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Dans les griffes du crime

Titre original : Killing Streets
  • 1991
  • 16
  • 1h 46min
NOTE IMDb
4,6/10
551
MA NOTE
Dans les griffes du crime (1991)
ActionAventureCriminalitéDrameGuerre

Ajouter une intrigue dans votre langueWhen his twin brother is reported killed in a Beirut car explosion, a man turns the war-torn city upside-down in search of the truth.When his twin brother is reported killed in a Beirut car explosion, a man turns the war-torn city upside-down in search of the truth.When his twin brother is reported killed in a Beirut car explosion, a man turns the war-torn city upside-down in search of the truth.

  • Réalisation
    • Stephen Cornwell
  • Scénario
    • Stephen Cornwell
    • Andrew Deutsch
    • Menahem Golan
  • Casting principal
    • Michael Paré
    • Shaul Mizrahi
    • Uri Mauda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    551
    MA NOTE
    • Réalisation
      • Stephen Cornwell
    • Scénario
      • Stephen Cornwell
      • Andrew Deutsch
      • Menahem Golan
    • Casting principal
      • Michael Paré
      • Shaul Mizrahi
      • Uri Mauda
    • 12avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
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    Voir l'affiche

    Rôles principaux32

    Modifier
    Michael Paré
    Michael Paré
    • Chris…
    Shaul Mizrahi
    Shaul Mizrahi
    • Bellboy
    Uri Mauda
    • Desk Clerk
    Rahely Chimeyan
    • Mayla
    Hashem Yassin
    • Salah
    Yaacov Gvir-Cohen
    • Ali
    Alon Aboutboul
    Alon Aboutboul
    • Abdel
    Itzak Atzmon
    • Karim
    Raffi Tavor
    Raffi Tavor
    • Yassir
    • (as Rafi Tavor)
    Travis Ducsay
    • Boy on Bike
    Gabi Amrani
    Gabi Amrani
    • Gilad
    Shahar Cohen
    • Gunman #1
    • (as Sachar Cohen)
    Ofer Levi
    • Gunman #2
    Michael Downs
    • Harold
    Lorenzo Lamas
    Lorenzo Lamas
    • Charlie Wolff
    Jennifer Runyon
    Jennifer Runyon
    • Sandra Ross
    Noa El-Rom
    • Girl Clerk
    Mati Seri
    Mati Seri
    • Detective
    • Réalisation
      • Stephen Cornwell
    • Scénario
      • Stephen Cornwell
      • Andrew Deutsch
      • Menahem Golan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    4,6551
    1
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    10

    Avis à la une

    TheMovieMark

    Plenty of "how did this movie ever get made" moments ensue.

    Stephanie and I joined our friends, Mr. and Mrs. Shade, in a game of "let's test our threshold of pain" as we got together to watch the malodorous waste of celluloid known as "Killing Streets." As soon as Lorenzo Lamas appeared on screen with a HORRIBLY FAKE Southern accent we knew it was go time. "Whatchu doin' here, boyeee?" The moment he uttered his first line all four of us burst out in laughter. It was beautifully awful.

    I must say this is one of the best "high school basketball coach travels to Lebanon to save his twin brother" movies I've ever seen. Oh wait, it's the only movie of that nature I've ever seen. Can you believe it?

    I'm sorry to say that my plot description is completely accurate and not a figment of my imagination. This movie is all about originality! Honestly, how many other movies can you name that involve a high school basketball coach and his Lebanese cab driver taking on a huge armed-to-the-teeth terrorist group? What's that? You can't think of any? Yeah, that's what I thought.

    I could go on and on about the aimless action, the stupid car chases, the implausibility of it all, the one-note "lead" actress whose function is to make out hot and heavy with the hero, but it'd be a waste of our time. I think a description of the end of the movie will sum up everything quite nicely:

    One of the terrorists is holding a grenade in one hand and Paré twin #1 in the other. All of a sudden we hear the sound of a basketball being dribbled in slow motion. You read that right; there is actually an "action" movie out there that uses a dribbled basketball as a dramatic sound effect. Paré twin #1 then drops to the ground and Paré twin #2 blows away the terrorist. When Paré twin #1 asks Paré twin #2 how he knew which way he'd duck, Paré twin #2 (the basketball coach) responds with, "In basketball you always fake left and go right." Yeah.

