. The latest time of day the sun would set during the winter would be at 6:07 p.m. on March 20, the last day of winter. (March 20 now occurs during Daylight Saving Time, but, in 1991, DST did not begin until April.)
- Citations
Paris Driver: Don't blind people usually wear dark glasses?
Blind Woman: Do they? I've never seen a blind person.
- Crédits fousDuring the end credits, the titles of the crew members are in the language of the place/unit they worked in (ie the Helsinki unit's credits are in Finnish, and so on).
- Bandes originalesBack in the Good Old World
Written by Tom Waits and Kathleen Brennan
Produced by Tom Waits
Arranged by Tom Waits and Francis Thumm
Jalma Music, Inc.
Administered by Ackee Music, Inc. (ASCAP)
Tom Waits performs courtesy of Island Records, Inc.
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- How long is Night on Earth?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Une nuit sur Terre
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 015 810 $US
- Week-end de sortie aux États-Unis et au Canada
- 34 039 $US
- 3 mai 1992
- Montant brut mondial
- 2 113 387 $US
- Durée
- 2h 9min(129 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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