Story of Ricky: Les aventures de Riki-Oh

"Riki Oh" is a frightening piece of work. Some of the bizarrest stuff ever put on celluloid to my knowledge. Every single frame is bursting with insanity and confusion. Don't even try to understand it, you might as well try to divide large numbers in your head for an hour and a half.

Riki is a very hunky prisoner in a future where corporations control everything. I know this information because the producers felt it necessary to put this in TWO different captions at the start of the film. Just so we know.

Young Riki gets into a lot of trouble both with the guards and his fellow inmates. This allows him to rip his shirt off a lot and expose his flexed chest (Seriously, the guy takes his shirt about once every thirty seconds. He puts it back on just so he can take it off again.).

Somehow Riki was given supernatural powers that really help in a prison riot. You see Riki can punch through just about anything, be it animal, mineral or vegetable. He punches through walls, desks, pipes, bars, and lots of human bodies. Yes that's correct, he punches through people. Their arms, legs, stomachs, and sometimes heads.

This excessive violence lends the film to excessive gore. We're talking spilled jugs of Kool-Aid excessive. And you get to see it all; although the worst gore is rarely on screen for more than a split second. Still you get to see a guy eat razors, a person explode like a balloon and one guy get put in a huge meat grinder. Yummy!

The copy I saw was dubbed, and that only added to the fun. I recommend this movie, solely for goofing on it. Otherwise, it is a very bad film. Only for those with a good sense of humor. You have been warned.

If you hate blood and guts (literally) stop reading now this movie is in no way for you.

On the popcorn scale of fun brain removed films this is on the top rung for laugh out loud enjoyment.

The plot has Ricky, a kid with super strength being thrown into prison for killing the man responsible for the girl he loved. This is a corrupt privatized prison of the future where the prisoners are nothing more than cheap labor. Ricky instantly gets under the skin of the wardens, the guards and the leaders of the prison population. Cartoon violence with bloody gory consequences ensue. Body parts go flying as Ricky fights to stay alive and help his fellow prisoners.

This is one of the bloodiest movies I've ever seen. Think Python's Salad Days sketch but for 90 minutes. There is blood and limbs everywhere. The effects run from very good to god awful, with most just okay. None of it is really "real".There's no way you could do this film realistic, assuming the plot allowed it, with out having the audience throwing up all over the place. I'm assuming they are done the way they are for effect, we see the effect of the violence and laugh at the silliness of it all while keeping our lunches.

And as the film spins more and more out of control, with plot holes that are more like stellar voids, you find your self staring and laughing at it all, disbelieving that grown people put this together. Its a 12 year-old's action figure dream come true, but some how it all works on an adult level since the film makers seem to be winking and nodding at those watching it.

High camp? Low brow? There is nothing in this film that seems to be serious except for the way that pretty much everyone plays it dead nuts straight to wonderful tongue through cheek effect.

Not a movie you want to see on a first date (or any date) this is a movie to watch with some loud friends with strong stomachs and a great sense of the absurd. Its not a great film as such and I doubt it was ever intended to be, however on the throw your mind out of the car on the way to the video store scale this film rates at the top.

And I can't stress enough this film lives up to its rep for blood and guts. If you don't like to see them flying in every direction stay away stay away stay away.

A man jailed for getting his revenge on those who (indirectly) killed his girlfriend gets sent to the prison of the future. While in prison, he discovers an opium greenhouse (not cleverly hidden) and fights plenty of guards, inmates and the warden.

I gave this film a ten, not because it is a cinematic masterpiece... but because this film stands alone as something that can never be equaled. You will not walk away from this film the same person. Its kiss is like jackhammer; when it is through with you, you are changed.

The violence is excessive to the point of being funny -- walls and body parts exploding. It was hard to tell if this film was supposed to be a comedy or action because while the plot is serious, the action is outrageous. And sometimes you can too easily tell that a body part is a model or that walls are being pulled apart by strings.

The dubbing is really funny, and the use of multiple subtitles (in both British English and American English) is amusing. The film probably deserves a decent transfer and better subtitles, but that might take something away from this film's immense cheese factor. The characters are pretty interesting -- a warden who can transform into the Incredible Hulk and his assistant with one eye and a hook for a hand (who has a wall full of pornographic videos).

If you liked the gore of something like "Terror Firmer", you will find this to be in a similar vein (though, in my opinion, far less offensive). If you do not like blood in your movies, you want to run away from this as quickly as possible. But heck, this is seriously something you cannot go through life without seeing. Highest possible recommendation.

Ngai Kai Lam, the director of the first and best "Erotic Ghost Story", captained this magnificent gore- and fight-fest set in an unconventional Hong Kong prison. It is so gleefully over-the-top that it exists in its own ludicrous stratosphere and is one of the most memorable Hong Kong exploitation films ever made. Siu-Wong Fan is terrific as Riki-oh, a meditative lad who is imprisoned for defending his girlfriend's honor. Possessing almost supernatural strength and fighting prowess, he is forced to fight The Gang of Four, a bunch of crazy, imprisoned superhero types who appear to control the prison's inmates with the approval of the corrupt, one-eyed assistant aarden (Mui Sang Fan), keeper of a massive porno mag collection and owner of a screw-on hook he uses to cart human trash away. The blood-soaked scenes of violence are hilarious and grotesque. Guts are ripped from a man's stomach and used to strangle him. Birds peck out an eyeball. Heads are squashed until they explode. Ricki even knocks down a prison wall with one nasty punch. Originally a Japanese manga (and there's an animated version, too), "The Story of Ricky" has a great, bombastic score, ultra-bloody effects, operatic performances, and a fat Japanese boy, too. It all adds up to top notch entertainment for the whole family.

STORY OF RICKY (Li Wang)

Aspect ratio: 1.85:1

Sound format: Mono

After killing the drug-addicted lowlife who murdered his fiancée, an unlucky strongman (Terry Fan Siu-wong) is remanded to a corrupt prison where he's forced to defend himself against inmates and tyrannical officials, spilling gallons of blood and gore along the way...

Notorious for its splattery violence and hyper-stylized melodrama, STORY OF RICKY - derived from the Japanese manga 'Riki-Oh' created by Tetsuya Saruwatari - is directed by former cinematographer Laam Naai-choi, whose earlier efforts (THE SEVENTH CURSE, EROTIC GHOST STORY, etc.) rarely scaled the same dizzy heights of outrage and audacity. Shot on a shoestring budget in Macao, the film combines high octane bloodshed with "Carry On"-style humor (watch out for the incredible moment when a character uses his intestines as a weapon!), mixed with visual references to earlier exploitation fare such as THE STREET FIGHTER (1974) and THE FURY (1978), though the makeup effects are rudimentary at best, in keeping with the film's comic-book tone.

Japanese actress Yukari Oshima takes second billing as one of the *male* villains (she's dubbed with a masculine voice), and fan favorite Gloria Yip (SAVIOUR OF THE SOUL) plays the hero's ill-fated girlfriend in a series of corny 'feel-good' flashbacks. But the film belongs to handsome, hunky Terry Fan, ripping his shirt off at the drop of an intestine and posing impressively for the various combat sequences. Clothed or unclothed, he's never less than magnificent to behold, and director Laam uses the actor's exaggerated studliness to lampoon the homoerotic spectacle which once fuelled 'golden age' kung fu pictures. It ain't Shakespeare, but trash/splatter fans will embrace the movie with gusto. Also known as STORY OF RICKY AKA RIKI-OH.

(Cantonese dialogue)