    THE GIST

    If you're a masochist that, for some unknown reason, likes movies about high school coaches literally outsmarting a whole country full of Lebanese terrorists, then you might actually enjoy this movie. Otherwise, this is strictly for bad movie marks who want to get four or more friends together and create their own Mystery Science Theater episode.
    8loulou1992

    Parè deserves credit

    It's better then most films I've seen and to be honest it is a good action film... Most of Parè's films have less then 700 votes and I don't undrstand why. He should of been a bigger star, he has more charisma then Tom Cruise. It's a decent action films with some good action sequences. The film does deserve better attention.
    1David-240

    Lame-brained racist turkey with great eye-candy!

    What a dog this one is! Poorly staged action sequences, lousy acting, terrible dialogue - and it's racist to boot. A ridiculous simplification of the political turmoil in Lebanon in the 1980s, this film would also have us believe that one American high-school basketball coach can defeat a whole army of Lebanese terrorists!!! And we are also meant to believe that the US Government would recruit this same basketball coach (and his friendly Lebanese taxi driver!!!) in an operation to rescue American hostages - a four man operation against hundreds of armed-to-the-teeth terrorists. The resulting rescue scene is almost as funny as the opening scene of "The Naked Gun". This sort of nonsense certainly does nothing to help US relations with the Middle East - and, as this was an Israeli-American co-production, it does little to help Arab-Israeli relations either.

    On the plus side there is some excellent male eye-candy. Lorenzo Lamas, an even worse actor than his father (if such a thing is possible), is pretty easy on the eye. But even better we have no less than two Michael Pares - he plays twin brothers, and neither brother seems to be too fond of wearing shirts! It's a shame that Pare ended up in this sort of z-grade rubbish, particularly after such a promising start in "Eddie and the Cruisers".

    With the hunk factor so high, maybe you could watch "Killing Streets" with the sound turned down, put something sexy on the stereo, and simply admire the view!
    fugu_286

    Worst 150 Contender

    I was surprised that there was only one comment on this film. This is definitely another example of an American-Israeli co-production which is completely offensive to anybody other than Americans or Israelis! Stereotypes abound, historical inaccuracy, blatant racism, jingoism galore, this movie is painful to watch. Other than that, it's your typical low budget action film. Worth a watch on late night cable.
    4TBJCSKCNRRQTreviews

    It *does* actually lead to the slaughterhouse, though that's by sheer coincidence

    This is the fourth Paré flick I catch, the others being Bad Moon(a crossbreed of Lassie and your typical sub-par werewolf story), Deadly Heroes(that reuses part of a so-so car-chase in this, and is pure camp) and Village of the Damned(where I must have been basically fine with him, as I don't recall him standing out as poor). Here, he's playing two(I think; it is difficult to determine, as the only thing that sets them apart... *at all*... is that one has a patch of blood over his left eye, as evidence that he's been tortured) identical cousins(they walk and talk alike)... no, wait, twins. Yeah, they feel each other's pain(well, once, when it's required for this thing's excuse for a plot)... has that *ever* been a compelling idea? Whether or not such a thing is just a little bit realistic, it is corny as all hell. Anyway, where Double Impact had split-screen shots, we don't even get *that* here. Chris Brandt wakes up one morning, certain that his brother(in Lebanon, engaged in the conflict) is alive(he dreamt it, you see; at this point, the producers remind the writers that they are, in fact, not currently doing a script for My Little Pony). There is relatively little action, and only near the end does it get to be at least decent. This is one of the stupidest protagonists I've encountered. For some reason, he sure can fight, in spite of being a mere basketball coach. This is not that exciting or entertaining. There is hardly any tension. It is definitely a B-movie, with the acting "talent" to match. The score is fine, nothing special. Same goes for the dialog, with the occasional exception that is concentrated pain in audio form. As another person already put it, this is put together by Americans and Isralies, and offensive to everyone but those groups. There is a little sexuality/eye-candy and moderate, bloody violence in this. Flat, one-sided, and will probably give you constipation... similar, I suppose, to a pizza, albeit without the appeasing scent and taste. Yeah, watch the JCVD film instead. I recommend this solely to those looking for a fix in the genre. 4/10

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Released theatrically in Spain, The Philippines, and Japan.
    • Gaffes
      The guards at the desert fortress must be blind. As the US team sets up their attack, they are clearly visible from the ramparts of the fortress.
    • Connexions
      Edited into Deadly Heroes (1993)

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    Détails

    Modifier
    • Date de sortie
      • 30 novembre 1991 (Japon)
    • Pays d’origine
      • Israël
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Killing Streets
    • Lieux de tournage
      • Israël
    • Sociétés de production
      • 21st Century Film Corporation
      • Israfilm Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 46 minutes
    • Couleur
      • Color
    • Mixage
      • Ultra Stereo
    • Rapport de forme
      • 1.85 : 1

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