Mister Johnson

This is a wonderful film that captures the flavor of working in the African bush more accurately than any film I've seen. The gentle cultural clash between Mr. Johnson and the road builder (Pierce Brosnan) is exactly as I've experienced it with so many workers. And Mr. Johnson's downfall caused by his inner conflict (being pulled from his traditional roots down into the beguiling but unaffordable Western abyss) could have been the autobiography of too many African funtionaires I've known.

Every so often you come across a film that is so accurate in it's depiction of life and the character of the people you forget it's a movie and it takes you to that place in time and you become one of the people, Mister Johnson is that film plus 100. Mister Johnson is an accurate look into the life of a man who is torn between the color of his heritage and his longing to be an English gentleman. Mister Johnson is a man who forgets his ethnic heritage and calls his own people ''ignorant'' and ''savage'' but holds the people who treat his with the lowest respect, namely the British officials and colonists in the highest honor. He is an example of the brainwashing given to many many people of color over the centuries by the Whites, making them forget who they are, where they came from, and making them have an alien thirst for white culture. But Mister Johnson is more than that..oh yes indeed. He is a crafty little man who's high intelligence gets him into trouble with the British offocials. He has a thirst for english traditions and a longing for the white man's riches and acceptance but I do not believe he even knows why. This is a great film depicting the harsh life of a man too smart for his own good in a time where his skin color and an intellect that large was the biggest threat in the mind of white colonists. Sadly this film leaves you wanting more, wanting a deeper look into how Mister Johnson came to be they way he is.

Mister Johnson tells the tale of a young Nigerian man whose dishonesty and desire to please others lead to his downfall. He's lost--thinking he must be British to be a real man, for that is what he hears the British imperialists say. He doesn't understand the intrinsic worth of his African identity, and in his attempt to become more and more British, he loses everything he loves. The plot itself is sad but not entirely original. The movie's charm is in its setting--central Nigeria--and its use of the Pidgin and Hausa from that region. As one who grew up there, I was thrilled with their correct usage of terms and expressions. The cinematography is excellent, and I appreciate the genuineness of the movie itself. Sad but worth watching.

The cinematography was truly lovely, it's natural colors blended with the story telling so thoroughly, I sat in the dark fascinated by this syncopation. The film has a huge cast, and filming in the African sun, it had to be a difficult.

I loved the talent. Every character was real.

I loved the story --the collision of two cultures at the beginning.

Most of all I love the character of Mister Johnson as portrayed by Maynard Eziashi. His behavior seemed typical of the era. And African villagers seemed so gentle and accepting of foreign intrusion. Maybe it was that way in the beginning.

Joyce Cary wrote a very sweet, sort of tragic story. I wish all films contained this truth, warmth and humanity.

A British colony in West Africa creates a monster in the local black man who succumbs to the western greed and uses it to better his life so as to live like the rich whites do. A convincing performance by Maynard and a surprising one from Brosnan. Wonderfully shot and gently directed by Master Beresford.