Harry K. Telemacher présente de façon déjantée la météo pour une station de télévision locale de Los Angeles. Mais sa vie bascule lorsqu'il est renvoyé et découvre que sa maîtresse le trompe... Tout lireHarry K. Telemacher présente de façon déjantée la météo pour une station de télévision locale de Los Angeles. Mais sa vie bascule lorsqu'il est renvoyé et découvre que sa maîtresse le trompe.Harry K. Telemacher présente de façon déjantée la météo pour une station de télévision locale de Los Angeles. Mais sa vie bascule lorsqu'il est renvoyé et découvre que sa maîtresse le trompe.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Maitre D' at Brunch
- (as Eddie DeHarp)
- Rap Waiter at L'Idiot
- (as M. C. Shan)
Avis à la une
The humor is much more intelligent than early Steve Martin features such as "The Jerk", but it isn't snobbish. It has wit, charm, and pure satirical funniness. Whether it's watching Martin roller-skate through a museum of Old Masters, seeing a restaurant full of jaded Californians casually ride out a minor earthquake as their tables gracefully vibrate across the room, or the absurdity of a freeway sign giving out cryptic personal messages that change the course of the principal character's lives, the movie simply works.
Steve Martin is at his best here, equal to his wonderful performance in "Roxanne". Victoria Tennant is the perfect choice as the off-beat, tuba-playing British journalist Martin's character falls for. Sarah Jessica Parker is absolutely priceless as SanDeE* (that's her spelling, not a typo), the young would-be spokesmodel/bimbette who "likes to point". Even Rick Moranis as the comedic Cockney grave digger is wonderful, despite his having one of the least believable accents since Dick van Dyck as the chimneysweep Bert in "Mary Poppins". Forget the comment about Moranis' accent... you'll enjoy him anyway.
Overall, this is one of my two favorite movies of all time, and considering how many I've enjoyed, that's saying volumes.
And of course, I loved the music by Enya! Check it out.
Who should see this film:
-- romantic comedy goers, a must see
-- action film guys like me, it's OK to see it with your SO (but see if you can get her to see Enemy at the Gate, too)
I'll give L.A. Story a surpassed-its-original-expectations 9 out of 10.
When Harris meets the Londoner journalist Sara McDowell (Victoria Tennant), who has come to LA to write en article for the London Times, in a brunch party with her ex-husband Roland Mackey (Richard E. Grant) and other friends, he believes that she is the woman of his life. Harris does not know how to seduce her and he discovers that Trudi has been cheating him with his agent for three years. Then Harry dates the younger aspirant spokesmodel SanDeE* (Sarah Jessica Parker) because he believes that Sara is interested in her ex-husband. However a freeway signpost helps Harry to woo Sara.
"L.A. Story" is a romantic comedy that is still delightful and witty after so many years from the release. The chemistry between Steve Martin and his wife is perfect and there are hilarious dialogs and situations, like for example, when Harris tells Sara that he would like to take her on a cultural tour of L.A., and Sara replies that this would be the first fifteen minutes. Or when he tells to SanDeE* that her breasts are weird and she answers that it is because they are real. Or when SanDeE* and Roland fantasize with Mel Gibson. In addition, there are cameos of many actors and famous people. The music score by Enya is awesome and fits perfectly to the conclusion. My vote is eight.
Title (Brazil): "L.A. Story"
Here's what I mean: while Martin mercilessly it pokes fun of L.A. for it's flakiness, it's love and tolerance of idiosyncrasies, it's constant preoccupation with image, it's narcissism, the humor is never vulgar, crass, or shallow. For example, one scene takes place in the municipal art museum. We see Harry Telemacher (Steve Martin), with his friends, rapt in admiration for a painting. The camera angle comes from the canvas itself, where we watch Harry, deep in thought, dissertate on the subjects in the portrait, their motives, actions, and hidden agendas. He moves forward, backward, forward again, as if in active dialogue with the lacquer. At last, moving backward, he concludes his remarks by wrinkling his nose in disgust and saying `Look at the way he's holding her: it's almost filthy!' And then the camera moves around to Telemacher's perspective. The painting's a total abstraction. There isn't a distinct line in the entire rectangular frame. In the argot of Postmodernism, one might call it a `readerly' work of art.
It's the perfect metaphor for L.A., where you may interpret anything, any way you like. There's no standard, except one's own `personal reality.' No one can use social norms as a personal club to tell someone else, `You're wrong,' because there is none. It's all `what-E-verrrr.'
Best of all, L.A. Story is a love story, the kind of love that adores someone as much for their faults as for their virtues. Martin's satire is so effective because he loves the city so much.
Le saviez-vous
- AnecdotesSteve Martin and Victoria Tennant were married at the time.
- GaffesIn the credits Sarah Jessica Parker's character is listed as "Sandy" and not "SanDeE*".
- Citations
Harris: [in admiring a painting] I like the relationships. I mean, each character has his own story. The puppy is a bit too much, but you have to over look things like that in these kinds of paintings. The way he's *holding* her... it's almost... filthy. I mean, he's about to kiss her and she's pulling away. The way the leg's sort of smashed up against her... Phew... Look how he's painted the blouse sort of translucent. You can just make out her breasts underneath and it's sort of touching him about here. It's really... pretty torrid, don't you think? Then of course you have the onlookers peeking at them from behind the doorway like they're all shocked. They wish. Yeah, I must admit, when I see a painting like this, I get emotionally... erect.
[the painting is then revealed to be solely a red rectangle]
- Crédits fousSanDeE* (Sarah Jessica Parker) is very peculiar about how her name is spelled. Still, the character is listed as "Sandy" in the credits.
- Versions alternativesA deleted scene featuring John Lithgow was reinstated in the cable-tv version of the film.
Meilleurs choix
- How long is L.A. Story?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- L.A. Story
- Lieux de tournage
- Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, Californie, États-Unis(entrance & foyer used as "L'Idiot Restaurant"/trellis area used for brunch restaurant/ballroom area used for the El Pollo Del Mar hotel rooms)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 28 862 081 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 616 915 $US
- 10 févr. 1991
- Montant brut mondial
- 28 862 081 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1