Barston, chasseur de primes

Some might describe "Into the Badlands" as a surreal tale of the Old West. I on the other hand would call the film a sleep inducing waste of talent and time. Sure Bruce Dern looks convincing as a bounty hunter, in his black duster and specs. Even the music is interesting and appropriate. Everything else is not good. It begins and ends with the story, which is disjointed and talky. The first part involves a gunslinger talking and talking with barroom whore Helen Hunt. The second is something about Mariel Hemingway talking and talking to a frontier neighbor before some unexplained wolves show up. Dern reappears in the final sequence killing a wanted baddie and then dragging his rotting body around the desert for the rest of the film. - MERK

This movie is a bit of an odd duck - it is sort of like an episode or two of "Twilight Zone" masquerading as a western. Nothing wrong with that, it's just that the various story threads in the movie never get developed to their fullest.

However, what this movie lacks in the way of compelling story development, it more than makes up for with a very rich, absorbing Old West atmosphere. There is just something about the feel of this film - the photography, the costumes, the weapons, the Old West sets and real western locales (New Mexico), the expressions on people's faces... Call it a victory of style over substance... In any case, I thoroughly enjoyed the "look and feel" of this movie from start to finish. Watching the movie, there were more than a few times where I felt myself being transported back to a different place and time. I just wish the rich story development of a good western-genre movie such as "Unforgiven" (1992) with Clint Eastwood and Gene Hackman, could have been woven into "Into the Badlands," as that would have completed this film and would have ultimately made for one very awesome Western movie.

But even in its current configuration, this movie is definitely worth checking out. I think you will be suitably dazzled by the Old West atmosphere that is conveyed in the film. Just don't expect a dazzling story to complement it.

Dern burns up the desert.

Dylan McDermott & Helen Hunt are good, but who needs supporting cast when Dern's soliloquies with corpses are so deadly riveting. A character reminiscent of Kane the `preacher-man' in Poltergeist II, and portrayed almost as eerily, though with Dern wit.

Good western portrayal with authentic undertones. And a dern-good soundtrack too, if you can find it.

Unfortunately I have only - at this point - seen the last 35 minutes of this film but based on that it is undoubtedly the finest spaghetti western ever made - or the best not done to be funny parody of one. cinematographer, director , make-up and sets duplicated the look and feel of the Italian films, threw in some marvelous Felliniesque and neo-realism, as done the in the late 40's /early 50's, and made New Mexico pass beautifully as the plains/deserts of Spain. Have to have this in my collection!!! (Just in case, yes I know it is an American made film.) That is the only important thing that needs to be said about the film but read on if you must . Bruce Dern gives a quite interesting version of his bad guy persona (though he is the good guy) and the only flaw I personally found in the 35 minutes was in a bar scene where Dern has pulled back his coat to show an obviously well used gun and he stops when a bad guy shows he is holding a shotgun - by the barrel with the stock on the floor. Sorry guys (writing problem) from that position any halfway decent gunman could take out the shotgunner and at least one person of normal ability without concern. Ah well - it stretched the action a little!.

Yikes! I just kept waiting for something to happen. Never did! The old western atmosphere was the only thing worth anything. No story line, no plot, characters that go nowhere. You have to wonder what ever makes actors, a director or movie production company think this is going to be something worth spending money, time and talent on.