Mediterraneo

I think IMDb explains the plot best: An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the island seems abandoned and there isn't a single enemy in sight, so the soldiers begin to relax a little. Actually, the island isn't deserted and when the Greeks understand that those Italians are harmless, they came out of their hiding places in the mountains and continue their peaceful lives. Soon the soldiers discover that being left behind in a God-forgotten Greek island isn't such a bad thing, after all...

The film won the Oscar for Best Foreign film in 1991 and I'm pretty sure this wasn't the best foreign film of that year, but I can understand why it won. The film captures something I think many people can relate to or understand...escape. These soldiers find an escape from the war. Which is something anybody who has been in a war can relate to. And, the film also captures the freedom these men have. For the moment they're at the island they can also escape from their everyday responsibilities and do what they like best. That's something most people want. For instance, the lieutenant enjoys painting and at the island he gets the opportunity to paint the church. Instead of fighting a war or worrying about how to pay the bills he is doing what he enjoys best, painting. The film may not be the best foreign film of 1991, but it is a very warm-hearted film that you will enjoy.

3 (***) out of (****)

I was awake at 3:00AM with insomnia the first time I saw this film. When the English subtitles appeared, I thought, "I don't want to read a movie, I want to watch one." A few minutes later, I was hooked. Now, I own a copy and watch it every few months. It's a story about a group of men, in soldiers uniforms, sent to a Greek Island of no significance, who are forgotten about and left for years. They adapt as humans do when placed in a different environment. Because they are Italian, they do it as only Italians can, with simplicity and grace. I'm glad to have it my video collection.

I am not one for Italian movies but this was a cracker. If you have to go by the sub-titles then pay attention at the beginning when the soldiers are in the process of securing the town and they engage a chicken.....its a bit of humour that has stayed with me for years since watching it.

It is one of those feel good movies that you just don't want to end...highly recommended.

In an age where any discerning movie goer struggles to find a decent movie at a video shop because of all the crassy Hollywood type movies that are churned out, this is a must watch movie.

A squad of Italian soldiers arrives to occupy a remote Greek island during WW2, but soon goes native as the immediacy of the war slowly recedes from their island paradise. I enjoyed this film immensely. I hope this is only available in the original Italian with subtitles. The dialog among the soldiers is so quintessentially Italian and funny, that a dubbed version would lose almost everything in translation. The locations are terrific, the plot development is subtle but never boring, and it's a joy to watch a film that encourages you to lean forward and savor it, rather than one that pins you in your seat with technology and effects.

The outline of this film appears in other postings, so I will just add my two drachma by way of critical appraisal. In case you are in any doubt, Mediterraneo ranks in my best three ever - a magnificent film. If you never see it, part of your life will have been unlived.

Mediterraneo epitomises the difference between Hollywood and the demands of a largely US audience and the subtler approach of the European director/writer who seeks simply to express him/herself through the medium. I read two reviews in the Washington Post both of which managed to misunderstand the film completely, one going so far as to characterise the cast as "Marx Brothers". In fact, they are probably the finest ensemble of characters I have ever seen in film - a completely disparate group of individuals who nearly all manage to find spiritual (and sexual) fulfulment in the sensuality of Aegean island life.

The film is multi-layered and, the more obvious ones, such as the powerful anti-war message and the venality of post-Fascist Italy are often mentioned. But no-one has ever picked up on the phrase "una face, una race" which is repeated throughout the film. This is the nostrum that Italians and Greeks have a common Mediterranean heritage (come on Washington Post hacks - didn't the title give you a clue?) and that there is an enormous irony in the Italians - who rightly pride themselves on the antiquity of their civilisation - seeking to subdue another culture whose origins are 2000 years older.

This is underlined by the easy participation of the soldiers in both high and low Greek culture, .....the painting of the frescoes in the church (n.b. the Orthodox Church predating the Holy Roman Empire by centuries - clever eh!) and the wonderful unifying theme of football, which only a European or South American viewer could truly appreciate.

The group's ambivalent attitude to sexual mores adds to the sense of the place as essentially a home for Greco-Roman sensuality - a fact which is gloriously exposed with the later juxtaposition of our band of heroes with the starched British Royal Navy officers who arrive to remove them from the island.

I have not seen any mention in other reviews of the beautiful cadence of the Italian dialogue - as lilting as the bazouki music which accompanies much of the film.

The sense of disillusionment that takes over the film at the end is very powerful and it is no accident that Salvatore shows us the Lieutenant returning to the island on a ferry full of burnt-pink tourists.

This is a film that can only truly be appreciated if you have a feeling for, and understanding, of European culture. This is a film for grown-ups.

Mediterraneo demonstrates that though box-office grosses for European films are small (unless it is something produced explicity for a US audience, like the truly dreadful Four Weddings) our directors have managed to stay true to their craft.

If there are not enough car chases or shoot outs for you, look out for the five-star ratings in the Washington Post.

Fact 1: Only 10% of Americans possess a passport: Fact 2: None of them review for the Washington Post.