NOTE IMDb
5,7/10
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MA NOTE
Ajouter une intrigue dans votre langueJonathan Corliss murders his girlfriend Dorothy and moves onto her twin sister Ellen who grows suspicious of her new lover as he charms his way into their family and impresses their father T... Tout lireJonathan Corliss murders his girlfriend Dorothy and moves onto her twin sister Ellen who grows suspicious of her new lover as he charms his way into their family and impresses their father Thor Carlsson. Based on Ira Levin's novel.Jonathan Corliss murders his girlfriend Dorothy and moves onto her twin sister Ellen who grows suspicious of her new lover as he charms his way into their family and impresses their father Thor Carlsson. Based on Ira Levin's novel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Frederick Koehler
- Mickey
- (as Freddy Koehler)
Avis à la une
This film contains a very good performance from Matt Dillion, but the rest isn't very good at all. Bad pacing, I was ultimately bored unless Dillion was on the screen. If you are a Matt Dillion fan check it out.
A remake of the 1956 film of the same name, A Kiss Before Dying is directed by James Dearden and Dearden adapts the screenplay from Ira Levin's novel. It stars Sean Young, Matt Dillon, Max von Sydow, Dianne Ladd and James Russo. Music is by Howard Shore and cinematography by Mike Southon.
Story has Dillon as a troubled young man who murders his pregnant girlfriend (Young) and then hones in on her twin sister (Young again obviously) for further psychotic shenanigans.
It's just about an average thriller at best, where even if the plot line and character motivations are intriguing enough to hold the attention to keep one interested to the ending, even there the outcome is rushed and unsatisfying. From the negative reaction at the initial test screenings, to Golden Raspberry awards, and tales of rewrites and re-shoots et al, this noir reboot is messy.
The tie-in to Hitchcock's Vertigo is glaringly "not" homage worthy, and not just content with that, director Dearden tries to use some of Hitchcock's macabre black humour to unintentionally "not" witty results. So with Young on hilariously bad form as well, the thriller aspects strain to get resuscitated for dramatic worth.
Dearden does show some nice touches with his camera-work, and there's a lurid quality to Southon's colour lenses that pay respect in heart to Levin's source material, but ultimately it's hard to recommend seriously to noir fans and the 56 version (itself not without problems) is still the way to go. 5/10
Story has Dillon as a troubled young man who murders his pregnant girlfriend (Young) and then hones in on her twin sister (Young again obviously) for further psychotic shenanigans.
It's just about an average thriller at best, where even if the plot line and character motivations are intriguing enough to hold the attention to keep one interested to the ending, even there the outcome is rushed and unsatisfying. From the negative reaction at the initial test screenings, to Golden Raspberry awards, and tales of rewrites and re-shoots et al, this noir reboot is messy.
The tie-in to Hitchcock's Vertigo is glaringly "not" homage worthy, and not just content with that, director Dearden tries to use some of Hitchcock's macabre black humour to unintentionally "not" witty results. So with Young on hilariously bad form as well, the thriller aspects strain to get resuscitated for dramatic worth.
Dearden does show some nice touches with his camera-work, and there's a lurid quality to Southon's colour lenses that pay respect in heart to Levin's source material, but ultimately it's hard to recommend seriously to noir fans and the 56 version (itself not without problems) is still the way to go. 5/10
"like a bad tv movie" Thanks to MCMucus, Kalamazoo. You summed it up in 5 words. I could only add that a pompous score tries to tell you that a wonderful drama is unfolding in front of you. It's not. It's hard to find anything of value in this film.
Inferior remake of the 1956 classic. Matt Dillion was still very handsome when this was made and the real reason to watch. He is effective as the sociopat, and would have been better with a talented and attractive leading lady. Sean Young is just really, really bad. If you dislike her, this plays as an unintentional comedy. A nice touch is Matt lighting a cigarette after he pushes her off the roof.
Now if Matt was teamed with Diane Lane again, this could have been an effective and sexy thriller. BTW, well to do women do not buy box hair color at the drugstore they have professionals color it. Hair as dark as Young's would have to be bleached first anyway. It is a two step process.
Now if Matt was teamed with Diane Lane again, this could have been an effective and sexy thriller. BTW, well to do women do not buy box hair color at the drugstore they have professionals color it. Hair as dark as Young's would have to be bleached first anyway. It is a two step process.
6=G=
Sean Young gets a double Razzie nod for sleepwalking through her dual role in this journeyman thriller which sticks Matt Dillon out front as an upwardly mobile man who prefers to murder his way to the top of the corporate ladder. Full of contrivances and asking many questions while providing few answers, this mediocre rehash of a 1956 thriller makes for little more than a nominal couch potato no-brainer. Okay to zone to. (C+)
Le saviez-vous
- AnecdotesMatt Dillon was actually James Dearden's third choice to play the lead role. Originally Dearden wanted River Phoenix to play Jonathan, but Phoenix didn't relate to the material saying he couldn't play someone so evil. Then Dearden approached Kiefer Sutherland who turned down the offer due to scheduling conflicts. Finally Dillon got the role and Dearden was so impressed with his performance that he later said Dillon should've been his first choice all along.
- GaffesWhen Ellen and Jonathan take the injured homeless woman to the hospital, Ellen talks to a nurse and offers to pay the bill. First, the nurse is wearing a stiff white cap and uniform. Most nurses, especially in the ER, had stopped wearing this type of uniform by the time the film was set. Also, she gives the nurse the money for the bill. Nurses do not handle billing and collection in hospitals. Plus, she didn't seem to know how much the bill was. And no receipt?
- Bandes originalesDangerous Love
Written by Simon Stokes & Mark Hefferman
Performed by Simon Stokes
Courtesy of Kook Records
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- How long is A Kiss Before Dying?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Un beso antes de morir
- Lieux de tournage
- St. Thomas Church - 1 W 53rd St, Ville de New York, New York, États-Unis(Jonathan and Ellen's wedding)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 429 177 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 348 165 $US
- 28 avr. 1991
- Montant brut mondial
- 15 429 177 $US
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