Mediterraneo

An outstanding movie. The film flows like water, masterfully directed.Watching this film was enjoyable and it seems like an escape from reality.In them we can identify our desires and our feelings. Escape from the world of war. Shows how little is enough to be happy. Luzers in the war are actually winners and lucky people. People who would kill other peoples yesterday, show us real face, ordinary people with same wishes like ours. This movie proof that is not necessary to spend millions of $ to make great movie. For me personally it is a pleasure to watch this movie any time, sometime I feel that I would like to find similar place today to escape from our modern, hectic life. All in all, great movie, I wouldn't change anything.

Italian cinematography always had interesting and beside all great movies. "Mediterraneo" is definitely one of them with strong antiwar message. A movie that Americans cannot make cause they haven't experienced wars like the ones that were led on European ground.

Story starts when Italian ship leaves a handful of soldiers in a little Greek island during World War II. Italian soldiers must hold that island by any cost. Island seems to be deserted and when their sheep gets destroyed by enemies, soldiers must find a way to live on that island. Soon they found out that the island is not deserted when Greeks came out of their hiding places in the mountains. All of the inhabitants are women, children and old men, so soldiers began to relax and finally live their lives.

Gabriele Salvatores made a movie situated during a war without any war scene, presenting the Greek island as heaven on Earth for those untypical soldiers. All of them have their dreams and desires, but as time pasts by, only one soldier always tries to leave at all cost (he wants to come home to his wife). Antonio Farina falls in love with prostitute Vassilissa (gorgeus Vanna Barba) and they even stopped counting days on that island, so they don't know what is happening in the war or in outside world. This island present oasis, imaginary world where everyone is happy. Like some sort of utopia.

So from the first to last scene Salvatores directs this movie with no mistakes, cause he had great scenario, actors and he found beautiful location in Greece. I specially liked Diego Abatantuono in role of Nicola Lorusso, but I must also mention Claudio Bigagli and Giuseppe Cederna. Every single person who worked on this drama with elements of comedy created a movie that we all can watch whenever we want to escape from to real world. But is there a place like this on Earth? Yes, I think there are plenty of places like this, but we have to look for them cause nothing good comes easy.

The outline of this film appears in other postings, so I will just add my two drachma by way of critical appraisal. In case you are in any doubt, Mediterraneo ranks in my best three ever - a magnificent film. If you never see it, part of your life will have been unlived.

Mediterraneo epitomises the difference between Hollywood and the demands of a largely US audience and the subtler approach of the European director/writer who seeks simply to express him/herself through the medium. I read two reviews in the Washington Post both of which managed to misunderstand the film completely, one going so far as to characterise the cast as "Marx Brothers". In fact, they are probably the finest ensemble of characters I have ever seen in film - a completely disparate group of individuals who nearly all manage to find spiritual (and sexual) fulfulment in the sensuality of Aegean island life.

The film is multi-layered and, the more obvious ones, such as the powerful anti-war message and the venality of post-Fascist Italy are often mentioned. But no-one has ever picked up on the phrase "una face, una race" which is repeated throughout the film. This is the nostrum that Italians and Greeks have a common Mediterranean heritage (come on Washington Post hacks - didn't the title give you a clue?) and that there is an enormous irony in the Italians - who rightly pride themselves on the antiquity of their civilisation - seeking to subdue another culture whose origins are 2000 years older.

This is underlined by the easy participation of the soldiers in both high and low Greek culture, .....the painting of the frescoes in the church (n.b. the Orthodox Church predating the Holy Roman Empire by centuries - clever eh!) and the wonderful unifying theme of football, which only a European or South American viewer could truly appreciate.

The group's ambivalent attitude to sexual mores adds to the sense of the place as essentially a home for Greco-Roman sensuality - a fact which is gloriously exposed with the later juxtaposition of our band of heroes with the starched British Royal Navy officers who arrive to remove them from the island.

I have not seen any mention in other reviews of the beautiful cadence of the Italian dialogue - as lilting as the bazouki music which accompanies much of the film.

The sense of disillusionment that takes over the film at the end is very powerful and it is no accident that Salvatore shows us the Lieutenant returning to the island on a ferry full of burnt-pink tourists.

This is a film that can only truly be appreciated if you have a feeling for, and understanding, of European culture. This is a film for grown-ups.

Mediterraneo demonstrates that though box-office grosses for European films are small (unless it is something produced explicity for a US audience, like the truly dreadful Four Weddings) our directors have managed to stay true to their craft.

If there are not enough car chases or shoot outs for you, look out for the five-star ratings in the Washington Post.

Fact 1: Only 10% of Americans possess a passport: Fact 2: None of them review for the Washington Post.

A squad of Italian soldiers arrives to occupy a remote Greek island during WW2, but soon goes native as the immediacy of the war slowly recedes from their island paradise. I enjoyed this film immensely. I hope this is only available in the original Italian with subtitles. The dialog among the soldiers is so quintessentially Italian and funny, that a dubbed version would lose almost everything in translation. The locations are terrific, the plot development is subtle but never boring, and it's a joy to watch a film that encourages you to lean forward and savor it, rather than one that pins you in your seat with technology and effects.

I think IMDb explains the plot best: An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the island seems abandoned and there isn't a single enemy in sight, so the soldiers begin to relax a little. Actually, the island isn't deserted and when the Greeks understand that those Italians are harmless, they came out of their hiding places in the mountains and continue their peaceful lives. Soon the soldiers discover that being left behind in a God-forgotten Greek island isn't such a bad thing, after all...

The film won the Oscar for Best Foreign film in 1991 and I'm pretty sure this wasn't the best foreign film of that year, but I can understand why it won. The film captures something I think many people can relate to or understand...escape. These soldiers find an escape from the war. Which is something anybody who has been in a war can relate to. And, the film also captures the freedom these men have. For the moment they're at the island they can also escape from their everyday responsibilities and do what they like best. That's something most people want. For instance, the lieutenant enjoys painting and at the island he gets the opportunity to paint the church. Instead of fighting a war or worrying about how to pay the bills he is doing what he enjoys best, painting. The film may not be the best foreign film of 1991, but it is a very warm-hearted film that you will enjoy.

3 (***) out of (****)